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All Journal Pantun: Jurnal Ilmiah Seni Budaya
Ismet Ruchimat
Institut Seni Budaya Indonesia (ISBI) Bandung
Arts Humanities

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Ngalokat Menuju Refleksi Diri Neng Wina Resky Agustina; Ign. Herry Subiantoro; Ismet Ruchimat
PANTUN Vol 6, No 2 (2021): Karakter Seni Lokal Untuk Penguatan Budaya Nusantara
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i2.1811

Abstract

“Lokat Mala” is a contemporary dance work inspired by the rumpaka mamaos of the Cianjuran song entitled “Lokat Mala”. The atmosphere of harmonizing songs stirs the soul, gives longing for a cool, peaceful, and serene rural atmosphere. Lokat Mala leads to a process of self-cleaning when humans try to reflect on the balance of the relationship between God, humans and Nature. Stuart Hall's representation theory is used to interpret mamaos Lokat Mala as content ideas which explain, translate, and express ideas including meaning, language, culture, concepts, reality and imagination. The method of creation or creative process applies the concept of Alma Hawkins covering exploration, improvisation and formation. Jaqueline Smith's construction method used in constructing sensitivity includes auditory stimulation, visual stimulation, kinesthetic stimulation, tactile stimulation and idea stimulation. The embodiment of religious ideas and experiences about self-memory, represented in the form of a dance structure as a symbol of harmony and balance in outward and spiritual life. The choreography combines self-reflection, self-motivation, and self-strength.Keywords: Dance, Lokat Mala, Reflection of life, Representation
Potrait Fotografi Kehidupan Ma Ayu Shauma Silmi Faza; Andang Iskandar; Ismet Ruchimat
PANTUN Vol 7, No 1 (2022): Ritual, Seni, dan Rekayasa Budaya
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v7i1.1990

Abstract

ABSTRACTThe reality of Ma Ayu's life has become the trace of memory saved in the system of sensory memory. The information about Ma Ayu's life journey is divided into three dimensions, namely adolescence, productive period, and survival period. Ma Ayu's story stimulates to play a role of humans as homo narrans, namely the representation of individuals as the subject of the story through the medium of photography. This work is presented in the category of ethical photographs summarized in a series of documentary photos and essays so that they contain photos which can be evaluated ethically. The method applied to reveal Ma Ayu's figure is by using a humanitarian approach for social documentary. This work produces two findings, the first is the perspective of Ma Ayu's personal identity as a representation of Javanese woman who struggle in the social complexities of different cultures. The second is to produce visual aesthetic products in the form of photography showing Ma Ayu's characteristics as a hardworking, high-spirited, and independent woman.Keywords: Biography, Humanitarian, Visual AestheticABSTRAKRealitas kehidupan Ma Ayu telah menjadi jejak memori yang tersimpan dalam sistem ingatan sensorik. Informasi mengenai perjalanan hidup Ma Ayu terbagi menjadi tiga dimensi, yaitu masa remaja, masa produktif, dan masa survive. Kisah Ma Ayu menjadi stimulus untuk memainkan peran manusia sebagai homo narrans, yaitu keterwakilan individu sebagai subjek cerita melalui medium fotografi. Karya ini disajikan melalui kategori foto etik (ethically photographs), yang dirangkum dalam rangkaian foto dokumenter dan esai sehingga memuat foto-foto yang dapat dinilai secara etik. Adapun metode yang digunakan untuk membedah figur Ma Ayu yaitu dengan menggunakan pendekatan kemanusiaan (humanitarian approach for social documentary). Karya ini menghasilkan dua temuan, pertama berupa perspektif identitas personal Ma Ayu sebagai representasi perempuan Jawa yang berjuang dalam kompleksitas sosial yang berbeda kultur. Kedua menghasilkan produk estetika visual dalam bentuk fotografi yang menunjukkan karakteristik Ma Ayu dengan sifat pekerja keras, semangat yang tinggi, dan mandiri.Kata Kunci : Biografi, Humanitarian, Estetika Visual.
Co-Authors Andang Iskandar Ignasius Herry Subiantoro Nurjaya Nurjaya Shauma Silmi Faza