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JEJAK BETON DAN MODERNISASI ARSITEKTUR DALAM PEMBANGUNAN PERIODE PASCAKOLONIAL DI INDONESIA Nia Namirah Hanum; Hanifa Fijriah Wasnadi
RUSTIC Vol 1 No 2 (2021): RUSTIC
Publisher : ITB Ahmad Dahlan Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (797.531 KB) | DOI: 10.32546/rustic.v1i2.1743

Abstract

1959 was a turning point for Indonesia to become a country with a new 'identity', where it was the first year of the revival of the 1945 Constitution, including the actions, decisions, and powers of the President to initiate large-scale development. For President Soekarno, concrete was able to become a tool to symbolize modernity and equality for the Indonesian people who experienced long imperialism from the Europeans (colonies). Indonesia's long history triggered Soekarno to make Indonesia an equal country with other countries, so through the Nation and Character Building mission, megaprojects were carried out. While the next era is in the hands of President Soeharto, national stability which refers to the development of basic needs and infrastructure is one of the important plans in the PELITA program series. How was the modernization process in Indonesia in the post-colonial period presented through concrete materials and what factors or events were related to it; become the focus of the problem in this research. The purpose of exploring these problems is to get a new perspective to explore and assess the role of concrete in the Indonesian modernization process in physical development which was influenced by important factors and events in the two postcolonial regimes. The data on domestic cement production and consumption activities in Indonesia serve as glasses to see how the traces of the modernization of the Indonesian nation are in the context of physical development. The results show that there are two peaks of the highest domestic consumption of cement which proves that concrete is an important part of the development process in the post-colonial period: (1) In 1961 it was 788,000 tons in the era of the construction of the Istiqlal Mosque, an increase of 73.6% from the previous year; (2) In 1970, it reached 1,214,603 tons in the PELITA I era, with an increase of 27% from the previous year.
FLEKSIBILITAS INTERIOR DALAM MENUNJANG SIFAT TEMPORARITY PADA RUANG POSYANDU Annisa Marwati; Nia Namirah Hanum
RUSTIC Vol 2 No 1 (2022): RUSTIC
Publisher : ITB Ahmad Dahlan Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (451.74 KB) | DOI: 10.32546/rustic.v2i1.1748

Abstract

This study discusses the concept of flexibility in Interior Design that can be applied to posyandu spaces to support the effectiveness and efficiency of providing temporary posyandu spaces. The purpose of this study is to propose more effective and efficient interior concept idea for the posyandu space, both in terms of time and effort, without compromising the function of the space itself. The implementation of routine posyandu activities has proven to have a good impact on the health status of children under five. In this case, the provision of space for posyandu activities needs to be continuously improved to improve health services in Indonesia. The research was conducted by qualitative approach with literature studies and case studies as the main sources of reference. The results of this study indicate that the posyandu space has several spatial characteristics, such as (1) independent and temporary, (2) multifunctional, (3) serving at least 5 (five) series of activities, and (4) requiring a storage area. To support these characteristics, this study carries the idea of flexibility in interior design that is collapsible/demountable and also movable. An example of this concept is also given to provide initial reference of flexibility in interior design that can be applied for posyandu.
FENOMENA KONVERGENSI: POLA SPASIAL PADA PEMBAURAN AKTOR DI KAWASAN TEBUIRENG, JOMBANG Hanifa Fijriah Wasnadi; Evawani Ellisa; Dic Fla Vidya Kriss Tanny; Nia Namirah Hanum
RUSTIC Vol 2 No 2 (2022): RUSTIC
Publisher : ITB Ahmad Dahlan Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1408.237 KB) | DOI: 10.32546/rustic.v2i2.1752

Abstract

In the development of civilization, humans have become the core in urban spaces. Therefore, human encounters in urban space becomes inevitable. Simultaneously, inclusiveness has been and is still a parameter for the accomplishment of a good public spaces. This study aims to understand the spatial pattern of human encounters in urban spaces. Tebuireng’s Pesantren area and Gus Dur Tomb were then chosen as a case study due to their intense use by more than 1 million people which are divided into 3 main actors, namely santri, pilgrims and local residents. The approach used in this research is a qualitative approach, by conducting literature studies, field observations, interviews, documentation, mapping and drawing. The author finds collision or convergence phenomenon in the mixing of actors in the observed area. There are two major types of convergence that occur in the 6 major collision zones, namely single directional convergence and multi directional convergence. The convergence mechanism of each zone is then analyzed according to its type. The study found that convergence phenomenon produces swelling space as an area that holds mass overflow after the collision occurs.
Spatial Re-Utilization in Traditional Markets: Optimizing Trading Spaces for Pasar Jambe, Tangerang Hanum, Nia Namirah; Tamami Madaniyah
RUSTIC Vol 5 No 1 (2025): RUSTIC
Publisher : Institut Teknologi dan Bisnis Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32546/rustic.v5i1.2862

Abstract

Traditional markets are often considered less optimal compared to modern markets, particularly in terms of comfort, circulation, and waste management. Although it was supposed to be operational since 2022, Pasar Jambe has yet to function and is crucial for meeting the basic needs of 52,521 residents of Jambe District in 2023. This study aims to design an alternative layout that not only fulfills the buying and selling functions but also enhances user comfort and supports trading activities and utilities such as ventilation, lighting, and waste management for sustainability and local economic growth. A descriptive method with a qualitative approach is used to identify the spatial needs of the market. The results indicate that the trading area should have a minimum area of 2 m² with a minimum circulation aisle of 1.5 m² and a radial design that facilitates access to each kiosk. The kiosks are designed with two opposing faces for efficiency and can be divided into two types to maximize display functionality. A waste container capacity of 2,000L is necessary to manage a total waste of 6,756 L/day, along with waste bins at each kiosk. This design also incorporates high ceilings and an optimal ventilation system to maintain the quality of fresh products, as well as optimized lighting through wide openings and a transparent twin wall Alderon roof, achieving 100 lux of illumination with a minimum ventilation of 20%.
Sustainable Landscape Study of Sindang Barang Cultural Village, Bogor Regency Wakyudi, Wakyudi; Hanum, Nia Namirah; Kenzo, Himalaya Bima
RUSTIC Vol 6 No 1 (2026): RUSTIC
Publisher : Institut Teknologi dan Bisnis Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32546/rustic.v6i1.3341

Abstract

Sindang Barang Cultural Village is a local cultural settlement located in Tamansari District, Bogor Regency, covering an area of approximately 8,600 square meters. The village comprises 29 traditional Sundanese buildings and is characterized by a harmonious atmosphere and a community that strongly upholds inherited cultural traditions. Beyond its function as a cultural tourism destination, Sindang Barang serves as a living settlement where daily activities are closely intertwined with the preservation of Sundanese values passed down through generations. Its existence is crucial in the context of cultural conservation, as it provides a tangible example of the coexistence of traditional architecture, cultural practices, and environmental harmony. This study aims to examine the ecosystem conditions of Sindang Barang Cultural Village within the context of community life. A descriptive research method was employed, utilizing direct observation and literature review through general observations of the settlement. The findings indicate that Sindang Barang Cultural Village exhibits a distinct Sundanese residential landscape character, physically expressed through the form, layout, and continuity of traditional Sundanese architecture.