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All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Journal of Language and Literature Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Idea : Jurnal Studi Jepang
Novi Dwi Gitawati
Department of English Literature, Faculty of Letters, Gunadarma University
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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STRATEGIES IN TRANSLATING METONYMIES: A CASE STUDY IN THE TRANSLATIONS OF THE NOVELS EXCLUSIVE BY SANDRA BROWN AND A POCKET FULL OF RYE BY AGATHA CHRISTIE INTO INDONESIAN) Gitawati, Novi Dwi; Said, Mashadi
Journal of Language and Literature Vol 1, No 1 (2014)
Publisher : Universitas Gunadarma

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (683.235 KB)

Abstract

As one of figures of speech, people often use metonymy when they want to refer to one entity by means of another entity based on their contiguity. In translation, this figure of speech can sometime pose a problem, as the target language readers may not culturally accustom with the metonymy that the source language text uses to make reference to a particular entity. By relying on Chesterman’s trope change strategy (or rather a set of strategies), this research attempted to analyze the strategies used in translating _nglish_es found in the novels Exclusive by Sandra Brown and A Pocket Full of Rye by Agatha Christie, which are used as the source of the data in this research. The method used in this research is the descriptive-analytical method. Based on the analysis, the researcher found that the metonymies are translated into two out of three subclasses of the trope change strategy, namely: translating the figurative expression in the same form as the SL figurative expression (ST trope X → TT trope X) and translating the figurative expression plainly into a non-figurative expression in TLT (ST trope X → TT trope Ø). Key words: metonymy, Chesterman’s trope change strategy
Interelasi Ideal Makhluk Hidup dengan Alam pada Novel The Lord of the Rings The Fellowship of The Rings: Pembacaan Ekokritik Mandela, Fitra; Gitawati, Novi Dwi
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 18, No 2: November 2023
Publisher : Indonesian literature Program, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/nusa.18.2.1-15

Abstract

Penelitian ini merupakan analisis teks dengan perspektif ekokritisisme pada novel fantasi legendaris The Lord of the Rings: The Fellowship of the Rings (2002) karya JRR Tolkien. Penelitian ini bertujuan untuk membuktikan bahwa representasi alam dan interaksi antara makhluk hidup dengan alam di dua lokasi ikonik, Shire dan Old Forest bisa dibaca sebagai usaha dari Tolkien untuk mengangkat isu-isu lingkungan terkini. Tujuan selanjutnya adalah membuktikan adanya gagasan-gagasan ideologis ekokritik mengenai cara hidup berdampingan dengan alam yang ideal. Penelitian ini menggunakan metode penelitian deskriptif kualitatif dengan mengaplikasikan pendekatan ekokritik dari dua teoritikus bernama Gerg Garrard dan Cheryl Glotfelty. Mereka mempunyai gagasan bahwa karya sastra yang ideal harus mempunyai gagasan politis ekokritik dan mampu berkontribusi dalam usaha penyelamatan lingkungan. Melalui penelitian ini, ditemukan bahwa cara hidup Hobbit yang menempati Shire merupakan sebuah merupakan kritik terhadap gaya hidup masyarakat yang begitu eksploitatif sehingga merusak lingkungan. Tolkien baik secara sadar atau tidak mengkritik sekaligus memberikan solusi tentang bagaimana hubungan yang ideal antara makhluk hidup dengan ekosistemnya. Satu karakter lainnya, Tom Bombadil juga memperlihatkan interelasi ideal makhluk hidup dan alam bisa dicapai melalui semangat biosentrisme, gagasan yang melihat makhluk hidup dan alam harus memiliki kesetaraan yang sama dalam ekosfer.Kata Kunci: ekokritisisme, interelasi, kerusakan lingkungan, biosentrisme
CLAS S AND HEGEMONY IN KOYOHARU GOTOUGE'S MANGA KIMETSU NO YAIBA: A GRAMSCIAN READING Mandela, Fitra; Panjaitan, Esterria Romauli; Gitawati, Novi Dwi
IDEA : Jurnal Studi Jepang Vol 6, No 2 (2024): Vol 6, No 2 (2024): Idea: Jurnal Studi Jepang
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/idea.v6i2.10892

Abstract

Manga as a popular cultural product contains political and ideological content. This qualitative descriptive research will reveal the content of the symbolic content in one of the best-selling manga in the world today entitled Kimetsu No Yaiba by Koyoharu Gotouge. This study reads manga texts with a post-Marxism approach by applying the thought of an Italian Marxist named Antonio Gramsci. He theorized the concept of cultural hegemony, a non-violent social control carried out by the ruling class toward subordinated class  that occurs in contemporary capitalist society. Ideological, cultural, and political control have created common sense in society so that people do not realize that their daily lives are always under control. To sharpen the analysis, the study also uses the concept  of interpellation by Louis Althusser, another post-Marxist thinker who sees contemporary society believing they are subjects and having control over themselves while in fact living in an illusion created by the ruling class. This study concludes that the charismatic character, Kagaya Ubuyashiki as the supreme leader of Hashira is a symbol of the ruling class that has succeeded in exercising control through the process of cultural hegemonization to transmit the values he fights for. Meanwhile, Hashira, the nine strongest swordsmen of the demon slayer in the manga, is a symbol of a subordinated class who have internalized the political and cultural values of Kagaya Ubuyashiki.
Ambivalensi ideologi patriarki pada serial tv populer House of the Dragon: kritik feminisme Mandela, Fitra; Gitawati, Novi Dwi
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 1 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i1.838

Abstract

This article aims to analyze the ambivalence of patriarchal ideology in the popular TV series created by HBO entitled ‘House of the Dragon’ (2022). Based on this aim, the research method which is used is qualitative method. The analysis is focused on several major characters. Feminist literary criticism is the ground theory which is used to analyze the main issue of patriarchy society in this series. As one of the primary subjects of analysis in feminist criticism, this research only tries to elaborate how critics define and see patriarchy work in general. It can be concluded that this series, on its surface, shows the practice of patriarchal society. Those practices are seen in many forms such as gender inequality, subordination, and repression toward women lead characters from male characters or society. Interestingly, at the same time the analysis also leads to a different interpretation which argues those several major characters also reflect the strategy to against the patriarchal ideology. It makes the feminist reading to this series becomes ambivalent.
Co-Authors Mandela, Fitra Mashadi Said Panjaitan, Esterria Romauli