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All Journal RETORIKA: Jurnal Ilmu Bahasa Widya Sandhi: Jurnal Kajian Agama, Sosial dan Budaya Sevanam: Jurnal Pengabdian Masyarakat
Pande Wayan Renawati
Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar
Religion Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Orientasi Kepemangkuan dalam Meningkatkan Kesehatan dan Kesadaran Spiritual di Kelurahan Tonja Kecamatan Denpasar Utara I Gusti Agung Istri Agung Gung Istri; Ni Putu Winanti; Pande Wayan Renawati; Wayan Miartha; I Made Girinata
Sevanam: Jurnal Pengabdian Masyarakat Vol 1 No 2 (2022): September
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sevanam.v1i2.870

Abstract

Community Service aimed at the Pinandita in Tonja Village, North Denpasar District, Denpasar City which aims to improve the quality of Hindu human resources, especially the Pinandita so that later they are able to transmit and teach Hindu theology, to the wider community and provide stimulation to actively learn about ethical ethics and ceremonies and spiritual methods so that the Pinandita have more expertise in addition to being the leader of the ceremony as well as the Pinandita when carrying out their obligations to lead the ceremony. The Pinandita often feel physical fatigue, tingling, and lack of concentration after several times leading the ceremony. Likewise, the Pinandita's understanding of their existence as Pinandita and their understanding of theology is still very lacking so they are interested in learning. With this understanding, the Brahma Widya Postgraduate Masters Study Program at UHN I Gusti Bagus Sugriwa Denpasar took a study program-based Community Service in Tonja Village by inviting thirty applicants and presenting five presenters from the study program who were competent in that field. The material presented is Understanding Theology (in general and adopted in Bali), Hindu Religion Events, Ethics and governance practices, Understanding Sanskrit, Meditation. From the presentation of the material, the Pinandita felt many benefits, especially the health of the Pinandita improved by practicing Pranayama and Meditation regularly and had an impact on maximizing the implementation of the Pinandita's duties properly. Likewise, other subject matter is very useful to broaden the knowledge of the Pinandita so that they feel confident in carrying out their duties.
ANALISIS KONSEP TEO-FILOSOFIS TAUHID DAN DVAITA VEDANTA (STUDI KOMPARATIF) Ni Luh Komang Indah Sari; Pande Wayan Renawati; I Gusti Putu Gede Widiana
Widya Sandhi Jurnal Kajian Agama Sosial dan Budaya Vol 13 No 2 (2022)
Publisher : Institut Agama Hindu Negeri Gde Pudja Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53977/ws.v13i2.792

Abstract

This research focuses on the study of theo-philosophical concepts in Tauhid and Dvaita Vedanta. Both concepts view God as causa prima and different from the human spirit and material nature. Through interpretive and hermeneutic frameworks of thought, in the study of religions, it is certainly very interesting to explore the theological teachings in it. This is even more so in terms of the theo-philosophical concepts of Tauhid and Dvaita Vedanta. In fact, Tauhid and Dvaita Vedanta both view God as personal, having character, and different from humans. Both also position God who has a distance from humans. Furthermore, the aspect of difference is rooted in an epistemological framework, namely Tauhid bases his aqidah on the commands and words of Allah, while Dvaita Vedanta does not base bhakti on God's commands, but through Lela and Krida as the basis. Therefore, Dvaita Vedanta views love as the basis for connecting with God (bhakti yoga). Understanding the two concepts of Tauhid and Dvaita Vedanta will create a unifying reflection in terms of similarities and differences.
Cultural Semiotics Analysis of Traditional Bantengan Art: Exploring Function, Symbolic Meaning, Moral Significance, and Existence Sawitri; Ummul Khasanah; Ishak Bagea; Ria Kristia Fatmasari; Pande Wayan Renawati
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 1 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.10.1.2024.101-112

Abstract

Traditional Bantengan art is not only a rich cultural heritage laden with meanings and symbolism but also reflects the richness and complexity of society. This research aims to explore the functions, symbolic meanings, moral significance, and existence of traditional Bantengan art through the lens of cultural semiotics. Through the cultural semiotics approach, various elements such as gestures, music, and visual symbols in Bantengan performances are dissected to understand the complexity and diversity of meanings created. Furthermore, this research explores the adaptation and evolution of Bantengan art in the context of social, political, and economic dynamics in the era of globalization. This is a qualitative study, with data focusing on functions, symbolic meanings, moral significance, and existence, sourced from traditional Bantengan art. The method used to collect data is the participatory observation method. Researchers observe traditional Bantengan performances through recording and note-taking techniques. Additionally, interviews are conducted with religious figures, elders, artists, cultural experts, and the communities of Mojokerto and Malang, along with document analysis. After data collection, the researcher reduces and classifies the data by type. Subsequently, the researcher verifies and codes the data according to its type. The interpreted data is then presented in tables. The results of the research indicate that traditional Bantengan art encompasses various functions, symbolic meanings, and moral messages reflecting the spirit of courage, solidarity, and sacrifice of the community during the resistance against the Dutch colonialists. Nevertheless, the existence of Bantengan art in the cities of Malang and Mojokerto remains enduring, signifying its value and continuity within local culture
Co-Authors I Gusti Agung Istri Agung Gung Istri I Gusti Putu Gede Widiana I Made Girinata Ishak Bagea Ni Luh Komang Indah Sari Ni Putu Winanti Ria Kristia Fatmasari Sawitri Ummul Khasanah Wayan Miartha