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All Journal Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora ANDHARUPA Abdi Seni Greget Jurnal Kawistara
Dwiyasmono Dwiyasmono
Seni Tari, Institut Seni Indonesia Surakarta
Arts Humanities Decision Sciences, Operations Research & Management Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Journal : Greget

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KELANGSUNGAN DAN PERUBAHAN TARI SEDULANG SETUDUNG KABUPATEN BANYUASIN Rian Ardiansyah; Dwiyasmono Dwiyasmono
Greget Vol 19, No 1 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v19i1.3185

Abstract

Since this dance was created in 2002 it already go through some developments and still on going until now. The purpose of this research is to uncover about the causative factors of Setulang Setudung dance continuity and changes in Banyuasin District. This research is using a qualitative kind of research. The process of the data collection has involve observations, interviews and documentations. The results of this research showing the present form of Setulan Setudung dance which is including moves, musics, costume and make up, also properties. Beside that, the results of this research is that Setulan Setudung dance still on goin until now and already going through cange because of the art response against the existing challenges such as the impact of oustiders culture, government, economy and education. Keywords: Sedulang Setudung dance, continuity, and Dance Change.
ANALISIS ESTETIS TARI DRIASMARA Dwiyasmono, Dwiyasmono; Maryono, Maryono
Greget : Jurnal Kreativitas dan Studi Tari Vol. 12 No. 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (230.591 KB) | DOI: 10.33153/grt.v12i2.505

Abstract

The dance Driasmara is a pasihan dance in traditional Surakarta style and a developmentof previous pasihan dances, including Karonsih, Lambangsih, Endah, and Enggar-enggar. Thisdance has a variety of moods for creating dramatic effect through its treatment of the movements,vocal melody, dance steps, levels, and musical accompaniment, so that it is interesting to analyzeits aesthetical formation. In order to discover the aesthetical formation of the dance Driasmara,tools for aesthetical analysis are required, including the concepts of wiraga, wirama, wirasa, andhasta sawanda as well as the concept of dramatic design. It is hoped that this study will bebeneficial for the development of the life of the arts, in particular aspects of aesthetical analysis.
ANALISIS ESTETIS TARI DRIASMARA Dwiyasmono, Dwiyasmono; Maryono, Maryono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 12 No. 2 (2013)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v12i2.505

Abstract

The dance Driasmara is a pasihan dance in traditional Surakarta style and a developmentof previous pasihan dances, including Karonsih, Lambangsih, Endah, and Enggar-enggar. Thisdance has a variety of moods for creating dramatic effect through its treatment of the movements,vocal melody, dance steps, levels, and musical accompaniment, so that it is interesting to analyzeits aesthetical formation. In order to discover the aesthetical formation of the dance Driasmara,tools for aesthetical analysis are required, including the concepts of wiraga, wirama, wirasa, andhasta sawanda as well as the concept of dramatic design. It is hoped that this study will bebeneficial for the development of the life of the arts, in particular aspects of aesthetical analysis.
BENTUK TARI MALOKA SARAGA KARYA IKA FEBRIANI LAKSANANINGTYAS Timesa, Kornelisa Eka; Dwiyasmono, Dwiyasmono
Greget: Jurnal Kreativitas dan Studi Tari Vol. 21 No. 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v21i1.4437

Abstract

Tari Maloka Saraga merupakan tari kelompok, yang ditarikan oleh delapan penari perempuan. Penelitian ini menjelaskan dan mendeskripsikan bentuk pada tari Maloka Saraga karya Ika Febriani Laksananingtyas dan proses kreativitas Ika Febriani Laksananingtyas. Untuk menganalisis bentuk Tari Maloka Saraga, peneliti menggunakan konsep dari Sumandyo Hadi yang didalamnya mengungkap aspek-aspek dasar koreografi kelompok (2003) meliputi (1) diskripsi tari; (2) judul tari; (3) tema tari; (4) gerak tari yang terdiri darimotif gerak, gerak repetisi atau pengulangan, dan gerak perpindahan; (5) musik tari; (6) mode atau cara penyajian; (7) penari; (8) tata cahaya; (9)  rias dan kostum tari; (10) properti dan perlengkapan. Untuk mengungkap proses kreativitas Ika Febriani Laksananingtyas yaitu menggunakan teori dari Rhodes yang dikutip oleh Utami Munandar dalam bukunya Kreativitas dan Keberbakatan yang di dalamnnya terdapat empat unsur yaitu person, press, proscess, dan product. Hasil penelitian ini menunjukan bahwa tari Maloka Saraga merupakan hasil kreativitas Ika Febriani Laksananingtyas. Bentuk koreografi tari Maloka Saraga tidak terlepas dari elemen-elemen pembentuk yang saling berkaitan seperti penari, gerak, rias dan busana, musik, dan tata visual. Proses kreativitas tari Maloka Saraga ini didukung oleh kemampuan kesenimanannya yang memiliki bakat seni, pengalaman dalam berkesenian, kepekaan estetik, kemantapan profesi, dan produktif.
Co-Authors Budi Setiyastuti hartanto hartanto Karyono Karyono Maryono Maryono Nur, Rokhim Rian Ardiansyah Sri Kuncoro, Jonet Taufik Murtono Timesa, Kornelisa Eka