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All Journal E-Journal Of Cultural Studies Grenek: Jurnal Seni Musik JUPIIS: Jurnal Pendidikan Ilmu-ilmu Sosial Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Al-Ulum Gondang: Jurnal Seni dan Budaya Evangelikal: Jurnal Teologi Injili dan Pembinaan Warga Jemaat Journal of Education, Humaniora and Social Sciences (JEHSS) International Journal of Cultural and Art Studies (IJCAS) International Journal of Social Science, Educational, Economics, Agriculture Research, and Technology (IJSET)

Pulumun Peterus Ginting

Universitas Negeri Medan

Author-ID : 3810597

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Public Health Social Sciences

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SPIRITUALITY OF GENDANG RITUAL OF DEATH PERFORMED BY THE KARO ETHNIC PEOPLE IN THE GLOBALISATION ERA Ginting, Pulumun Peterus; Ratna, I Nyoman Kutha; Suastika, I Made Suastika; Dibia, I Wayan Dibia
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

The gendang ritual of death, which is performed by the Karo ethnic people, has changed a lot in regard to its spirituality in the globalization era. Such change, which has caused the gendang ritual of death to be secularized, results from the interaction between the local cultural elements and the global cultural ones; meaning that a new form and meaning have appeared. This present study is intended to identify, analyze and explain what such change is like, the factors contributing to it and its implication. This present study was designed as a qualitative study using the critical interdisciplinary and multidimensional approach of cultural studies. The theory of deconstruction, the theory of comodification, and the theory of semiotics were used to answer such questions. The data were analyzed descriptively, qualitatively, and interpretatively. The data were collected through observation, in-depth interview, documentary study, and library research. Three conclusions were inferred from the present study. First, the form of the change in spirituality of the gendang ritual of death performed by the Karo ethnic people in the globalization era; second, the factors contributing to such change; third, the meaning of such change. The study shows that the interaction between the local culture and global culture has marginalized the local cultural values; as a result, such a ritual has a new meaning, and is becoming degraded and secularized.

“Habonaron Do Bona”: Falsafah Nilai Masyarakat Simalungun dan Inspirasi Bagi Pendidikan anti Korupsi Di Indonesia Yakobus Ndona; Liber Siagian; Pulumun Peterus Ginting
Al-Ulum Vol. 21 No. 2 (2021): Al-Ulum
Publisher : Institut Agama Islam Negeri (IAIN) Sultan Amai Gorontalo

The writing aims to reveal the wealth of values in the philosophy of habonaron do bona and find inspiration for anti-corruption education in Indonesia. In order to approach this problem, the research uses Max Scheler's axiological thinking as the primary reference. The study took data through interviews with Simalungun community leaders in the Seribu Dolok area, Simalungun Regency. The collected data were analyzed using philosophical hermeneutics: vertehen, translation, and interpretation. The interpretation movement uses Paul Recouer's hermeneutic circle pattern. The results of data analysis show that habonaron do bona has primary values that are structured like the structure of Max Scheler's values. Habonaron do Bona, both related to primary values and values education patterns, can be implemented for anti-corruption education in Indonesia.

Efektivitas Media Sosial Tiktok Pada Musikalitas Anak Remaja Di Kelurahan Kenangan Baru Medan Cindy Angelia Hutabarat; Pulumun P Ginting
Grenek: Jurnal Seni Musik Vol 10, No 2 (2021): Grenek: Jurnal Seni Musik
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v10i2.28560

Tujuan dari penelitian ini adalah untuk mengetahui bagaimana efektivitas, dampak dan manfaat media sosial tiktok bagi musikalitas remaja di Kelurahan Kenangan Baru Medan. Penelitian ini menggunakan pendekatan kualitatif yaitu deskriptif kualitatif dengan pengumpulan data berupa angket/kuesioner. Teknik analisis data yang digunakan adalah statistik deskriptif. Pengolahan data menggunakan aplikasi Microsoft Excel 2010. Hasil penelitian ini menunjukkan bahwasannya berdasarkan data yang disebar kepada 50 responden melalui angket/kuesioner, kemudian data tersebut diolah dan memperoleh hasil sebesar 82% dan dinyatakan media sosial tiktok efektif untuk meningkatkan musikalitas remaja di Kelurahan Kenangan Baru Medan. Dampak yang ditimbulkan dari media sosial tiktok adalah meningkatkan keaktifan dan kreatifitas remaja sehingga mampu menguasai Teknologi.

Kolaborasi Alat Musik Tradisional dan Alat Musik Modern dalam Mengiringi Ibadah Minggu di Huria Kristen Batak Protestan Tanjung Sari Medan Bella Cindy Juwita Simanjuntak; Pulumun Peterus Ginting; Wiflihani Wiflihani
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 1, No 3 (2019): Journal of Education, Humaniora and Social Sciences (JEHSS) April
Publisher : Mahesa Research Center

This study discusses the collaboration of traditional musical instruments and modern musical instruments in accompanying Sunday services at HKBP Tanjung Sari Medan. The purpose of this study was to find out the background and process of collaboration of traditional musical instruments and modern musical instruments in the HKBP Tanjung Sari church in Medan. The method used in this study is qualitative descriptive. The location of the study was carried out at the Tanjung Sari HKBP church, Jl. Setia Budi No. 11, Medan. The population of this study is traditional musical instruments and modern musical instruments used in accompanying Sunday services at HKBP Tanjung Sari Medan. While the samples in this study were Taganing, drums, keyboards, acoustic guitars, bass guitars, saxophone which were used to accompany Sunday services at HKBP Tanjung Sari Medan. The data collection technique is through observation, interviews, documentation, and library studies. Based on the results of the study, it can be seen that traditional musical instruments and modern musical instruments used in accompanying Sunday services at HKBP Tanjung Sari Medan, namely: Taganing, drums, keyboards, acoustic guitars, bass guitars, saxophone. The songs used in accompanying Sunday Service at HKBP Tanjung Sari Medan, and the collaboration process of traditional musical instruments and modern musical instruments in the HKBP Tanjung Sari church in Medan.

Gondang Sabangunan sebagai Pengiring Sigale-Gale untuk Menarik Wisatawan di Museum Huta Bolon Kecamatan Simanindo Ruth Olivia Sirait; Pulumun Petrus Ginting; wiflihani wiflihani
Journal of Education, Humaniora and Social Sciences (JEHSS) Vol 3, No 3 (2021): Journal of Education, Humaniora and Social Sciences (JEHSS) April
Publisher : Mahesa Research Center

This study aims to determine the Gondang Sabangunan performance in accompanying Sigale-gale at the Huta Bolon Museum for packaging tourism performances, impact and government support. The method in this study uses a qualitative descriptive method. The speakers in this study were employees of the Huta Bolon Simanindo Museum, 5 music players, 10 dancers, Simanindo community leaders, and tourists. The data was collected by means of observation, interviews, documentation and literature study. The results showed that the development of cultural tourism through the Gondang Sabangunan performance that accompanied Sigale-gale which is a cultural attraction to attract tourists at the Huta Bolon Simanindo Museum. The tortordi performance of the Huta Bolon Simanindo Museum was held on an open stage in the old village of Huta Bolon. Performances are not sacred but still follow the customary rules of the nigondang such as the number of types of gondang, the rules for requesting the type of gondang, the rules for movement in tortor, clothes and equipment. Another packaging of the show form is the short and dense duration, full of variations, an imitation of the original form. Tourists can enjoy the potential of Batak Toba culture, such as music, dances, historical objects, and the nuances of the Toba Batak village.

PENCIPTAAN GITAR ELEKTRIK UKIR BAKAR BERBASIS PENGEMBANGAN DESAIN ORGANOLOGI DAN MOTIF UKIR TRADISI SUMATERA UTARA Panji Suroso; Mukhlis Mukhlis; Inggit Prastiawan; Pulumun Peterus Ginting; Octaviana Br. Tobing
Gondang: Jurnal Seni dan Budaya Vol 5, No 2 (2021): GONDANG: JURNAL SENI DAN BUDAYA, DESEMBER 2021
Publisher : Universitas Negeri Medan

Penelitian ini bertujuan untuk mengembangkan model instrumen gitar elektrik kedalam bentuk prototipe yang lebih inovatif yaitu model gitar elektrik ukir bakar. Penelitian penciptaan inovasi gitar elektrik ukir bakar ini berbasis pada pengembangan organologi dan motif ukir tradisi Sumatera Utara, dilakukan dengan cara mengeksplorasi secara mendalam unsur-unsur organologi instrumen gitar elektrik yang akan di kolaborasikan dengan unsur motif-motif ukir tradisional Sumatera Utara. Penelitian ini menggunakan pendekatan research and Depelopment atau penelitian pengembangan. Perolehan data-data penelitian yang dikumpulkan berasal dari dua sumber, yaitu data primer dan data sekunder. Data-data primer diperoleh melalui teknik wawancara mendalam (depth interview) dan pengamatan berperanserta (participant observation) yang bertujuan untuk pengumpulan data yang diikuti diskusi kelompok terfokus (focus group discussion). Hasil analisis yang ditemukan dalam penelitian ini adalah: 1) Dalam proses penciptaan model desain Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara di lakukan dengan beberapa tahap seperti : tahap persiapan penciptaan Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara, tahap pengumpulan data primer dan data skunder, tahap analisis dan perumusan konsep prototype penciptaan gitar elektrik ukir bakar berbasis motif tradisi Sumatera Utara, tahap uji coba dan penyempurnaan rumusan konsep prototype penciptaan Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara. tahap finising. 2) Dalam penelitian ini diciptakan desain model Gitar elektrik ukir bakar berbasis motif ukir tradisi Sumatera Utara dengan dua corak yaitu corak gorga dalian natolu dan corak Tapak Sulaiman.

Characteristics of Worship Music at HKBP Simpang Limun Medan Church Ezra Susilawaty Pangaribuan; Mauly Purba; Pulumun Peterus Ginting
Gondang: Jurnal Seni dan Budaya Vol 8, No 1 (2024): GONDANG: JURNAL SENI DAN BUDAYA
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v8i1.56923

This research discusses the characteristics of worship music at the HKBP Simpang Limun Church in Medan, focusing on the evolution of the presentation of worship music which has now shifted to contemporary music. This transformation can be clearly seen in the use of modern musical instruments such as keyboards, acoustic guitars, bass guitars, drums and saxophones which have replaced the monotony of a single organ in the presentation of worship music. These changes not only create a richer variety in musical expression, but also enrich the worship experience for the congregation, reflecting the church's adaptability in responding to changing times. The purpose of this research is to determine the characteristics of worship music at the HKBP Simpang Limun Church, Medan. The research was conducted at the HKBP Simpang Limun Medan church, Jl. Brother No.30 Sudirejo II, Medan City District, Medan, North Sumatra. The approach used in this research is qualitative with a descriptive type where data is collected using observation, interviews, documentation and literature study methods. Based on the research results, it can be seen the characteristics of the music used in worship at the HKBP Simpang Limun church in terms of style, genres, textual, composition, transmission, movement.

God’s Truth: The Foundation of Existence in the Old Testament and Implications for the Church’s Mission Ndona, Yakobus; Ginting, Pulumun Peterus; Siagian, Liber; Ginting, Elisa Br
Evangelikal: Jurnal Teologi Injili dan Pembinaan Warga Jemaat Vol 8 No 2 (2024): July 2024
Publisher : Sekolah Tinggi Teologi Simpson Ungaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46445/ejti.v8i2.794

This article talks about the truth of God as the foundation of the existence of Judaism. The article aims to reveal the Jewish understanding of the truth of God that underlies the existence and continuity of Christianity. The study uses a descriptive qualitative method through literary analysis. The primary data for the study are texts from the Old Testament related to the truth of God and their connections in various texts of the New Testament. The selected texts are then analyzed using Dilthey's hermeneutic circle and Gadamer's horizon fusion techniques. The results of the analysis show that the understanding of the truth of God in Judaism is centered on God's faithfulness to the covenant, but due to Israel's acute violation, the concept of truth shifted towards God's never-ending love and faithfulness. This understanding has a dimension of continuity in the New Testament and implications for the mission of the Church. This research helps readers gain an in-depth understanding that enriches evangelical theological research, helping to deepen understanding of God's character, nature, and plan in human salvation history. Through in-depth research, the church can also discover continuity between the Old and New Testaments to better understand how God's message and mission.

FUNCTION AND MEANING OF GONDRANG SIPITU-PITU IN THE LAYUR MATUA CEREMONY IN THE SIMALUNGUN COMMUNITY IN HARANGGAOL HORISON DISTRICT Situmeang, Kasri; Sebayang, Vanesia Amelia; Ginting, Pulumun P
JUPIIS: JURNAL PENDIDIKAN ILMU-ILMU SOSIAL Vol. 17 No. 1 (2025): JUPIIS (JURNAL PENDIDIKAN ILMU-ILMU SOSIAL) JUNE
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/jupiis.v17i1.65336

This article is entitled "The function and meaning of Gondrang sipitu-pitu in the layur matua ceremony in the Simaungun community in the Haranggaol Horison sub-district". The analysis is focused on (1) the function of Gondrang sipitu-pitu, (2) the meaning of Gondrang sipitu-pitu. The method used is qualitative method with data collection data through field research, interviews, audiovisual data recording. In this case, to describe the meaning of Gondrang sipitu-pitu, the author uses the theory Ferdinand De Saussure. to describe the function of Gondrang sipitu-pitu. Gondrang sipitu pitu used the theory of use and function of Alan P Merriam (1964: 223-226), plus the theory of functionalism from Malinowski. Research results The research results obtained show that conceptually for the Simalungun community if someone is in Simalungun society if someone is in the status of death layur matua where all his children, grandchildren and great-grandchildren are married, then the person who died is perceived as having succeeded in the person is perceived to have succeeded in the life they left behind. left behind. At the layur matua traditional ceremony there are four types of Gondrang that are used in the ceremony. used in the layur matua ceremony, namely: (1) the first is rambung ramos which means having children and grandchildren, (2) Second, olop-olop which means saying yes, grateful to God, (3) third, panrahut which means to assent, (4) huda-huda which is intended to welcome the tondong to come to accompany dances by wearing topings and hornbill beaks.

IMPLEMENTASI SPOTIFY BAGI GRUP MUSIK INTHESKY BAND DI MEDAN SUMATERA UTARA Tarigan, Furnita Giovani; Ginting, Pulumun; Sihombing, Lamhot; Hirza, Herna
Grenek: Jurnal Seni Musik Vol. 9 No. 2 (2020): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19349

This study aims to find out about the implementation of spotify for the band Inthesky Band in Medan, North Sumatra. This study uses theories related to research topics such as the meaning of implementation, the meaning of spotify, social media theory, the meaning of applications, the meaning of musical groups, and theory of results. The population in this study are eight music groups consisting of Inthesky Band, Garside, Shadowplay, Psychotic Villager, Boxquitos, Pesawat Sederhana, Moove, and Equaliz. Based on the results of research conducted, the Inthesky Band music group uses Spotify to introduce their musical works to the public. Spotify is one of the most widely known digital music platforms and is used in the digital era today, especially by young people and music lovers who love indie music. In implementing Spotify, the Inthesky Band music group started by compiling the concept of a song that they wanted to make, then producing it into a song that is ready to be played through Spotify by using one of the service providers, namely Netrilis. The results of the implementation of spotify for the Inthesky Band music group have a good impact on the music group itself as well as for connoisseurs, including Exposure which is how the songs of the Inthesky Band music group are increasingly heard by people and spread widely through social media networks that Share songs from Inthesky Band, Inthesky Band music groups can see the development of their own music groups, can get royalties and Inthesky Band music groups are able to be in the same playlist as National musicians. For music lovers, it's easier to access songs from Inthesky Band through Spotify which are available in paid or free form and for others musicians to be motivated to do the same, create music using Spotify.

Co-Authors Bella Cindy Juwita Simanjuntak Cindy Angelia Hutabarat Elfrida Yuliana Simamora Elisa Br Ginting Ezra Susilawaty Pangaribuan HERNA HIRZA Hutabarat, Cindy Angelia I Made Suastika I Nyoman Kutha Ratna I Wayan Dibia Dibia, I Wayan Dibia Inggit Prastiawan Junita Batubara, Junita Liber Siagian Mauly Purba Mauly Purba Mauly Purba, Mauly Mukhlis Ndona, Yakobus Octaviana Br. Tobing Pangaribuan, Ezra Susilawaty Panji Suroso Ricky Nelson, Ricky Ridho, Muhammad Habibur Ruth Olivia Sirait Sebayang, Vanesia Amelia Sihombing, Lamhot Sinulingga, Ramanta Situmeang, Kasri Tarigan, Furnita Giovani Wiflihani Wiflihani Yakobus Ndona

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