Irwan Sarbeni
Film And Television Study Program, Faculty Of Arts And Design Education, Universitas Pendidikan Indonesia

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Geographical Condition of Water Availability at Situ Aksan: Documentary Film Study Project Thomas Dida Avrihansyah; Irwan Sarbeni
Cinematology: Journal Anthology of Film and Television Studies Volume 1 - Issue 1 : Cinematology: Journal Anthology of Film and Television Studies
Publisher : Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (607.882 KB) | DOI: 10.17509/ftv-upi.v0i0.34808

Abstract

The role of water in Bandung in recent years has become a crisis. One of them is the groundwater crisis in the Situ Aksan area, Bandung. The purpose of this study is to see the relationship between geographical locations in Situ Aksan as the main data for the documentary film project. With the qualitative descriptive method of interviews, observation and study documentation, this research produces sufficient data as an important part of the pre-production of documentary films. This study found that there is a relationship between location and air information problems in people in the area. In addition, the results of this study have been able to become important data in the pre-production, production and post-production of documentary projects. Keywords — Situ Aksan; Towards Water; Geographical Location, Documentary Films
SECURITY: Behind the Visible Muhamad Fathur Rizki; Irwan Sarbeni
Cinematology: Journal Anthology of Film and Television Studies Volume 2 - Issue 2 : Cinematology: Journal Anthology of Film and Television Studies
Publisher : Program Studi Film dan Televisi, Fakultas Pendidikan Seni dan Desain, Universitas Pendidik

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (668.499 KB) | DOI: 10.17509/ftv-upi.v2i2.42843

Abstract

This research was motivated by the outpouring of the security guards at the Andes Cluster security post, which is where the researcher lives. many things are discussed by the security guards including the existence of one eye on the security guard profession and their salaries are not worth the risk. This one eye view also makes it seem as if the security guard profession is a lowly profession compared to others, such as the police or other security forces. So, it can be formulated in this research that how the security guard is underestimated by many people and how is the security guard's welfare. The purpose of this study was to determine the true view of the security guard profession and to determine the welfare of security guards with high job risks. The research method used in this study is a qualitative method with an analytical descriptive approach. That is, an approach that analyzes, describes and summarizes various conditions, situations from various data from interviews or observations about problems directly in the field. From interviews and observations made, it was explained that their salary was very small, only 1.6 million rupiah. Meanwhile, the views of the residents themselves on their profession are not all looked down on. Indeed, we should not look down on the security guard profession. Even though they seemed to be just relaxing, the responsibility they received was heavy. The issue of a salary increase is not easy, because the security guard can't do anything. It is the foundation, the developer and the residents who can make the security guard's salary increase.
Aesthetic film: constructive perspective art directors Salsa Solli Nafsika; Zakarias Sukarya Soeteja; Irwan Sarbeni; Hery Supiarza
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 17, No 2 (2022)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v17i2.4422

Abstract

The audience has limited information when it comes to interpreting movies, and they can even be swayed by an artistic director's failure to create a scene event space, which affects how visual messages are conveyed. This study analyzes the aesthetics of the film using an art directors practice approach to: measure the extent of the relationship between the perceptions built by the film appreciator and the visual objects he observes through Persistence of Vision, revealing the relevance of object and artistic form to mise-en-scene; and the illusion of depth and semiosis. This study uses qualitative methods and research data processing by triangulation method and content analysis. The study's findings indicate that additional disciplines, such as aesthetic philosophy, semiotics, perspective, visual communication, mise-en-scene, and art director work practices, are needed to analyse cinema aesthetics from an art director's point of view