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All Journal Jurnal Ilmu Komunikasi JISIP: Jurnal Ilmu Sosial dan Pendidikan Jurnal JTIK (Jurnal Teknologi Informasi dan Komunikasi) INFOKUM Medium : Jurnal Ilmiah Fakultas Ilmu Komunikasi Jurnal InterAct Innovative: Journal Of Social Science Research Mediator: Jurnal Komunikasi
Zinggara hidayat
Universitas Ciputra Surabaya
Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Kode-Kode Visual Dalam Mission: Impossible - Dead Reckoning Part One: Analisis Semiotika Deskriptif Terhadap Adegan Aksi Dan Ketegangan Gojono, Aaron; Hidayat, Zinggara
Medium: Jurnal Ilmiah Fakultas Ilmu Komunikasi Vol 14 No 1 (2026): Medium : Jurnal Ilmiah Fakultas Ilmu Komunikasi
Publisher : Fakultas Ilmu Komunikasi Universitas Islam Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25299/medium.v14i1.27332

Abstract

This study examines the visual codes in the film Mission: Impossible - Dead Reckoning Part One (2023) through John Fiske’s semiotic approach. As a spy-action film filled with high-intensity sequences, the movie presents a variety of visual signs that construct the audience’s cinematic experience. The analysis focuses on Fiske’s three levels of codes: reality, representation, and ideology complemented by verbal codes as supporting elements. Using a qualitative method with descriptive semiotic analysis, this research investigates film texts, including action scenes, dialogues, cinematography, lighting, and visual symbolism. The findings are expected to reveal how visual elements function not merely as aesthetic entertainment but also as tools for constructing ideological meanings related to heroism, technological domination, and global surveillance. The novelty of this research lies in its emphasis on visual codes within action films, an area often overlooked, thereby contributing to film and visual communication studies and providing valuable insights for filmmakers in designing meaningful action sequences.
Co-Authors Angelia Nurgania Ellissa Asep Saefuddin ASEP SAEFUDDIN Burhan Bungin Calista Lukito Fenia Novinda Putri Gojono, Aaron Hilda Yunita Wono Imanuel Deny Krisna Aji Indita Aprilia Ivana Clairine Sistiawan La Mani La Mani Louisa Christine Hartanto Maria Gracia Papu Monika Teguh Myusika Janita Putri Ramadhani Putra, Rizky Ramadhan Sumartono Sumartono Sumartono, Sumartono Virienia Puspita