Muhammad Fazli Taib Bin Saearani, Muhammad Fazli Taib Bin
Sultan Idris Education University (UPSI) Malaysia

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The Roles of The Dance Education Institute and The Ngayogyakarta Hadiningrat Palace in The Inheritance Process of Yogyakarta Classical Dance Style Saearani, Muhammad Fazli Taib Bin
Harmonia: Journal of Arts Research and Education Vol 15, No 1 (2015): (EBSCO, DOAJ & DOI Indexed, June 2015)
Publisher : Department of Drama, Dance, and Musik (Sendratasik), Semarang State University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i1.3761

Abstract

This study aims to examine the roles of the Ngayogyakarta Palace, formal educational institutions, and non-formal educational institutions in the inheritance of the classical court dance of Yogyakarta or Tari Klasik Gaya Yogyakarta (TKGY). The method employed was a qualitative method through interviews and observations with a number of informants from dance institutions in Yogyakarta. Based on the interviews, a number of independent and collaborative roles among the three types of institutions under study can be identified. These roles were then placed in a theoretical framework related to the inheritance of the classical court dance of Yogyakarta (TKGY) that justifies the reasons why it can be well-inherited in the Special Region of Yogyakarta. Based on this effort, it was found that each institution took a place in the attempt to support the inheritance layers (core, practical, philosophical, and developmental) causing the absence of problems in the existence of the classical court dance of Yogyakarta in the Special Region of Yogyakarta. These findings then can be used as the best practice for the inheritance efforts for classical dances in other places in the Indonesian Archipelago.
The Roles of The Dance Education Institute and The Ngayogyakarta Hadiningrat Palace in The Inheritance Process of Yogyakarta Classical Dance Style Saearani, Muhammad Fazli Taib Bin
Harmonia: Journal of Arts Research and Education Vol 15, No 1 (2015): June 2015
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i1.3761

Abstract

This study aims to examine the roles of the Ngayogyakarta Palace, formal educational institutions, and non-formal educational institutions in the inheritance of the classical court dance of Yogyakarta or Tari Klasik Gaya Yogyakarta (TKGY). The method employed was a qualitative method through interviews and observations with a number of informants from dance institutions in Yogyakarta. Based on the interviews, a number of independent and collaborative roles among the three types of institutions under study can be identified. These roles were then placed in a theoretical framework related to the inheritance of the classical court dance of Yogyakarta (TKGY) that justifies the reasons why it can be well-inherited in the Special Region of Yogyakarta. Based on this effort, it was found that each institution took a place in the attempt to support the inheritance layers (core, practical, philosophical, and developmental) causing the absence of problems in the existence of the classical court dance of Yogyakarta in the Special Region of Yogyakarta. These findings then can be used as the best practice for the inheritance efforts for classical dances in other places in the Indonesian Archipelago.
Penggunaan Limbah Kemasan Sebagai Bahan Untuk Membuat Kolase Bagi Guru Sekolah Dasar Sebagai Upaya Pelestarian Lingkungan Dewi, Nurul Kemala; Hartono, Hartono; Saearani, Muhammad Fazli Taib Bin
Jurnal Educatio FKIP UNMA Vol. 10 No. 3 (2024)
Publisher : Universitas Majalengka

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31949/educatio.v10i3.8600

Abstract

Penelitian ini bertujuan untuk mendeskripsikan penggunaan limbah kemasan sebagai alternatif bahan untuk membuat karya seni rupa bagi guru-guru sekolah dasar sebagai upaya pelestarian lingkungan. Jenis penelitian ini adalah kualitatif. Pengumpulan data dengan observasi, studi literatur,  dan dokumentasi. Data dianalisis secara interpretatif menggunakan teori Ki Hajar Dewantara ((Ing  ngarsa  sung  tulada  artinya di  muka  memberi contoh, Ing  madya  mangun  karsa artinya di tengah membangun cita-cita, serta Tut wuri handayani artinya dibelakang terus memberi dukungan) dan teori belajar Konstruktivistik.  Langkah-langkah kegiatan adalah 1. Penyaji memberikan arahan terkait dengan kolase. 2. Para guru mengkreasikan karya kolase dengan menggunakan bahan limbah kemasan. Melalui pengamatan dan penciptaan karya, guru-guru memperoleh pengetahuan mengenai kolase berbahan limbah kemasan serta dapat mewujudkan gagasannya. Penyaji memfasilitasi kegiatan proses penciptaan karya ini dengan memberikan motivasi agar para guru dapat menuangkan ide-ide kreatif secara maksimal.  3. Para guru mempresentasikan hasil karyanya di depan kelas untuk mendapat tanggapan dari teman sejawat ataupun penyaji. Kegiatan ini menunjukkan bahwa para guru telah memiliki pengetahuan terkait dengan kolase berbahan limbah kemasan.
Paradigma dan Tantangan Pendidikan Seni dalam Mengintegrasikan Akhlaq, Teknologi, dan Multikulturalisme Handayani, Lucy; Hartono; Saearani, Muhammad Fazli Taib Bin
Besaung : Jurnal Seni Desain dan Budaya Vol. 9 No. 2 (2024): Besaung
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v9i2.4165

Abstract

Art education faces various paradigms and challenges in the modern era, where the integration of moral values, technological development, and multiculturalism is increasingly important. This study aims to examine the challenges and opportunities in integrating moral values, technology, and multiculturalism into art education. This research uses Creswell's naturalistic qualitative method. The results of this study include: First, moral values encompassing ethics, morality, and character are outlined as fundamental foundations in shaping students' personalities. Second, rapid technological development provides both opportunities and challenges in adapting innovative and interactive art learning methods. Third, multiculturalism and cultural diversity are important elements in enriching artistic perspectives and promoting inclusivity. Through this approach, it is hoped that art education can produce creative, critical, and character-driven individuals who are ready to face the ever-changing global dynamics.
The Roles of The Dance Education Institute and The Ngayogyakarta Hadiningrat Palace in The Inheritance Process of Yogyakarta Classical Dance Style Saearani, Muhammad Fazli Taib Bin
Harmonia: Journal of Arts Research and Education Vol 15, No 1 (2015): June 2015
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v15i1.3761

Abstract

This study aims to examine the roles of the Ngayogyakarta Palace, formal educational institutions, and non-formal educational institutions in the inheritance of the classical court dance of Yogyakarta or Tari Klasik Gaya Yogyakarta (TKGY). The method employed was a qualitative method through interviews and observations with a number of informants from dance institutions in Yogyakarta. Based on the interviews, a number of independent and collaborative roles among the three types of institutions under study can be identified. These roles were then placed in a theoretical framework related to the inheritance of the classical court dance of Yogyakarta (TKGY) that justifies the reasons why it can be well-inherited in the Special Region of Yogyakarta. Based on this effort, it was found that each institution took a place in the attempt to support the inheritance layers (core, practical, philosophical, and developmental) causing the absence of problems in the existence of the classical court dance of Yogyakarta in the Special Region of Yogyakarta. These findings then can be used as the best practice for the inheritance efforts for classical dances in other places in the Indonesian Archipelago.
Preserving Cultural Heritage Through Sasando Performance Art Management Natonis, Rolfi Junyanto; Hartono, Hartono; Saearani, Muhammad Fazli Taib Bin
Gorga : Jurnal Seni Rupa Vol. 13 No. 2 (2024): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v13i2.59499

Abstract

Sasando is a traditional musical instrument typical of Rote Island, Indonesia which is currently threatened with extinction. One effort to preserve this cultural heritage is through Sasando Performing Art Management. This study aims to analyze Sasando Performing Art Management strategies in efforts to preserve cultural heritage. The research method used is a qualitative case study by collecting data through interviews, observations, and documentation studies. The results showed that there were four main components in Sasando performance art management, namely planning, organizing, implementing, and supervising. At the planning stage, the identification of potential, SWOT analysis, and determining conservation goals.