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SENI PERTUNJUKAN TARI ZAPIN API DI RUPAT UTARA BENGKALIS PROVINSI RIAU Nike Suryani; Laila Fitriah
Titian: Jurnal Ilmu Humaniora Vol. 3 No. 1 (2019): Juni 2019
Publisher : Fakultas Ilmu Budaya, Universitas Jambi

Tari zapin adalah salah satu jenis tarian yang ada di daearah Riau, hampir diseluruh kabupaten mempunyai tari zapin. Salah satunya tari zapin api, merupakan tradisi asli dari daerah Rupat Utara Tari zapin ini merupakan salah satu budaya lokal yang memiliki keunikan dan perbedaan dengan zapin lainnya. Tari Zapin Api adalah salah satu seni pertunjukan yang sangat terkenal di Kabupaten Bengkalis khususnya di daerah Rupat Utara. Tari Zapin Api merupakan sebuah pertunjukan yang menggabungkan tari dan musik dalam penampilannya. Tari zapin ini sangat erat hubungannya dengan alat musik gambus,. Berdasarkan fenomena tersebut, penulis merasa perlu untuk melakukan penelitian yang lebih mendalam mengenai Unsur-unsur Tari Dan Unsur-unsur Musik pada tari Zapin Api. Dengan tujuan untuk mengetahui unsur tari Zapin Api dan unsur-unsur Musik. Teori dalam penulisan ini adalah teori seni pertunjukan memiliki fungsi yang sangat komplek dalam kehidupan manusia. Curh, nt Sachs mengutarakan, bahwa ada dua fungsi utama tari, yaitu (1) untuk tujuan-tujuan magis: dan (2) sebagai tontonan. Hal ini juga berhubungan dengan teori dari (Alan P. Merriam, 1987: 219-226) 10 fungsi musik yaitu: (1) pengungkapan emosional (2) pemuas rasa keindahan (3) hiburan (4) sarana komunikasi (5) persembahan simbolis (6) respon fisik (7) penguat norma-norma social (8) pengukuhan institusional dan upacara agama (9) sarana kelangsungan dan stabilitas kebudayaan, (10) perekat masyarakat. Subjek Penelitian 6 orang. Dalam buku Metodologi Penelitian Seni Pertunjukan dan Seni Rupa ( R.M. Soedarsono, 2001: 170) membagi seni pertunjukan ke dalam dua kelompok utama, yaitu fungsi primer dan sekunder dari seni pertunjukan. Subjek Penelitian 6 orang. Metode penelitian ini adalah jenis penelitian yang digunakan bersifat kualitatif dengan pendekatan etnokoreologi dan etnomusikologi.

Implementasi Nilai-Nilai Religius dalam Musik Gambus Melayu Riau Laila Fitriah; Evadila Evadila; Idawati Idawati; Nussy Anggraini
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 4 No 2 (2022)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v4i2.96

The development of science and technological progress as it currently has such a large impact on character values, religious values, social values, customs and value systems that exist in society. This situation has a negative impact on the younger generation due to not being able to respond properly. The application of religious values is the main capital in dealing with the negative impacts of technological progress. Through art education with Gambus art media, religious values can be realized for the younger generation. This study aims to explain the religious values that exist in the Riau Malay Gambus art. This research was conducted in Pekanbaru City, Riau, the research subjects were students of the Sendaratasik Department of the Islamic University of Riau and the object of research was the Riau Malay Gambus art. This type of research is descriptive qualitative research. The data collection method used is by conducting observations, interviews, literature studies and documentation. Data analysis will use descriptive qualitative method obtained from primary and secondary data. The results of this study indicate that in Riau Malay Gambus art there are religious values such as the value of worship, the value of jihad (ruhul jihad), the value of morals and discipline and the value of exemplary. The most important religious value is the value of worship, because in Gambus art there are many lessons and messages that can be learned from the art, because the initial function of Gambus art itself is as a propaganda medium which contains many religious elements and messages for everyday life. day that can be realized in the midst of family and society. By itself the religious values contained in Gambus art can be applied to today's young generation to avoid negative things that will happen.

Nyanyian Onduo Dalam Masyarakat Pasir Pengaraian, Dalam Perspektif Fungsi Manifes Dan Laten Idawati Arman; Armansyah Anwar; Laila Fitriah; Andang Pramudya
Perspektif Pendidikan dan Keguruan Vol 14 No 1 (2023): Perspektif Pendidikan dan Keguruan Vol 14 No 1 April 2023
Publisher : UIR Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/perspektif.2023.vol14(1).12028

This study aims to reveal the function of onduo song in the Malay community at Pasir Pengaraian, Rokan Hulu, Riau Province. The research method used is a qualitative method, with field work steps. While the data collection technique is by conducting in-depth interviews, field observations and document analysis. From the research results, it was found that there are two functions of onduo song in society, namely manifest and latent functions. The manifest function is a function that is done on purpose. This is found when singing is functioned in the context of cultural events, such as the konduo ceremony. The next manifest function is also found in the form of artist creativity, both dance and music, which makes the onduo song the main material of the work. The latent function is found in the meaning that accompanies each stanza of onduo song which is sung, in which the entire lyrics of singing onduo, although with different themes, contain similar messages, namely messages for good. Of course, this message is intended for the child who is being rocked, but it is also for the audience to consume.

Implementasi Nilai-Nilai Religius dalam Musik Gambus Melayu Riau Laila Fitriah; Evadila Evadila; Idawati Idawati; Nussy Anggraini
Musikolastika: Jurnal Pertunjukan dan Pendidikan Musik Vol 4 No 2 (2022)
Publisher : Program Studi Pendidikan Musik FBS UNP

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/musikolastika.v4i2.96

The development of science and technological progress as it currently has such a large impact on character values, religious values, social values, customs and value systems that exist in society. This situation has a negative impact on the younger generation due to not being able to respond properly. The application of religious values is the main capital in dealing with the negative impacts of technological progress. Through art education with Gambus art media, religious values can be realized for the younger generation. This study aims to explain the religious values that exist in the Riau Malay Gambus art. This research was conducted in Pekanbaru City, Riau, the research subjects were students of the Sendaratasik Department of the Islamic University of Riau and the object of research was the Riau Malay Gambus art. This type of research is descriptive qualitative research. The data collection method used is by conducting observations, interviews, literature studies and documentation. Data analysis will use descriptive qualitative method obtained from primary and secondary data. The results of this study indicate that in Riau Malay Gambus art there are religious values such as the value of worship, the value of jihad (ruhul jihad), the value of morals and discipline and the value of exemplary. The most important religious value is the value of worship, because in Gambus art there are many lessons and messages that can be learned from the art, because the initial function of Gambus art itself is as a propaganda medium which contains many religious elements and messages for everyday life. day that can be realized in the midst of family and society. By itself the religious values contained in Gambus art can be applied to today's young generation to avoid negative things that will happen.

Pengaruh Gender terhadap Motivasi Belajar Siswa pada Mata Pelajaran Seni Budaya di Sekolah Menengah Atas Febriola Anisya Putri; Laila Fitriah; Indria Apriza
Didaktika: Jurnal Kependidikan Vol. 13 No. 001 Des (2024): Didaktika: Jurnal Kependidikan (Special Issue 2024)
Publisher : South Sulawesi Education Development (SSED)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58230/27454312.1453

Motivasi adalah kesadaran untuk mencapai tujuaan dan motivasi belajar adalah proses dari kesadaran siswa untuk mencapai tujuan. Gender sendiri dianggap memiliki pengaruh dalam motivasi belajar. Tujuan dari penelitian ini adalah untuk melihat perbedaan motivasi belajar siswa kelas XI SMAN 4 Pekanbaru pada mata pelajaran Seni Budaya ditinjau dari aspek gender. Penelitian ini menggunakan pendekatan kuantitatif-deskriptif dan menggunakan kuisioner sebagai instrument penelitian. Sampel yang ditinjau pada penelitian ini dalah 208 orang siswa kelas XI di SMAN 4 Pekanbaru. Teknik analisis data yang digunakan adalah uji independent sample t-test yang mendapatkan hasil Sig. (2 tailed) 0,013 dan 0,014 sehingga terlihat adanya perbedaan pada motivasi belajar siswa ditinjau dari gendernya.

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