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All Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora ANDHARUPA Abdi Seni Greget Jurnal Kawistara
Dwiyasmono Dwiyasmono
Seni Tari, Institut Seni Indonesia Surakarta
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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KARYA TARI “SOLAH” REFLEKSI NILAI-NILAI BUDAYA JAWA DALAM KEHIDUPAN KEKINIAN Dwiyasmono, Dwiyasmono
Jurnal Kawistara Vol 5, No 1 (2015)
Publisher : Sekolah Pascasarjana UGM

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (483.51 KB)

Abstract

Solah, is a dance work of Dwiyasmono as a director, describes every people do to get what they want inevery ways. This work started from knowledge about passions in Islam (mutmainah, amarah, sufiah andaluamah) and Javanese’s wisdom about keblat papat lima pancer. Solah as an explorative dance work,its movements based on traditional dance such as Surakarta dance style, folk style, ritual, mythologyand oral tradition. Solah is a reflection for people and situation nowadays to understand about rightor wrong and true or false for everything we did, as an ethical based to test people’s psychology aboutthinking and doing.
KARYA TARI “SOLAH” REFLEKSI NILAI-NILAI BUDAYA JAWA DALAM KEHIDUPAN KEKINIAN Dwiyasmono Dwiyasmono
Jurnal Kawistara Vol 5, No 1 (2015)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (483.51 KB) | DOI: 10.22146/kawistara.6402

Abstract

Solah, is a dance work of Dwiyasmono as a director, describes every people do to get what they want inevery ways. This work started from knowledge about passions in Islam (mutmainah, amarah, sufiah andaluamah) and Javanese’s wisdom about keblat papat lima pancer. Solah as an explorative dance work,its movements based on traditional dance such as Surakarta dance style, folk style, ritual, mythologyand oral tradition. Solah is a reflection for people and situation nowadays to understand about rightor wrong and true or false for everything we did, as an ethical based to test people’s psychology aboutthinking and doing.
KELANGSUNGAN DAN PERUBAHAN TARI SEDULANG SETUDUNG KABUPATEN BANYUASIN Rian Ardiansyah; Dwiyasmono Dwiyasmono
Greget Vol 19, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v19i1.3185

Abstract

Since this dance was created in 2002 it already go through some developments and still on going until now. The purpose of this research is to uncover about the causative factors of Setulang Setudung dance continuity and changes in Banyuasin District. This research is using a qualitative kind of research. The process of the data collection has involve observations, interviews and documentations. The results of this research showing the present form of Setulan Setudung dance which is including moves, musics, costume and make up, also properties. Beside that, the results of this research is that Setulan Setudung dance still on goin until now and already going through cange because of the art response against the existing challenges such as the impact of oustiders culture, government, economy and education. Keywords: Sedulang Setudung dance, continuity, and Dance Change.
PROBLEMATIKA DAN STRATEGI REPRESENTASI TARI DALAM IKLAN DI INDONESIA Dwiyasmono, Dwiyasmono; Murtono, Taufik; Karyono, Karyono; Setiyastuti, Budi; Hartanto, Hartanto
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 10 No. 02 (2024): June 2024
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/andharupa.v10i02.9362

Abstract

Abstrak Penelitian ini bertujuan untuk mengetahui problematika representasi tari dalam iklan di Indonesia. Tari dalam iklan Indonesia menjadi problematik karena cenderung dimaknai melalui kajian-kajian terkini sebagai hasil komodifikasi dan pemaksaan simbol-simbol dalam budaya untuk kepentingan komersial. Kondisi ini cukup memprihatinkan bagi kemajuan dunia seni, khusunya tari maupun iklan. Seni sebagai bagian dari budaya seharusnya lebih dapat bermakna sebagaimana mestinya dalam setiap sendi kehidupan, termasuk dalam penciptaan iklan. Metode studi literatur menjadi cara penelitian untuk mengungkap peran seni, dalam hal ini tari dalam iklan secara lebih beragam. Metode literature review dimaksudkan untuk mendapatkan pemahaman tersebut. Tahapan penelitian meliputi 1) merumuskan pertanyaan dan protokol inklusi dan eksklusi data tulisan, 2) menelusuri tulisan yang memenuhi syarat dari database jurnal ilmiah, 3) memilih data tulisan dengan cara mengekstrak data dan mengidentifikasi duplikasi data, 4) menganalisis data berdasarkan kuantitas dan kualitas tulisan sesuai kelompok-kelompok tema, 5) menyajikan data dalam matriks analisis, 6) menafsirkan hasil analisis dan menarik kesimpulan. Hasil penelitian selain menunjukkan problematika representasi tari dalam iklan juga menyimpulkan strategi representasi berdasarkan kesetaraan melalui representasi budaya yang memberi pesan positif.   Kata Kunci: iklan, kearifan budaya, problematika representasi, seni tari   Abstract This study aims to determine the problems of dance representation in advertisements in Indonesia. Dance in Indonesian advertising is problematic because it tends to be interpreted through recent studies as the result of commodification and imposition of symbols in culture for commercial purposes. This condition is quite concerning for the progress of the art world, especially tariffs and advertisements. Art as part of culture should be able to achieve what it should in every delivery of life, including in the creation of advertising. The literature study method is a way of research to uncover the role of art, in this case dance in advertising in a more diverse way. The literature review method is intended to gain this understanding. The research stages include 1) preparing questions and protocols for inclusion and exclusion of written data, 2) searching for writings that meet the requirements from scientific journal databases, 3) selecting written data by extracting data and identifying duplicate data, 4) analyzing data based on the quantity and quality of writing according to the theme groups, 5) present the data in matrix analysis, 6) interpret the analysis results and draw conclusions. The research results, apart from showing the problematic representation of dance in advertisements, also conclude that the representation strategy is based on equality through cultural representation that gives positive messages.   Keywords: advertising, cultural wisdom, dance, representation problems
ANALISIS ESTETIS TARI DRIASMARA Dwiyasmono, Dwiyasmono; Maryono, Maryono
Greget : Jurnal Kreativitas dan Studi Tari Vol. 12 No. 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (230.591 KB) | DOI: 10.33153/grt.v12i2.505

Abstract

The dance Driasmara is a pasihan dance in traditional Surakarta style and a developmentof previous pasihan dances, including Karonsih, Lambangsih, Endah, and Enggar-enggar. Thisdance has a variety of moods for creating dramatic effect through its treatment of the movements,vocal melody, dance steps, levels, and musical accompaniment, so that it is interesting to analyzeits aesthetical formation. In order to discover the aesthetical formation of the dance Driasmara,tools for aesthetical analysis are required, including the concepts of wiraga, wirama, wirasa, andhasta sawanda as well as the concept of dramatic design. It is hoped that this study will bebeneficial for the development of the life of the arts, in particular aspects of aesthetical analysis.
KARYA TARI “SOLAH” REFLEKSI NILAI-NILAI BUDAYA JAWA DALAM KEHIDUPAN KEKINIAN Dwiyasmono Dwiyasmono
Jurnal Kawistara Vol 5, No 1 (2015)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.6402

Abstract

Solah, is a dance work of Dwiyasmono as a director, describes every people do to get what they want inevery ways. This work started from knowledge about passions in Islam (mutmainah, amarah, sufiah andaluamah) and Javanese’s wisdom about keblat papat lima pancer. Solah as an explorative dance work,its movements based on traditional dance such as Surakarta dance style, folk style, ritual, mythologyand oral tradition. Solah is a reflection for people and situation nowadays to understand about rightor wrong and true or false for everything we did, as an ethical based to test people’s psychology aboutthinking and doing.
PENDAMPINGAN PENCIPTAAN BONEKA WAYANG BAGI SISWA DISABILITAS TULI DI PADEPOKAN SENI SAROTAMA KARANGANYAR Dwiyasmono, Dwiyasmono; Murtono, Taufik; Sri Kuncoro, Jonet
Abdi Seni Vol. 16 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/abdiseni.v16i1.6481

Abstract

Persons with disabilities, especially those with hearing impairments, often face significant challenges in accessing and enjoying traditional wayang kulit performances. This community service program seeks to address this issue by introducing innovations in the form of specially designed wayang puppets and the integration of speech balloons (balon kata) to make performances more accessible and engaging for deaf audiences. The aim of this initiative is to empower individuals with hearing disabilities through puppetry arts by creating visually intuitive puppets and providing visual dialogue aids that support their understanding of the narrative and character interactions. The method employed involves a structured design facilitation process that includes problem identification, idea formulation, experimentation, selection, implementation, and presentation. The involvement of community partners such as Padepokan Seni Sarotama is a key component of the program's success. The results show that the use of speech balloons in conjunction with puppet design has significantly improved the level of appreciation, comprehension, and engagement of deaf participants during wayang performances. Participants expressed a stronger emotional connection to the performance and reported increased confidence and self-esteem. This program demonstrates that artistic innovation in traditional puppetry can serve as an effective medium for inclusion and empowerment of individuals with special needs. Additionally, the project contributes to the preservation and revitalization of wayang culture among younger generations, including those with disabilities.
ANALISIS ESTETIS TARI DRIASMARA Dwiyasmono, Dwiyasmono; Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 12 No. 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v12i2.505

Abstract

The dance Driasmara is a pasihan dance in traditional Surakarta style and a developmentof previous pasihan dances, including Karonsih, Lambangsih, Endah, and Enggar-enggar. Thisdance has a variety of moods for creating dramatic effect through its treatment of the movements,vocal melody, dance steps, levels, and musical accompaniment, so that it is interesting to analyzeits aesthetical formation. In order to discover the aesthetical formation of the dance Driasmara,tools for aesthetical analysis are required, including the concepts of wiraga, wirama, wirasa, andhasta sawanda as well as the concept of dramatic design. It is hoped that this study will bebeneficial for the development of the life of the arts, in particular aspects of aesthetical analysis.
BENTUK TARI MALOKA SARAGA KARYA IKA FEBRIANI LAKSANANINGTYAS Timesa, Kornelisa Eka; Dwiyasmono, Dwiyasmono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i1.4437

Abstract

Tari Maloka Saraga merupakan tari kelompok, yang ditarikan oleh delapan penari perempuan. Penelitian ini menjelaskan dan mendeskripsikan bentuk pada tari Maloka Saraga karya Ika Febriani Laksananingtyas dan proses kreativitas Ika Febriani Laksananingtyas. Untuk menganalisis bentuk Tari Maloka Saraga, peneliti menggunakan konsep dari Sumandyo Hadi yang didalamnya mengungkap aspek-aspek dasar koreografi kelompok (2003) meliputi (1) diskripsi tari; (2) judul tari; (3) tema tari; (4) gerak tari yang terdiri darimotif gerak, gerak repetisi atau pengulangan, dan gerak perpindahan; (5) musik tari; (6) mode atau cara penyajian; (7) penari; (8) tata cahaya; (9)  rias dan kostum tari; (10) properti dan perlengkapan. Untuk mengungkap proses kreativitas Ika Febriani Laksananingtyas yaitu menggunakan teori dari Rhodes yang dikutip oleh Utami Munandar dalam bukunya Kreativitas dan Keberbakatan yang di dalamnnya terdapat empat unsur yaitu person, press, proscess, dan product. Hasil penelitian ini menunjukan bahwa tari Maloka Saraga merupakan hasil kreativitas Ika Febriani Laksananingtyas. Bentuk koreografi tari Maloka Saraga tidak terlepas dari elemen-elemen pembentuk yang saling berkaitan seperti penari, gerak, rias dan busana, musik, dan tata visual. Proses kreativitas tari Maloka Saraga ini didukung oleh kemampuan kesenimanannya yang memiliki bakat seni, pengalaman dalam berkesenian, kepekaan estetik, kemantapan profesi, dan produktif.
DANCE AS A STRATEGY FOR PROMOTING CULTURAL PRODUCTS: LITERATURE REVIEW OF CHALLENGES AND OPPORTUNITIES FOR BATIK MSMEs IN INDONESIA Murtono, Taufik; Dwiyasmono, Dwiyasmono; Nur, Rokhim
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia Vol. 11 No. 3 (2025): September 2025
Publisher : Dian Nuswantoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Batik MSMEs in Indonesia face significant challenges in promoting products based on cultural identity, especially in the era of globalization and digitalization, which encourages the homogenization of marketing strategies. One innovative alternative that has the potential to overcome this challenge is the use of dance as a symbol-based visual communication medium. This study aims to analyze the potential of dance in strengthening the promotion strategy of cultural products, especially batik, through a literature review approach to reputable scientific sources. The study result shows that dance, through movements, costumes, and visual expressions, can build a symbolic narrative that strengthens the cultural identity of batik products. The integration of visual elements from dance into promotional strategies can increase the emotional connection between products and consumers, create added value, and strengthen product images based on local wisdom in a competitive market. These findings contribute to a new conceptual framework for developing batik MSME promotion strategies by positioning performing arts as a relevant medium for building brand identity and strengthening the competitiveness of cultural products
Co-Authors Budi Setiyastuti hartanto hartanto Karyono Karyono Maryono Maryono Nur, Rokhim Rian Ardiansyah Sri Kuncoro, Jonet Taufik Murtono Timesa, Kornelisa Eka