Irma Winingsih, Irma
Dian Nuswantoro University

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PERBANDINGAN UCHI NI DAN AIDA NI (KAJIAN SEMANTIK) Winingsih, Irma; ., Miftahudin
Proceeding SENDI_U 2016: SENDI_U
Publisher : Proceeding SENDI_U

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (85.945 KB)

Abstract

Penelitian ini berjudul ‘perbedaan dan persamaan uchi ni dan aida ni’. Alasan peneliti memilih judul ini karenapembelajar bahasa Jepang khususnya di Universitas Dian Nuswantoro masih sering melakukan kesalahanpemakaian ungkapan. Hal ini disebabkan terbatasnya referensi yang membahas perbedaan dan persamaankeduanya. Salah satunya adalah ungkapan yang menyatakan waktu tertentu yaitu uchi ni dan aida ni. Keduanyasekilas mempunyai makna yang sama, tetapi berbeda penggunaan. Penelitian ini menggunakan sumber data novelYukiguni, karya Yasunari Kawabata dengan menggunakan metode deskriptif kualitatif. Jumlah data yang digunakandalam penelitian ini adalah sebanyak 16 kalimat. Kalimat yang menggunakan ungkapan uchi ni sebanyak 9 kalimat,yang menggunakan ungkapan aida ni sebanyak 7 kalimat. Hasil penelitian menunjukkan bahwa ungkapan uchi nidan aida ni digunakan untuk menyatakan dua kejadian, di mana kejadian kedua terjadi sebelum kejadianpertamaselesai. Perbedaan uchi ni dan aida ni, uchi ni berdasarkan emosi pembicara, ada rasa penyesalan jika terlambatdilakukan, sedangkan dalam aida ni tidak ada rasa penyesalan. Selain itu batasan jangka waktu yang dinyatakan olehuchi ni adalah titik terjadinya perubahan waktu, sedangkan batasan jangka waktu yang dinyatakan oleh aida niadalah titik selesai dilakukannya kegiatan.Kata Kunci : uchi ni, aida ni, semantic
ANALISIS SISTEM FONOLOGI KOSA KATA BENDA BAHASA JEPANG Irma Winingsih
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol 6, No 1 (2010): March
Publisher : Fakultas Ilmu Budaya, Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (476.38 KB) | DOI: 10.33633/lite.v6i1.469

Abstract

This research is aimed at analyzing the phonological system of Japanese nouns in Minnano Nihongo 1. The analysis is based onsteps proposed by Masnur Muslich. There were 13 consonants and 10 vowels found. The result shows that there are 31 suspicious pairs, 14 pairs in segmental ananlogous environment, 4 pairs in suprasegmental environment, and 16 pairs in identical environment. Through the Uniting Procedure Analysis, 2 suspicious pairs are found: [e] as phoneme and [i] as allophone. In addition, the suspicious pairs of [o] and [u] function as phoneme and allophone respectively.Key words: Consonants, Japanese nouns, phonological system,suspicious pairs
Metafora pada Lirik Lagu AKB48 Dila Puspita; Irma Winingsih
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol 14, No 1 (2018): March
Publisher : Fakultas Ilmu Budaya, Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (563.604 KB) | DOI: 10.33633/lite.v14i1.1978

Abstract

This paper discusses regarding the types and meaning of metaphor towards AKB48's song Tsugi no Ashiato by AKB48. The purpose of this study is to understand the meaning and types of metaphor in a few song lyrics using Lakoff and Johnson's theory. This research method is qualitative descriptive.  In order to collect the data, a total of 15 songs and a form of word or phrase that is contained of metaphor are needed. The collected data will be analayzed into 3 types of metaphors; structural, oriental, and ontological.
TINJAUAN WILAYAH KOMUNIKASI PADA PENGGUNAAN SHIJISHI KO-SO-A DALAM WAWANCARA INTERAKTIF BAHASA JEPANG Irma Winingsih
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol 8, No 2 (2012): September
Publisher : Fakultas Ilmu Budaya, Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (450.891 KB) | DOI: 10.33633/lite.v8i2.1356

Abstract

Deixis are words meaning pointing. Accroding to Levinson (1983:54), deixis are classified into five types, they are person deixis, time deixis, place deixis, social deixis, and discourse deixis. This research is a descriptive qualitative one using sociopragmatic approach. The aim of this research is to describe the information in the use of shijishi ko-so-a. The method used in this research is participatory one using the theory of Kinsui (1989), Yuuji(1999) and Akio (1990). The source of data of this research is the interactive interview in University of Kyuushuu, Japan. The corpus of the data are in the form of clauses containing  shijishi ko-so-a. The result shows that shijishi so is the mostly used in the interactive interview because the setting is formal and the relationship between the speaker and hearer is equal. As the people that know each other for the first time , they have to respect each other and use polite language because in Japanese society, a new person is a meuenohito’ that is a person that must be respected more than us. The mostly used references are anaphoric ones because the topic is flexible. The hearer is the one who has the highest  information area because the speaker admits and respect the owner of information, that is the hearer.  
ANALISIS MORFOFONEMIS CASUAL SPEECH PADA KOMIK AISHIIRUDO VOLUME 1 Anita Soegiharto; Irma Winingsih
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol 13, No 1 (2017): March
Publisher : Fakultas Ilmu Budaya, Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1070.756 KB) | DOI: 10.33633/lite.v13i1.1577

Abstract

This study is aimed at describing the morphophonemic analysis of the casual speech on the Aishiirudo 21 comic volume 26. This qualitative research uses Aishiirudo Comic 21 volume 26 as the source of the data. The data are in the form of 99 words belonging to casual speech. The data were analyzed using the framework proposed by Sutedi (2004: 118) by using the following steps: identifying the words belonging to casual speech, the morphophonemic processes of the words. The results showed that there are 4 morphophonemic processes found in the comic, they are 5 assimilation, 57 vowel combining, 19 vowel deletion, and 17 abbreviation. Keywords: Assimilation, Casual Speech, Morphophonemis process, vowel 
CAMPUR KODE PADA ALBUM DON'T STOP OLEH AI CARINA UEMURA Anni Asokawati; Irma Winingsih
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol 11, No 2 (2015): September
Publisher : Fakultas Ilmu Budaya, Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (567.284 KB) | DOI: 10.33633/lite.v11i2.1061

Abstract

This study is aimed at analyzing the code mixing in Japanese songs using sociolinguistic approach. It describes the form of code mixing, the cause of code mixing in Japanese songs, and the influence of code mixing to the development of Weinreich language. The data analysed in this study are the sentences containing code mixing sung and composed by Ai Carina in Don’t Stop album. Those data were then analyzed using descriptive qualitative technique based on Suwito’s theory of code mixing, Bhatia and Ritchie’s code mixing influencing factors, and Weinreich and Mackey’s influence of code mixing. The resuts showed that the form of code mixing found in the songs are mostly outer code mixing in the form of clause. The factors influencing the code mixing are the desire to adapt the texts and the melody, as the emphasis of the story, as the tone appropriateness, to show the formal situation, to give the intrinsic message to the listeners, and to give emphasis to certain field. The influences of code mixing are dominantly in the form of interference in sentence level, they are word, phrase, and clause.Keywords : code mixing, interference, integration, influencing factors, sociolinguistics.
Kesalahan Penggunaan Kata Ganti Demonstratif Ko-So-A pada Kalimat Bahasa Jepang dalam Ujian Akhir Semester Penerjemahan Lisan Irma Winingsih
Japanese Research on Linguistics, Literature, and Culture Vol 2, No 2 (2020): May
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v2i2.3541

Abstract

AbstractBunmyakushiji type of ‘Ko-So-A’ demontrative pronouns are words that are being used to replace word(s) or to refer word(s) or thing(s) which have said before. The Ko-So-A demonstrative pronouns have difference usage with pronoun in Indonesian language. Writer found out there are many Japanese learners in Japanese Language Department of Dian Nuswantoro University including were having difficulties to distinguish functions of each pronoun. Because of that, writer is interested in analyzing the errors made by learner when using bunmyakushiji type of demonstrative pronoun. Writer use qualitative method and analytic descriptive. The data were collected from conversations of  Interpreting class’s Final Exam. The result was error usage of So and A demonstrative pronouns often happened than error usage of Ko and So demonstrative pronouns.  Keywords: kosoa, error, demonstrative, understanding. AbstrakKata ganti demonstratif Ko-So-A yang berfungsi kontekstual digunakan untukmerujuk atau menggantikan kata yang dituturkan sebelumnya. Penggunaannyaberbeda dengan kata ganti demonstrative dalam bahasa Indonesia.Karena dalamUjian Akhir Semester mata kuliah Penerjemahan Lisan yang merupakan percakapan antara penguji dengan mahasiswa cukup banyak ditemukan kesalahan penggunaan kata ganti ini, maka penulis tertarik untuk meneliti kesalahan tersebut.Metode yang digunakan adalah metode kualitatif dengan analisis deskriptif. Data diperoleh dari percakapan/tanya jawab dalam ujian. Hasilnya yaitu kesalahan penggunaan kata ganti demonstrative So dan A lebih banyak ditemukan dibandingkan kesalahan penggunaan kata ganti demonstratif Ko dan So. Kata Kunci: ko-so-a, kesalahan, demonstratif, pemahaman 
Kajian Hipersemiotika pada Iklan Majalah Non-no Edisi September 2007 Irma Winingsih; Diah Soelistyowati
Japanese Research on Linguistics, Literature, and Culture Vol 3, No 1 (2020): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v3i1.4328

Abstract

 Competition in today's advertising world demands creativity from producers and product marketing teams. One form of creativity is sometimes beyond the limits of consumer reasoning to understand. Although communicative, sometimes an advertisement  looks illogical. This excessive element of an advertisement is due to use of signs in hypersemiotics. By using data from Non-no Magazine advertisement published in Japan, the September 2007 edition, the writer looked for the hypersemiotics signs that emerged from each advertisement. Data were analyzed using the referential equivalent method. The sign found are Pseudo Sign, False Sign and Artificial Sign which are used to emphasize the advantage of the product and to attract consumer attention.Keywords: advertisement, sign, hypersemiotics
Modalitas Bahasa Jepang dalam Kalimat Berpola ~To Omou Irma Winingsih
Japanese Research on Linguistics, Literature, and Culture Vol 2, No 1 (2019): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1094.885 KB) | DOI: 10.33633/jr.v2i1.3131

Abstract

This writing uses a syntactic study to analyze modality to analyze the sentence structure of verb phrases ~ to omou 'my taste/thought/intention'. From the data the author analyzes, the modality found is the modality of ganbou's' intention', the modality of gaigen 'possibility/uncertainty' and the modality of kakugen 'full of confidence statement’.  In a sentence it is possible to find two modalities, as in the data above which gives rise to two modalities, namely toui and gaigen modalities, while in other sentences it contains ganbou and gaigen modalities.
Representasi Nilai Toleransi dalam Animasi Keluarga Somat Episode “Hari Kartini” Budi Santoso; Irma Winingsih
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 17, No 1: Februari 2022
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/nusa.17.1.50-65

Abstract

This study aims to describe representation of the value of tolerance in the animation film Somat’s Family episode "Kartini’s Day". Qualitative descriptive research method used in this study. The data is taken from the animation film Somat’s Family episode "Kartini’s Day". Research approach used  semiotics approach, especially communication semiotics from John Fieske on representation theory. Data  analysis focuses on three levels of representation, namely  level of reality, level of representation, and  level of ideology. The results show that at the level of reality tolerance is represented in the form of appearance, make-up, costumes, and behavior of the characters who respect differences. The technical representation level uses close up, two angle shots, medium shots, and long shots techniques. Bright lighting is used to indicate a happy felling of the character. The editing section uses continuity editing. The voice code consists of  dialogues of the characters. Conventional representation codes consist of characters who respect differences, actions and dialogues of characters which show respect for different cultures or opinions. At ideological level, animation series  Somat’s Family episode “Kartini Day” consist of  ideology of tolerance and respect for different cultures. The ideology of pluralism was also revealed which was then united in the concept of Bhineka Tunggal Ika.