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All Journal Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Humaniora Jurnal Budaya Etnika Kasta: Jurnal Ilmu Sosial, Agama, Budaya dan Terapan INJECT Interdisciplinary Journal of Communication
Hery Supiarza
Universitas Pendidikan Indonesia
Religion Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Aesthetic film: constructive perspective art directors Salsa Solli Nafsika; Zakarias Sukarya Soeteja; Irwan Sarbeni; Hery Supiarza
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 17, No 2 (2022)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v17i2.4422

Abstract

The audience has limited information when it comes to interpreting movies, and they can even be swayed by an artistic director's failure to create a scene event space, which affects how visual messages are conveyed. This study analyzes the aesthetics of the film using an art directors practice approach to: measure the extent of the relationship between the perceptions built by the film appreciator and the visual objects he observes through Persistence of Vision, revealing the relevance of object and artistic form to mise-en-scene; and the illusion of depth and semiosis. This study uses qualitative methods and research data processing by triangulation method and content analysis. The study's findings indicate that additional disciplines, such as aesthetic philosophy, semiotics, perspective, visual communication, mise-en-scene, and art director work practices, are needed to analyse cinema aesthetics from an art director's point of view
Representation Of Moral Messages In The Short Film 'Self' (2024) By Raihan Ananda Pratama: A Peircean Semiotics Analysis Eko Hadi Prayitno; Juju Masunah; Zakarias S. Soeteja; Hery Supiarza
INJECT (Interdisciplinary Journal of Communication) Vol. 10 No. 1 (2025)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v10i1.4415

Abstract

This article is a description of the results of a semiotic study of a short film entitled "Self" in the representation of moral messages. The research approach uses the theory of communication semiotics to reveal the meaning of each form of representation of moral messages. Data collection is carried out through observation and semi-structured interviews. Data analysis uses the theory of the semiotic triangle by Charles Sanders Peirce. This study shows that in each plot of the film, it tries to convey that bullying has a bad impact on its victims. The moral messages in the film have been represented in an audio visual such as images and narration that can be understood by participants. This study attempts to provide an overview that the film "Self" has a moral message. Thus, this research can provide an overview that short films can briefly convey moral messages as an information medium.
RITUAL BALIMAU MINANGKABAU: TRADISI PENYUCIAN DIRI DAN TRANSFORMASI SOSIAL Azizul Rahman Dimi; Hery Supiarza; Muhammad Arjun Pratama
Jurnal Budaya Etnika Vol. 9 No. 2 (2025): POTRET BUDAYA TRADISI DAN MATERI LOKAL DAN GLOBAL PADA MASA KONTEMPORER DI INDO
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jbe.v9i2.4227

Abstract

Abstrak: Artikel ini membahas ritual Balimau sebagai tradisi penyucian diri masyarakat Minangkabau menjelang Ramadan. Permasalahan penelitian mencakup asal-usul, makna, dan transformasi sosial dalam pelaksanaannya. Kajian ini berlandaskan pada teori fungsionalisme budaya dan simbolisme Clifford Geertz, dengan metode studi dokumentasi terhadap literatur budaya dan jurnal ilmiah. Hasil analisis menunjukkan bahwa ritual Balimau memiliki dimensi religius dan sosial yang penting, namun mengalami pergeseran makna akibat modernisasi dan komersialisasi. Diskusi menyoroti perlunya pelestarian nilai-nilai adat dan keagamaan dalam praktik budaya lokal. Penelitian ini memberikan kontribusi terhadap kajian budaya dan menawarkan rekomendasi pelestarian tradisi Balimau yang sesuai konteks zaman. Kata kunci: Balimau, Minangkabau, Tradisi, Modernisasi, Simbolisme Abstract: This article explores the Balimau ritual, a Minangkabau tradition of physical and spiritual purification before Ramadan. The research addresses issues of origin, meaning, and socio-cultural transformation of the ritual. Grounded in cultural functionalism and Clifford Geertz’s symbolic theory, this study uses document-based research through literature and cultural archives. Findings reveal that Balimau holds strong religious and social values but has shifted in meaning due to modernization and commercialization. The discussion emphasizes the importance of preserving both traditional and spiritual values in the face of cultural change. This study contributes to cultural discourse and offers recommendations for sustaining the Balimau tradition in a contemporary context. Keywords: Balimau, Minangkabau, tradition, modernization, symbolism
Decoupling Visibility from Narrative Authority: Farmer Voice and Agency in CCTV Rural Documentaries, 2012–2024 Li Xiaxia; Yanti Heriyawati; J. Julia; Hery Supiarza
KASTA : Jurnal Ilmu Sosial, Agama, Budaya dan Terapan Vol. 5 No. 3 (2025): Desember
Publisher : Lembaga Bale Literasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/kasta.v5i3.4943

Abstract

This article examines a representational problem that becomes visible only when screen presence is separated from interpretive power. In rural documentary, a farmer may appear frequently, speak in the first person, and exercise consequential agency while the explanation of structural causes and the final evaluation of change remain elsewhere. Drawing on an interpretive qualitative, diachronic multimodal analysis of an official-source-verified purposive corpus of seven CCTV/China Media Group documentary season/program records spanning 2012-2024, the study distinguishes presence, visibility, voice, agency, and narrative authority as non-equivalent dimensions of mediated subjectivity. The sampling unit is the season/program record; narrative segments and audiovisual units are nested analytical units rather than additional cases. The corpus is organized into three analytical periods (2012-2016, 2017-2020, and 2021-2024) and examined through repeated viewing, key-segment transcription where retained records permit, visual-verbal coding, cross-modal checking, and deviant-case analysis. Findings show an expansion from livelihood-, labor-, and cultural-memory-centered positions toward participation in poverty alleviation, changing farmer-land relations, agricultural technology, ecological construction, and rural public affairs. That expansion is real but uneven. Earlier farmers already display practical judgment and domain-specific agency, while later figures can remain dependent on narrators, officials, experts, data, and institutional frames for problem definition, causal explanation, and outcome evaluation. The article therefore conceptualizes mediated subjectivity not as a single empowerment continuum but as a differentiated allocation of experiential, actional, and interpretive capacities. Its contribution is to separate agency as power over action from narrative authority as power over interpretation, operationalized through problem definition, causal/motivational explanation, and evaluative authority.
Project-Based Learning for Student-Produced PSA on Mental Health and the SDGs Hery Supiarza; Harry Tjahjodiningrat; Danendra Alfathadiningrat
Humaniora: Journal of Indonesia Culture and Society Vol. 17 No. 1 (2026): Humaniora: Journal of Indonesian Culture and Society
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v17i1.13829

Abstract

Public Service Announcements (PSAs) represent a powerful medium for social communication, particularly in addressing complex issues such as mental health. However, limited research explores how students, as members of Generation Z, design PSAs within higher education frameworks that integrate global sustainability agendas. This study investigates how Project-Based Learning (PBL) enables students to conceptualize and produce PSAs on mental health in alignment with the Sustainable Development Goals (SDGs). Using a qualitative participatory approach combined with visual content analysis, this study examines 33 PSAs produced by Communication and Film students at Universitas Pendidikan Indonesia. The findings reveal distinct disciplinary orientations in PSA design. Communication students prioritize clarity and directness through textual and verbal strategies, whereas Film students emphasize symbolic depth and aesthetic experimentation. Two representative PSAs, Nomophobia and They Just Want to Be Heard, are analyzed in detail to illustrate these differences. The analysis highlights contrasts in narrative structure, cinematography, and sound design across disciplines. The results demonstrate that Communication students ensure accessibility, while Film students enhance emotional resonance, suggesting complementary strengths. Overall, the study contributes to communication research by linking narrative and audiovisual strategies with PSA effectiveness. It also contributes to education by illustrating the role of PBL in fostering collaboration and critical awareness among students. Additionally, the findings support SDG-related scholarship by demonstrating how student-produced media advances mental health literacy as part of sustainable development.  
Co-Authors Azizul Rahman Dimi Danendra Alfathadiningrat Eko Hadi Prayitno Harry Tjahjodiningrat Irwan Sarbeni J. Julia Juju Masunah Li Xiaxia Muhammad Arjun Pratama Salsa Solli Nafsika Yanti Heriyawati Zakarias S. Soeteja Zakarias Sukarya Soeteja