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All Journal Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Realisasi: Ilmu Pendidikan, Seni Rupa dan Desain Imajinasi: Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Syefriani Syefriani
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Arts Education

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Tari Kontemporer Space Karya Mu’ammar Ghadafi Kota Pekanbaru Provinsi Riau Nadia Rahmadani; Syefriani Syefriani
Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual. Vol. 1 No. 3 (2024): September : Misterius : Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i3.210

Abstract

This thesis aims to find out the Space Contemporary Dance by Mu'ammar Ghadafi in Pekanbaru, Riau. This dance was created in 2020. It was first performed at the PASTAKOM (Contemporary Dance Market) event at the Pekanbaru Cultural Park. This research uses a descriptive method by using qualitative data. The data collection is taken by observation, interviews and documentation. In this study, the research subjects consisted of 5 people. They are 1 choreographer (Mu’ammar Ghadafi), 3 dancers (Muhammad Sukri, Izadri and Iqbal), and 1 musician (Sulaiman). It used Soedarsono's theory. Space Contemporary Dance has some elements in the movements such as igal, acrobatics, jumping, body writhing, hand and zapin fist movements. The music used is a digital musical instrument. The dramatic design in this dance is in the form of a single cone dramatic design because the stages of the flow in this dance are increasing towards the climax and slowly continuing to the decreasing stage. The dynamics in this dance are changes in level and tempo. The main theme is about the relationship between human social life and God of the universe. The clothes used in this dance only uses black shorts without top. This dance uses beautiful and bold make-up. It does not use props, only shawl accessories.
Persepsi Guru Seni Budaya SMAN 1 Pangkalan Kuras Dalam Mengimplementasikan Kurikulum Merdeka Della Agustia; Yahyar Erawati; Syefriani Syefriani
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 1 No. 2 (2024): April : Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v1i2.103

Abstract

This research aims to determine the perceptions of arts and culture teachers at SMAN 1 Pangkalan Kuras in implementing the independent curriculum in Pangkalan Kuras, Pelalawan, Riau. Based on the results obtained in the field, it can be concluded that the author raised the Perceptions of Arts and Culture Teachers at SMAN 1 Pangkalan Kuras in Implementing the Merdeka Curriculum. The research used descriptive qualitative research methods. The objects of this research are: 1 Cultural Arts Teacher, Curriculum Representative, and 1 Student. The formulation of the problem in this research is: What is the perception of arts and culture teachers at SMAN 1 Pangkalan Kuras in implementing the independent curriculum? This research uses descriptive qualitative methods with data collection techniques by means of observation, interviews and documentation. The conclusions of this research are: 1. The arts and culture teacher at SMAN 1 Pangkalan Kuras has a positive perception of the implementation of the independent curriculum because the independent curriculum can increase motivation for the teacher and the independent curriculum is also very interesting to learn, 2. The arts and culture teacher at SMAN 1 Pangkalan Kuras has difficulty in designing teaching modules and the diversity of student opinions.
Tradisi Berandam pada Pengantin Melayu di Desa Sanglar, Kecamatan Reteh, Kabupaten Indragiri Hilir Athaya Khairunnisa; Syefriani Syefriani
Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi Vol. 1 No. 3 (2024): September : Imajinasi : Jurnal Ilmu Pengetahuan, Seni, dan Teknologi
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/imajinasi.v1i3.207

Abstract

The purpose of this research is to find out about the process of implementing traditions soak in Sanglar Village, this research uses descriptive analysis methods, with a qualitative approach. Meanwhile, the data collection techniques used are observation, documentation and interview techniques. The research subject consisted of 1 person as the resource person, namely Nisah as mak Andam, the result of this research was the implementation of tradition soak to the bride in Sanglar Village, soak has several requirements that must be completed, the process soak there are several stages. Tradition soak has the aim of beautifying the prospective bride and a sign of the bride's readiness to become a wife. Implementation of traditions soak Malay weddings in Sanglar Village are very important so this tradition has been carried out for a long time and is still maintained today by the Malay community in Sanglar Village.
Co-Authors Syefriani syefriani Yahyar Erawati