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All Journal Corak : Jurnal Seni Kriya Texture : Art and Culture Journal Abdi Seni Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT ARTISTIC : International Journal of Creation and Innovation Sanggitarupa
Prima Yustana
Institut Seni Indonesia Surakarta
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BAYAT CERAMIC (AESTHETIC, FORM, AND FUNCTION) Yustana, Prima
Acintya Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v6i1.179

Abstract

This study aims to examine the characteristics of ceramic products produced by the craftsmen in thecity of Klaten, especially in Bayat and the surrounding districts. Background of this research is theimportance of the existence of Bayat districts that are located between the city of Solo and Yogyakarta.They are supposed to be a major tourist destination but until now they are still not as crowded asKasongan in the city of Jogjakarta. In addition, another consideration in producing ceramic Bayat isfamous for using a tilted position round or often called perbot skewed.There are some intriguing questions founded in this research including: whether the ceramic productsproduced in Bayat under the influence of ceramic crafts center from the nearby towns; what are thevarious products produced by using oblique rotation tools; what kind of finishing techniques areused by the craftsmen in executing the final results of ceramic products; is there any natural finishingdevelopment in the area of ceramic craft center in Bayat and its surroundings and also other issuesconcerning the marketing of products. This study uses a qualitative research method that is supportedby data from several sampling craftsmen selected from representatives of the southern region of themain road and the north Pagerjurang main road. Interviews are also used in the data searching andsupported by the image data using a digital camera.The research is targeted to publish original ceramic products of Bayat and variations so that the datawill be useful for a promotional tour of the area in order to make it more widely known in thecommunity. Identification of ceramic products in Bayat and the surrounding districts in the study ofaesthetics, form and function are expected to provide a clear explanation whether the ceramic productsof Bayat is compiled in a book as a learning tool. Detailed product identification can be usedalso as a good reference for the craftsmen, community, artists and students to be able to developceramic products in particular way in order to become more attractive and innovative.Keywords: Bayat, Ceramic, Aesthetic form and function
LOKALITAS KERAMIK (KESINAMBUNGAN ESTETIKA DAN BUDAYA) Yustana, Prima
Acintya Vol. 8 No. 1 (2016)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v8i1.1927

Abstract

This study aimed to examine the characteristics of ceramic products produced by artisans in Indonesia that documented in the literature references. The problems that are very interesting to know is whether there is continuity of the history of the development of the existing ceramic Indonesian territory or people also often refer archipelago. Indonesia has a lot of existing areas, each location thereis a life that determines the development of ceramics, various characteristics of ceramic products both artifacts and decorative and beauty has the sole purpose different. Under these conditions, the sustainability of these developments are worth mentioning as ceramic locality. Analysis of literature is needed to support the argument accuracy in analyzing a problem, various approaches by using areference would be very supportive in this study, this study will be very interesting when it first tried to find out the origin of both the craft center through the historical approach, the accuracy of the data into better to use as a literature review of relevant literature artifacts through to dissect the artifacts.Multidisciplinary be a force in this literature-based research especially by taking samples directly image and any information contained in the relevant literature. This research method will use qualitative research methods that are supported by the data the theory according to some experts who have done research and the information is written in the book. Targeted research is to identify and analyze scientifically how the actual local forces or the values of existing locality on the archipelago so as to address challenges both nationally and globally about the identity of the ceramic archipelago. Through a multidisciplinary approach will provide greater insight from various angles both the beauty, culture and history so that if this research can produce a reference book, it can be used as a reference for both students and students to strengthen national identity as a means of responding to global challenges as well as guidance on how the importance of locality in each nation’s childrenKeywords: Locality, Ceramics, Aesthetics and Culture.
ESTETIKA KERAMIK KLASIK DAN KONTEMPORER Yustana, Prima
Acintya Vol. 12 No. 2 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v12i2.3581

Abstract

ABSTRACT The terms classic and contemporary in this study are interpreted as products that still survive to this day in the form of both classic and contemporary ceramic works or ceramic works today. This researh is a qualitative research using the Aesthetic approach, so that several problems will emerge that must be solved by the method, first, what is meant by Classic and Contemporary ceramics, the second How to Aesthetic Classic and Contemporary Ceramics. The third problem is how the visual form of classical and contemporary ceramics that exist today. The beauty of ceramics can be seen from various perspectives, in this research will also be examined through a variety of written data to increase the validity of the data so that it can provide a good conclusion. Ceramic works are works of art that are very rich in technique, so this research also examines how the relationship between formation techniques and the aesthetics of ceramic works. Keywords: Ceramics, Aesthetics, Classic, Contemporary ABTRAK Istilah klasik dan kontemporer dalam penelitian ini dimaknai sebagai produk yang masih bertahan hingga saat ini baik berupa karya keramik klasik maupun kontemporer atau karya keramik saat ini. Penelitian ini merupakan penelitian kualitatif dengan menggunakan pendekatan Estetika, sehingga akan muncul beberapa permasalahan yang harus diselesaikan dengan metode tersebut, pertama yang dimaksud dengan Keramik Klasik dan Kontemporer, yang kedua Cara Estetika Keramik Klasik dan Kontemporer. Masalah ketiga adalah bagaimana bentuk visual keramik klasik dan kontemporer yang ada saat ini. Keindahan keramik dapat dilihat dari berbagai sudut pandang, dalam penelitian ini juga akan dikaji melalui berbagai macam data tertulis untuk meningkatkan keabsahan datanya sehingga dapat memberikan kesimpulan yang baik. Karya keramik merupakan karya seni yang sangat kaya akan teknik, maka penelitian ini juga mengkaji bagaimana hubungan teknik bentukan dengan estetika karya keramik.Kata Kunci: keramik, estetika, klasik, kontemporer 
WUWUNGAN SEBAGAI SUMBER IDE PENCIPTAAN LAMPU DUDUK KERAMIK Yustana, Prima
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5054

Abstract

Wuwungan which was originally functioned as part of the roof of a building will be transformed into another form, namely a sitting lamp. The transformation of the wuwungan into a sitting lamp raises several problem formulations related to how the process is made, how the technical completion of the innovation of roof decoration products into functional objects in the form of a sitting lamp, and whether the character of the sitting lamp inspired by the shape of the wuwungan can increase the atmosphere of beauty of a room.The purpose of this research itself is to find out how the difficulty level of making a sitting lamp is by taking ideas from wuwungan, knowing the process of creating functional works of art in detail step by step, knowing how to innovate sitting lamp products by deforming the real shape of the wuwungan, and creating works of art that are pleasing to the eye. innovative sourced from the strength of local genius.The expected benefits can be a guide for craftsmen or artists who will make innovative ceramic works, provide development in the form and type of product, in order to stimulate the creativity of artists and craftsmen in responding to traditional culture so that they can become innovative and interesting works. The research method used is the method of creating works of art by SP Gustami, namely three stages and six steps in the creation of craft works including exploration, design and embodiment.  Keywords: Wuwungan, Ceramics, Sitting lamp
STUDI PEMBUATAN MODEL KERAMIK MOZAIK SEBAGAI ELEMEN ESTETIS DINDING BERNUANSA LOKAL Cholis, Henri; Yustana, Prima
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 7 No. 2 (2015)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v7i2.1589

Abstract

Seni mozaik sudah berkembang lama, tetapi di Indonesia, seni mozaik ini belum berkembang dan belum ada pengrajin gerabah atau industri keramik yang membuat produk keramik mozaik. Peluang inilah yang ditangkap oleh penulis untuk membuat  sebuah model keramik mozaik sebagai pengembangan varian produk kerajinan gerabah dan industri keramik di Indonesia. Dengan model tersebut diharapkan dapat mempermudah masyarakat untuk membuat mozaik sebagai elemen estetik dinding sekaligus untuk penguatan identitas budaya karena bernuansa lokal. Penelitian ini didesain sebagai penelitian eksperimen yang fokus pada 2 bagian. Pertama ujicoba komposisi bahan pencampur tanah liat, pewarnaan keramik dan pembuatan model keramik mozaik yang presisi serta mudah diaplikasikan oleh siapa saja termasuk orang yang tidak punya jiwa seni. Uji coba yang kedua fokus pada eksplorasi visual sebagai desain visual mozaik bernuansa lokal yang bersumber pada wayang beber, seni lukis kaca Cirebon dan ornamen batik.Luaran tahun pertama dari penelitian ini adalah model desain keramik mozaik yang terinspirasi oleh piksel dalam komputer dan seni kristik dalam bentuk buku panduan gambar, warna, ukuran dan tata letak keramik warna. Model ini diharapkan dapat mempermudah setiap orang untuk membuat karya seni mozaik dari keramik di dinding yang  didaftarkan HAKI. Luaran kedua penelitian ini adalah prototip bahan keramik mozaik yang terdiri dari kotak – kotak keramik sesuai dengan rancangan desainnya. Kata kunci: mozaik, seni, keramik, lokal.Mosaic has developed for a long time but it has not developed well in Indonesia and there is no artisan of earthenware nor ceramics industry producing mosaic of ceramics. This is a good chance the writers have to make a model of mosaic ceramics as the development of a variant product of earthenware handicrafts and ceramics industry in Indonesia. It is hoped that this model can make the society easier to make mosaic as the aesthetic element of a wall as well as to strengthen the cultural identity because the model has local nuance.This research is designed as an experiment focusing on two parts. First, to try out a composition of materials for mixing clay, colouring ceramics, and making a model for mosaic ceramics easily applied by anyone including those who do not have the spirit of art. The second tryout focuses on a visual exploration as a visual design of mosaic with local nuance originating in wayang Beber, Cirebon painting on glass and batik ornaments.The first year output of this research is a model of mosaic ceramics design inspired by pixel in computer and kristikin the form of a book containing guidance to colour, size, and layout of colour ceramics. This model is hoped to be able to make anybody easier to a mosaic work of art from ceramics at the wall and it will be registered to HAKI (Intellectual Property Right). The second output of this research is a prototype of the mosaic ceramic material consisting of ceramic boxes in accordance with the planned design. Key words        : mosaic, art, ceramic, and local
Co-Authors Cholis, Henri Fajarena, Yustia Henri Cholis Mutiana Pramita sari Nofrijon Sofyan, Nofrijon sari, Mutiana Pramita Soewarlan, Santoso Sunarmi Veronika Kristanti Putri Laksmi Yustia Fajarena