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Amin Sulistiyowati
Akademi Seni dan Desain Indonesia Surakarta
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HARAJUKU STREET OF THE MURAL Asri Puspitasari; Amin Sulistiyowati; Salim
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Abstract

Clothing is everything we wear from head to toe, the clothes we wear also reflect our personality and social status, and can convey a message to someone who sees it. The author raised the theme of harajuku street of the mural which was inspired by the street style of Harajuku combined with mural art by street artists. Because it shows that the merging of two different elements is able to create something newer and contemporary.Keywords: Harajuku street of the mural
CUBISM “TWO FACE OF THE GIRLS” Melda Eksiyana; Ruth Ambarsari; Amin Sulistiyowati
Canthing Vol. 7 No. 2 (2021)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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The fashion design in this Final Project aims to create a special party fashion design that combines the source of ideas and selected fashion styles. The source of the idea for this design is Cubism "Two Face of the Girls" itself is poured into clothing with the application of pacth wrok and using traditional lurik material, while the fashion style is Harajuku Style using original clothing from Japan such as Yukata and Kimono. The type of clothing chosen is a special themed party dress.The material used in this design is linen cotton and hemp cotton for the Cubism motif. The colors of the material in this design use secondary colors.Keyword : Cubism ( Two face of the girls )
MEMBACA VISUAL MOTIF BATIK SEMARANGAN WARAK NGENDOG Mursidah; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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Batik Semarangan has a variety of motives, including architectural motifs (Lawang Sewu, Tugu Muda, Sam Po Kong, and others) and floral fauna motifs (asem, tendrils, fish, etc.). One of batik Semarangan's unique and interesting motifs is Warak Ngendog's motif. Visualization of Warak Ngendog motif is made by referring to the mythological animal of Semarang belief. This journal will discuss the visual motives of Warak Ngendog through the semiotic viewpoint. This viewpoint sees batik motifs not merely images, but as cultural texts in which operate marking practices that lead to the method of reading batik motifs as a text. With this point of view Warak Ngendog's motives will be analyzed by traces of visual detail, how to form visual constructs, and to track his social history. Keyword: Batik Semarang, Warak Ngendog, Signs, Semiotic.
KOMPARASI ESTETIK BATIK FRAKTAL DENGAN BATIK NUSANTARA TRADISI Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 8 No. 2 (2022)
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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ABSTRACT Batik fractal is a modern batik made refer to the tradition motif combined with fractal visual in computational way. As an innovation in the arena batik Nusantara, batik fractal managed to integrate the digital technology with fractal visuality as a major milestone work design. It has produced a form of batik modern that play an important role in bringing batik Nusantara to face the global competition. This journal will discuss the relationship between batik fractal with batik tradition in the constellation batik Nusantara through the aesthetic comparative study. Keyword: Batik Fractal, Batik Nusantara, Comparative Study.
DESTRUKTIF BATIK: PERANCANGAN MOTIF BATIK DENGAN VISUAL DESTRUKTIF (NEGATIF FILM) DAN GAYA SUREALISME PADA PRODUK ART WEAR Muchamad Bagus Iman; Andri Nur Cahyo; Amin Sulistiyowati
Canthing Vol. 10 No. 2 (2024): V10N2
Publisher : Akademi Seni dan Desain Indonesia Surakarta

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As time goes by, many things are influenced, one of which is art. However, on the other hand, traditional arts in each region, especially in the field of art, have not been influenced by developments over time as significantly as Batik art in Indonesia, which has only been influenced by the materials and techniques for making it. Based on this, a design concept emerged for motifs, techniques and clothing applications that were newer and less monotonous. And these three things influence the design elements, namely shape, color and material in the components used. In this design the author wants to present a new batik motif with a new color technique and apply it to new clothing. By considering the aesthetic aspects of design, function and also the psychology of the user. The method used in this design is combining batik techniques with Surrealism visuals on batik motifs and using negative film coloring techniques which will be applied to Art Wear clothing. The aim of this design is to create batik motifs with destructive visuals (film negatives) with a surrealist style in Art Wear products. Keywords: Art wear, Batik, Destructive, Surreal
Co-Authors Andri Nur Cahyo Andri Nur Cahyo Asri Puspitasari Melda Eksiyana Muchamad Bagus Iman Mursidah Ruth Ambarsari Salim