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I Wayan Dibia Dibia, I Wayan Dibia
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Arts Humanities

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CENK BLONK LEATHER PUPPET PERFORMANCE WITHIN POPULAR CULTURAL CONTEXT Marajaya, I Made Marajaya; Suastika, I Made Suastika; Dibia, I Wayan Dibia; Ratna, I Nyoman Kutha
E-Journal of Cultural Studies Vol 8 No 3 (2015): Volume 8, Number 3, August 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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This present study is intended to discuss the Cenk Blonk leather puppet performance “Wayang Kulit Cenk Blonk (abbreviated to WKCB) within the popular cultural context. If viewed from the perspective of cultural studies, this present study is concerned with a new reality and phenomenon in the Balinese puppetry art. The Balinese leather puppet performance, which does not refer to the source book of the shadow play story “pakem pewayangan” and the puppetry norm “Dharma Pewayangan”, is preferred by many people. This present study analyzes the form, factor, and meaning of the WKCB performance with the popular cultural context using the theory of popular culture, the theory of deconstruction, and theory of discourse. The qualitative interpretative method was used. The data were obtained through observation, in-depth interview, and documentary study. The data were analyzed using the descriptive, qualitative and interpretative method of analysis. The data were presented starting from the basic data, data presentation, data analysis and conclusion. The result of the study shows (1) the WKCB was performed as part of the promotional activity; (2) the WKCB was performed as part of the socialization activity; (3) the WKCB was performed as part of the commemoration of anniversaries. Second, the factors contributing to the WKCB performance within the popular cultural context included: creativity, art sustainability, the practice for the supporting artists, the modern cultural impact, the advance in technology, and the market demand. The meanings of the WKCB performance within the popular cultural context included: the aesthetic meaning, the social meaning, the welfare meaning, the amusing meaning, the political meaning, the conservation meaning, and the image meaning. The novelty shows that the WKCB performance within the popular cultural context presents the elements of popular works, popular discourses, the change in presentation, the change in the performing apparatus, and the freedom in receiving messages from those who have it performed to be transmitted to viewers.
SPIRITUALITY OF GENDANG RITUAL OF DEATH PERFORMED BY THE KARO ETHNIC PEOPLE IN THE GLOBALISATION ERA Ginting, Pulumun Peterus; Ratna, I Nyoman Kutha; Suastika, I Made Suastika; Dibia, I Wayan Dibia
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The gendang ritual of death, which is performed by the Karo ethnic people, has changed a lot in regard to its spirituality in the globalization era. Such change, which has caused the gendang ritual of death to be secularized, results from the interaction between the local cultural elements and the global cultural ones; meaning that a new form and meaning have appeared. This present study is intended to identify, analyze and explain what such change is like, the factors contributing to it and its implication. This present study was designed as a qualitative study using the critical interdisciplinary and multidimensional approach of cultural studies. The theory of deconstruction, the theory of comodification, and the theory of semiotics were used to answer such questions. The data were analyzed descriptively, qualitatively, and interpretatively. The data were collected through observation, in-depth interview, documentary study, and library research. Three conclusions were inferred from the present study. First, the form of the change in spirituality of the gendang ritual of death performed by the Karo ethnic people in the globalization era; second, the factors contributing to such change; third, the meaning of such change. The study shows that the interaction between the local culture and global culture has marginalized the local cultural values; as a result, such a ritual has a new meaning, and is becoming degraded and secularized.
Co-Authors I Made Suastika I Nyoman Kutha Ratna Made Marajaya Pulumun Peterus Ginting