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Amin Sulistiyowati
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PERANCANGAN MOTIF BATIK TULIS DENGAN TEMA KERARIFAN LOKAL GAMELAN JAWA DI DESA WIRUN KECAMATAN MOJOLABAN KABUPATEN SUKOHARJO SEBAGAI UNSUR DESAIN PERMUKAAN PADA BUSANA PESTA BERGAYA BOHEMIAN Ojiezenia Della Deviana; Amin Sulistiyowati
Canthing Vol. 5 No. 1 (2019)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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ABSTRAK Di wilayah Bekonang terdapat sebuah desa yang memiliki keunikan karena sebagian penduduknya bermata pencaharian sebagai pengrajin gamelan. Gamelan adalah seperangkat alat musik di Jawa yang terdiri dari berbagai ricikan atau waditra (instrumen) yang menghasilkan lagu atau gending. Desa Bekonang juga merupakan sentra kerajinan batik tulis. Membatik menjadi kegiatan sampingan bagi kaum pria dan wanita di desa tersebut. Dalam pembuatan karya Tugas Akhir ini, Penulis ingin memperkenalkan kearifan lokal Desa Bekonang berupa gamelan yang dituangkan melalui motif batik. Kata kunci : Kearifan Lokal Gamelan Jawa.
ESTETIKA BATIK PEDESAAN DI BEKONANG SUKOHARJO Amin Sulistiyowati
Canthing Vol. 4 No. 1 (2017)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Batik mengalami perluasan daerah, keberadaan batik juga ditemukan di daerah Bekonang. Pola batik Bekonang terinspirasi dari lingkungan alam sebagai sumber ide pembuatannya. Inspirasi ide tersebut tampil dalam bentuk flora dan fauna. Terdapat beberapa unsur yang menjadi cirikhas pada batik Bekonang. Masalah yang dikaji dalam penelitian ini adalah bagaimana keberadaan batik Bekonang, bagaimana jenis dan fungsi batik Bekonang, dan bagaimana batik Bekonang ditinjau dari estetika. Tujuan penelitian ini adalah untuk menjelaskan keberadan batik Bekonang, mengetahui jenis dan fungsinya, serta menganalisis batik Bekonang dari segi estetikanya. Penelitian ini menggunakan pendekatan estetika Wilfried van Damme untuk menganalisa karya seni batik dengan karakter kedaerahanya. Hasil penelitian menunjukkan bahwa: pertama, keberadaan batik Bekonang dipengaruhi oleh pola keraton. Pada awalnya pola batik Bekonang hanya berupa pola batik klasik keraton tetapi pada perkembangannya muncul pola batik petani. Kedua, batik Bekonang terbagi menjadi tiga jenis menurut periode perkembangan yaitu batik kreasi, batik gabungan, dan batik sugesti alam. Memiliki tiga jenis menurut tekniknya yaitu batik tulis Bekonang, batik cap/stempel Bekonang, dan batik kombinasi Bekonang. Dari hasil varian tersebut batik Bekonang dapat difungsikan sebagai bahan pembuat produk lain, seperti pelangkap busana pengantin dan asesoris. Ketiga, ditinjau dari estetika batik Bekonang terdapat pada visual, tekstur, dan aroma seperti malam.
TATO DAYAK DENGAN APLIKASI BORDIR PADA BAHAN KULIT Iqbal Lina Rimawati; Salim; Amin Sulistiyowati
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Indonesia is a country that is famous for its many diverse cultures and from various regions, so there are many Indonesian cultures that are rarely known by many people, even the Indonesian people themselves. The many cultures and languages that exist in Indonesia give this country its own color and also become one of the icons and special attractions for foreigners, the many cultural differences in Indonesia have a positive impact on society.One of Indonesian culture that is not well known is traditional Indonesian tattoos, where tattoos are one of the cultural customs of several tribes in Indonesia, namely the Mentawai, Dayak, and Moi tribes. Tattoos on each tribe are symbols or traditional traditions for them, which have their own meaning. Of the three tribes, the most familiar are Dayak tattoos and Moi tattoos, but the ones that are more widely used by the general public are Dayak tattoo motifs.Keywords: Tattoos are symbols of the Mentawai, Dayak, and Moi traditional traditions
EKSPLORASI ECOPRINT PADA BUSANA PESTA KIMONO MODERN DENGAN MOTIF MUSIM GUGUR JEPANG Shafa Kamila Choirunnisya; Amin Sulistiyowati; Aninda Dyah Hayu
Canthing Vol. 11 No. 1 (2025): CANTHING VOL. 11 NO. 1 Tahun 2025
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal. Keywords: author’s guideline, document’s template, format, style
MEMBACA VISUAL MOTIF BATIK SEMARANGAN WARAK NGENDOG Mursidah; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Batik Semarangan has a variety of motives, including architectural motifs (Lawang Sewu, Tugu Muda, Sam Po Kong, and others) and floral fauna motifs (asem, tendrils, fish, etc.). One of batik Semarangan's unique and interesting motifs is Warak Ngendog's motif. Visualization of Warak Ngendog motif is made by referring to the mythological animal of Semarang belief. This journal will discuss the visual motives of Warak Ngendog through the semiotic viewpoint. This viewpoint sees batik motifs not merely images, but as cultural texts in which operate marking practices that lead to the method of reading batik motifs as a text. With this point of view Warak Ngendog's motives will be analyzed by traces of visual detail, how to form visual constructs, and to track his social history. Keyword: Batik Semarang, Warak Ngendog, Signs, Semiotic.
KOMPARASI ESTETIK BATIK FRAKTAL DENGAN BATIK NUSANTARA TRADISI Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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ABSTRACT Batik fractal is a modern batik made refer to the tradition motif combined with fractal visual in computational way. As an innovation in the arena batik Nusantara, batik fractal managed to integrate the digital technology with fractal visuality as a major milestone work design. It has produced a form of batik modern that play an important role in bringing batik Nusantara to face the global competition. This journal will discuss the relationship between batik fractal with batik tradition in the constellation batik Nusantara through the aesthetic comparative study. Keyword: Batik Fractal, Batik Nusantara, Comparative Study.
DESTRUKTIF BATIK: PERANCANGAN MOTIF BATIK DENGAN VISUAL DESTRUKTIF (NEGATIF FILM) DAN GAYA SUREALISME PADA PRODUK ART WEAR Muchamad Bagus Iman; Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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As time goes by, many things are influenced, one of which is art. However, on the other hand, traditional arts in each region, especially in the field of art, have not been influenced by developments over time as significantly as Batik art in Indonesia, which has only been influenced by the materials and techniques for making it. Based on this, a design concept emerged for motifs, techniques and clothing applications that were newer and less monotonous. And these three things influence the design elements, namely shape, color and material in the components used. In this design the author wants to present a new batik motif with a new color technique and apply it to new clothing. By considering the aesthetic aspects of design, function and also the psychology of the user. The method used in this design is combining batik techniques with Surrealism visuals on batik motifs and using negative film coloring techniques which will be applied to Art Wear clothing. The aim of this design is to create batik motifs with destructive visuals (film negatives) with a surrealist style in Art Wear products. Keywords: Art wear, Batik, Destructive, Surreal
VARIOUS KINDS of TRADITIONAL CLOTHING INDIAN SOCIETY Khansa Luthfi Musyaffa; Fajar Prihati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Types of Indigenous Clothing of the Indian Society. India is one of the countries that is very influential in ancient Asian civilizations. Saree from India is one of the oldest clothing in the world. Many fashion clothes are inspired by Indian clothes and applied in a more modern style. Even though there are Western clothing styles that colonized India, India is still able to maintain the Saree as part of the characteristics of the Indian State.
KLASIFIKASI KARAKTERISTIK BUSANA TRADISIONAL CHINA Kisni Hangganingtyas; Dhea Putri Aguatina S,A; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

The Online Journal of Akademi Seni dan Desain Indonesia Surakarta comprises of 13 online journals which contribute to the advance of knowledge in 13 scientific fields. To comply to the formatting used by the Journal, authors who wish to submit paper to one of the Journal are strongly recommended to use this file as the template for their papers. In this file, authors will find all styles and formatting acceptable for paper submission. Each paper should be between 8 to 12 pages in all, including illustrations, tables, list of references, and abstracts in Bahasa Indonesia and English. Authors are encouraged to submit paper in MS Word format (.doc or .docx) via http://jurnalonline.itenas.ac.id as registered author. Hardcopy is acceptable for first submission, but softcopy is required for further editing once the paper is considered for publication by the Journal. Keywords: author’s guideline, document’s template, format, style
KLASIFIKASI KIMONO SEBAGAI BUSANA ADAT JEPANG Mila Fiska Indriana; Iffana Nafisa Saraswati; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

This journal uses qualitative research methods through document or text studies. It is a study that focuses on the analysis or interpretation of written material based on the context. Materials can be in the form of published notes, books, texts, newspapers, magazines, articles and the like. The data used as a reference for this journal is taken from online journals and digital books, which have previously been reviewed by the author and then summarized and set forth in written form with the title Classification of Kimono as Japanese Traditional Clothing. Japan is included in one of the developed countries, Japan as a country that still adheres to customs and culture is the main attraction, one of which is clothing. Almost everyone knows the traditional Japanese dress, namely the kimono. Clothing with various motifs and colors is well known throughout the world because it has become the identity of the country. Traditional Japanese kimono clothing is no longer monotonous because it has received several technological touches so that it looks more modern and can compete in the market.
Co-Authors Andri Nur Cahyo Aninda Dyah Hayu Dhea Putri Aguatina S,A Fajar Prihati Iffana Nafisa Saraswati Iqbal Lina Rimawati Khansa Luthfi Musyaffa Kisni Hangganingtyas Mila Fiska Indriana Muchamad Bagus Iman Mursidah Ojiezenia Della Deviana Salim Shafa Kamila Choirunnisya