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All Journal Litera Buletin Al-Turas Jurnal Antropologi: Isu-Isu Sosial budaya Chemistry in Education Insaniyat: Journal of Islam and Humanities RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Jurnal Ilmiah Ecosystem JURNAL ILMIAH OBSGIN : Jurnal Ilmiah Ilmu Kebidanan & Kandungan Jurnal Ilmiah Manajemen Kesatuan Muslim English Literature Advances In Social Humanities Research
Ida Rosida, Ida
Fakultas Adab Dan Humaniora, UIN Syarif Hidayatullah Jakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Medicine & Pharmacology Nursing Public Health Social Sciences

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ANALISIS PEMAHAMAN KONSEP PADA PEMBELAJARAN LARUTAN PENYANGGA MODEL DISCOVERY LEARNING MENGGUNAKAN TES CBT Rosida, Ida; Susatyo, Eko Budi; Darmuah, Darmuah
Chemistry in Education Vol 10 No 2 (2021): Terbit bulan Oktober 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/chemined.v10i2.43848

Abstract

Penelitian ini dilakukan di kelas XI MIPA 4 SMA Negeri 1 Moga. Tujuan penelitian ini adalah untuk menganalisis pemahaman konsep peserta didik pada pembelajaran Larutan Penyangga menggunakan model Discovery Learning berdasarkan indikator pemahaman konsep (IPK) dan indikator kompetensi dasar (IKD). Pemilihan sampel dilakukan menggunakan teknik purposive sampling dan desain penelitian berupa sequential explanatory design. Data diperoleh dengan menggunakan instrumen tes diagnostik yang telah dinyatakan valid oleh validator dan didukung dengan lembar wawancara. Soal tes diagnostik yang digunakan adalah jenis soal three tier multiple choice berbasis CBT (Computer Based Test). Setelah dilakukan tes diagnostik yang didukung dengan wawancara diperoleh profil pemahaman konsep peserta didik pada materi larutan penyangga. Hasil analisis pemahaman konsep peserta didik yang didapat yaitu sebanyak 20 anak (56,74%) paham konsep, 8 anak (23,41%) miskonsepsi, 3 anak (8,33%) untung-untungan, 4 anak (9,99%) kurang paham, dan 1 anak (3,24%) tidak paham. Kesimpulan dari penelitian ini adalah pada pembelajaran larutan penyangga menggunakan model Discovery Learning menunjukkan bahwa berdasarkan IPK dan IKD belum semua indikator terpenuhi secara maksimal oleh peserta didik.
Woman in Patriarchal Culture: Gender Discrimination and Intersectionality Portrayed in Bob Darling by Carolyn Cooke Ida Rosida; Lestari Rejeki
Insaniyat : Journal of Islam and Humanities Volume 1 Number 2, May 2017
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University of Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (483.046 KB) | DOI: 10.15408/insaniyat.v1i2.4345

Abstract

This  article  examines  gender  discrimination,  and  investigates  the  relation  between  gender  and social  class  relation  experienced  by  the  main  female  character,  Carla,  in  the  short  story  entitled Bob Darling by Carolyn Cooke. The method used in this study is descriptive qualitative applying the  concept  of  gender  discrimination  by  Mansour  Fakih  and  the  concept  of  intersectionality  by Kimberlé Crenshaw about the connection of multiple dimensions, such as gender and class in making discrimination. This study aims to find how the main female character that lives in the patriarchal culture is depicted in the story. Moreover, it is to show how social segregation strengthens the gender discrimination.  Gender  discrimination  is  unjust  treatments  and  assumptions  against  someone, particularly based on a person’s sex that leads to the role that he or she should play in the society. The  different  role  however,  leads  to  the  harm  and  the  loss  of  person’s  right  in  life  especially  for woman who lives in patriarchal culture. The results show that stereotype, subordination and violence against woman are experienced by the main female character in the society as the effect of gender discrimination. Then, social class as a division of individual classes based on levels of individual’s position in society that can be determined by wealth, education, occupation, and others has a part in gender discrimination. When the woman is on lower class, she has less power and authority so that  it  makes  a  stronger  discrimination  against  her.  In  conclusion,  in  the  patriarchal  culture,  the discrimination against woman is not only influenced by the gender itself, but also the social class.DOI: 10.15408/insaniyat.v1i2.4345
The Identity Construction of Jordanian Muslim Woman Reflected in Willow Trees Don’t Weep Novel (2014) by Fadia Faqir Ida Rosida; Molalita Molalita
Insaniyat : Journal of Islam and Humanities Volume 1 Number 1, Nov 2016
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University of Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (953.015 KB) | DOI: 10.15408/insaniyat.v1i1.4169

Abstract

This  article  discusses  the  identity  construction  of  a  Jordanian  Muslim  woman  through  the  main female character named Najwa reflected in Willow Trees Don’t Weep novel (2014) by Fadia Faqir. The method used in this study is descriptive qualitative. It is supported by the concept of identity by Stuart Hall and that of patriarchy to analyze the text. The aim of the study is to point out how Najwa, as a Jordanian Muslim woman who lives in a strong patriarchal culture without male figure in her family,  constructs  her  identity,  particularly  when  travelling  to  some  different  countries  including Pakistan, Afghanistan, and England just to find her father. The way Najwa Lives in a new country, where she interacts with new people and be immersed in new culture, has an immense impact on her.  Subsequently  self-identity  construction  is  definitely  inevitable.  Here,  Najwa  herself  strives  to negotiate  and  articulate  her  identity  through  her  appearance  and  behavior,  especially  in  Islamic practices and rituals. Consequently, the negotiation and articulation turn out to be the two major things  in  her  self-identity  construction.  Culture,  however,  becomes  a  crucial  mean  to  identity. Different culture represents different identity, and it keeps changing relaying on place where she lives.DOI: 10.15408/insaniyat.v1i1.4169
Gender Relation in Willow Trees Don’t Weep Novel (2014) by Fadia Faqir: A Feminist Literary Criticism Ida Rosida; Aini Soraya
Insaniyat : Journal of Islam and Humanities Volume 2 Number 1, Nov 2017
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University of Jakarta.

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1201.567 KB) | DOI: 10.15408/insaniyat.v2i1.6586

Abstract

This  study  is  aimed  at  finding  gender  relations  between  male  and  female  character  as  they  are depicted  in  Willow  Trees  Don’t  ’Weep  (2014)  novel  written  by  Fadia  Faqir.  This  study  employs descriptive qualitative method on feminist literary criticism as a theory to find and reveal gender issues. The text is analyzed by using feminist criticism “woman as reader” to give the evaluation and  interpretation  on  how  woman  writes  about  woman.  The  result  shows  that  there  are  three significant points in which gender relation in patriarchal culture is portrayed in the novel. They are male  domination,  discrimination  towards  women,  and  violence  against  women.  The  results  were evaluated  by  examining  female  character’s  condition  in  a  patriarchal  society  through  woman’s point of view based on her social life and experiences. Moreover, the country where women live is influenced the gender relation. Jordan in this case, has the strongest patriarchal system compared to Pakistan, Afghanistan, and London (the countries where Najwa lived while searching for her father).DOI: 10.15408/insaniyat.v2i1.6586
TUBUH PEREMPUAN DALAM BUDAYA KONSUMEN: ANTARA KESENANGAN DIRI, STATUS SOSIAL, DAN NILAI PATRIARKI ida Rosida
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 20, No 1 (2018): (June)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (124.416 KB) | DOI: 10.25077/jantro.v20.n1.p85-101.2018

Abstract

This article discusses the Jakarta urban women body in Indonesian consumer culture as reflected in Miss Jinjing Belanja Sampai Mati (2008) by Amelia Masniari. Within  consumer culture, consuming commodities is seen as a natural. However, it is the impact of the power (dominant ideologies) that present in that culture. The primary objective of this paper is to explore how  the Jakarta urban woman body is constructed within Indonesia’s consumer culture in which portrayed in Miss Jinjing Belanja Sampai Mati (2008) through the character of Amelia Masniari. This is a qualitative research with cultural studies approach. The concept of Mike Featherstone about the body in consumer culture is used to analyze the text. The results show that the Jakarta urban woman body as reflected through Amelia's character is constructed by capitalism, consumerism and patriarchal ideology. The emergence of these three ideologies are seen through contradictions in the text such as the contradiction between values of self-pleasure, social status as well as patriarchal values. In conclusion, the Jakarta urban woman body (Amelia) in Indonesian consumer culture as reflected in Miss Jinjing Belanja Sampai Mati (2008) is site of ideological contestation; capitalism, consumerism and patriarchal ideology. The presence of these ideologies are not mutually tearing down but mutually reinforcing one another and in the end there is coherence between each ideology.
Toxic masculinity in Michael Rohrbaugh’s American Male Ida Rosida; Pita Merdeka; Annisa Nur Chaliza; Aulia Aprilia Nisa; Muhamad Sodikin
LITERA Vol 21, No 1: LITERA (MARCH 2022)
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v21i1.39792

Abstract

Masculinity is recognized as a social value that regulates how a man should or should not behave. Those who do not meet the ideal characteristics such as strong, powerful, dominant, aggressive, and others, in some circumstances, will be considered as toxic masculinity. This article aims to explore how masculinity traits and toxic masculinity are presented in a short film directed by Michael Rohrbaugh entitled American Male (2016). This film looks at the gender norms which are emerged in a society by showing a muscle-up man who portrays masculine standard traits. The main character in the film is portrayed as a man who is strong, competitive, and violent. The method used is a qualitative content analysis based on the concept of masculinity by Janet Saltzman Chafetz. The results show that American Male is a medium used to convey how masculine norms has ruined the society. As it is socially and culturally constructed, men must be engaged with it. Men must be masculine. Even more, men who do not fulfill the traits are considered either losers or gays. Toxic masculinity subsequently forces men to fulfill masculinity. The traits are socially regressive and lead to violence, patriarchy, domination, and homophobia. In conclusion, the main character becomes depressed, violent, and stereotyped as a result of toxic masculinity.Keywords: male domination, masculine traits, men suppression, toxic masculinityMaskulinitas Toksik dalam American Male Karya Michael RohrbaughAbstrakMaskulinitas diakui sebagai nilai sosial yang digunakan untuk mengatur bagaimana seorang laki-laki harus berperilaku. Bagi mereka yang tidak memenuhi ciri ideal dari seorang lelaki seperti kuat, mendominasi, agresif, dan lain sebagainya, akan dianggap sebagai laki-laki sejati yang mana standar tersebut akan dianggap menjadi maskulinitas toksik. Artikel ini membahas bagaimana karakteristik maskulinitas dan maskulinitas toksik ditampilkan dalam film pendek American Male (2016) yang disutradarai oleh Michael Rohrbaugh. Film ini mengkaji bagaimana norma gender yang muncul di masyarakat dengan memperlihatkan seorang laki-laki berotot yang mengikuti berbagai karakteristik maskulinitas. Karakter utama dalam film tersebut digambarkan sebagai pria kuat, kompetitif, dan kasar. Metode yang digunakan adalah analisis konten kualitatif dan konsep maskulinitas dari teori Janet Saltzman Chafetz. Hasil penelitian menunjukkan bahwa American Male (2016) merupakan media yang digunakan untuk menyampaikan bagaimana norma maskulin telah merusak masyarakat. Karena norma tersebut dibangun secara sosial dan budaya, laki-laki harus terlibat di dalamnya. Laki-laki harus maskulin. Lebih dari itu, laki-laki yang tidak memenuhi sifat-sifat tersebut dianggap pecundang atau homo. Maskulinitas toksik selanjutnya memaksa laki-laki untuk memenuhi maskulinitas. Ciri-ciri tersebut regresif secara sosial dan mengarah pada kekerasan, patriarki, dominasi, dan homofobia. Kesimpulannya, karakter utama menjadi tertekan, kasar, dan distereotipkan sebagai akibat dari maskulinitas toksik.Kata kunci: maskulinitas toksik, karakteristik maskulinitas, dominasi laki-laki, penindasan pria
SELF-LOVE AND SELF-ACCEPTANCE: REDEFINING IDEAL BEAUTY THROUGH ITS REPRESENTATION IN SCARS TO YOUR BEAUTIFUL Ida Rosida; Dinni Yulia Saputri
LITERA Vol 18, No 3: LITERA NOVEMBER 2019
Publisher : Faculty of Languages and Arts, Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/ltr.v18i3.27409

Abstract

The ideal beauty has a significant impact on social life. Those who feel their body doesn’t meet the idealize body view, some might have body dissatisfaction and lower body appreciation. This study aims to explore a broader definition and understanding of the beauty as it is represented in Scars to Your Beautiful, a song by Alessia Cara, both its lyric and music video. Using content analysis and supported by the concept of the figure of Speech, cinematography, and representation by Stuart Hall completed the investigation on this beauty ideal. The result shows that Scars to Your Beautiful strive to redefine the term of beauty which cannot be determined only by certain criteria such as having a thin body, white skin, flawless and addressed to women only, but beauty reaches a broader definition in all shapes, sizes, colors, even the gender. These findings highlight the importance of self-love and self-acceptance in the social context. Keywords: beauty ideals, representation of beauty, body dissatisfaction
Hasrat Komoditas di Ruang Urban Jakarta : Sebuah Kajian Budaya Ida Rosida
Buletin Al-Turas Vol 20, No 1 (2014): Buletin Al-Turas
Publisher : Fakultas Adab dan Humaniora, UIN Syarif Hidayatullah Jakarta, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (577.629 KB) | DOI: 10.15408/bat.v20i1.3746

Abstract

AbstrakArtikel ini mengkaji perilaku konsumsi masyarakat urban Jakarta yang dilihat dari sudut pandang kajian budaya. Kajian ini penting karena adanya konsumsi komoditas tiada batas dimana masyarakat urban Jakarta tak mampu menggunakan pikirannya secara tepat untuk memutuskan apa yang harus dan tak harus dikonsumsi. Arus kapitalisme budaya yang berkembang pada era posmodern telah memicu persoalan pada perilaku konsumsi masyarakat yang sengaja dikonstruksi sedemikian rupa sehingga perilaku konsumsi setiap individu dinilai alamiah. Pada kenyataannya, hal tersebut disebabkan oleh kesadaran palsu (false consciousness) yang ditanamkan dalam pikiran manusia melalui ideologi kapitalisme yang berkembang dalam budaya konsumen Indonesia. Kesadaran palsu bukanlah ketidakmampuan pikiran manusia untuk membedakan yang benar atau salah, tetapi kesadaran tersebut dipalsukan oleh mekanisme tertentu, sehingga manusia menyerap informasi yang salah terhadap sebuah realitas.---AbstractThe article investigates consumerism as a life style of Jakarta urban society through a cultural studies view. This study is important due to the fact that Jakarta urban society keep consuming commodities without any consideration on what should and shouldn’t be consumed. The development of cultural capitalism in postmodern era has led to a serious problem on how consumer behaviour is intentionally constructed in a such way and seems to be natural. In fact, this is caused by a false consciousness which is placed in the human mind through capitalism in Indonesia consumer culture. False consciousness in not defined as a disability of human mind to distinguish right and false, but the consciousness is counterfeited by a certain mechanism, so that human reserves wicked  information through a reality.
WOMEN BODY AND ITS FUNCTIONS IN DYSTOPIAN LITERATURE: SEXUAL COMMODITY, SEXUAL PLEASURE, AND REPRODUCTIVE NATURE Avi Ainul Fikri; Ida Rosida
RETORIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Vol 15, No 2 (2022)
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/retorika.v15i2.17913

Abstract

This research aims to show how women’s bodies and their functions shape the role of women in dystopian society reflected in Blade Runner 2049. Cyborgfeminism theory by Donna Haraway and postgenderism theory by James Hughes and George Dvorsky with a qualitative method are used to analyze the corpus. The results show that the role of women in the dystopian society functions as a human’s reproduction while women’s body is viewed as sexual commodities and valued for its sexual pleasure. In conclusion, this research can be used as a foreshadowing of how women and their roles will be in a dystopian society where the near-future capabilities of Artificial Intelligence and robotics may provide men as the superior gender which can dominate over the bodies and existence of women.
Gender and Power Relations in Aisha Saeed’s Amal Unbound Albi Fahri; Ida Rosida
Muslim English Literature Vol 2, No 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.29294

Abstract

This paper discusses the power relation and gender in the novel Amal Unbound by Aisha Saeed (2018). This study focuses on the four main characters, Amal, Abu, Jawad, and Baji, in which  Abu, Amal ‘s father, has a relationship that puts her as a subordinate one as well as Jawad, who has the power from his economic aspect. The restriction experienced by a female character, Amal, became a gender issue regarding the oppression of women, which must be surrendered to certain power circumstances. This research explores the power relations between female and male characters and their effect on gender. This study uses a qualitative method and applies Michel Foucault's theory of power relations and the concept of gender. The results show that Amal’s resistance is echoed in the desire to destroy the power structure that put Jawad as the highest authority holder. Amal prioritizes resistance to free her choice in her gender identity, and power relations are obliged to change with the resistance. Power in this discourse installs itself and produces real material effects, which social power structure and the prescribed gender norms also affect the relationship between characters. Power relations exist as the main female character, Amal has a certain relationship with the other main male characters and another female character. The power comes from the relation then brings oppression toward women. Power is compiled, established, and realized through certain knowledge and discourse. In addition, Amal’s appearance, which represents her gender identity, also indicates resistance toward the oppression she experienced. To conclude, subordination and oppression toward women are undeniable, as men are socially and culturally designed to be powerful. Meanwhile, women are powerless. 
Co-Authors Aini Soraya Albi Fahri Annisa Nur Chaliza Aulia Aprilia Nisa Avi Ainul Fikri Dalimunthe, Gallang Perdhana Darmuah, Darmuah Dinni Yulia Saputri Eko Budi Susatyo Enny Nurcahyawati Fahri, Albi ISKANDAR HASAN Lestari Rejeki Molalita Molalita Muhamad Sodikin Nurliani Nurliani Pita Merdeka, Pita Prawiraatmadja , Widhyawan Puspitasari, Anggun Citra Dini Dwi Radita, Hana Cintia Ayu Ramdhan, Vickry Ramliyana, Randi Tetty Rina Aritonang Wiwit Desi Intarti