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Meditating Masculine Anxiety and (Post) Colonial Space in Lubis's Harimau! Harimau! and Patterson's Man-Eaters of Tsavo Hidayatullah, Danial
Insaniyat: Journal of Islam and Humanities Vol. 8 No. 1 (2023): Insaniyat Journal of Islam and Humanities
Publisher : Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University (UIN) Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/insaniyat.v8i1.31962

Abstract

This research is aimed at probing and comparing the masculine anxiety in colonial spaces of Lubis’s Harimau! Harimau! and Patterson’s The Man-eaters of Tsavo investigate similarities and differences between the subject position, the psychological impacts, and the psychic discourse of colonized and colonizer’s masculinities and male anxiety in terms of the colonial narrative. This comparison is essential for the subject position, and the psyche in the colonial narrative is claimed to be universal, which is not entirely true. Connell’s theory of masculinity is applied to investigate how the values of masculinity shape colonial experiences. This research employs a narratological method - employing the concept of focalization to scrutinize how the subject who see exercise the power of seeing and eventually constructing the subject position and the psyche of colonized and colonizer - psychoanalytic as well as postcolonial reading to reveal the psychological impact - of the character’s anxiety. The results are: 1) In both stories, the colonial settings are portrayed similarly even though the writers of the two stories came from different continents (West and East). 2) In a hostile colonial setting, the colonizer and the colonized are constructed similarly in dealing with anxiety. However, when colonized are in the subject position, they are constructed as anal-erotic characters or anti-heroes. Simultaneously they are described as devout Moslems. Meanwhile, the European counterpart, although not described as a devout Christian, was the story’s hero. As an Indonesian novel, this marks the point that it falls into Western colonial narratives’ patterns.
ROMANTICIZING ILLNESS: THE REPRESENTATION OF LOVE AND DISEASE IN THE MOVIES 'MIDNIGHT SUN' AND 'MEET ME AFTER SUNSET' Aurachel Umara; Danial Hidayatullah
Leksema: Jurnal Bahasa dan Sastra Vol. 10 No. 1 (2025)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v10i1.10004

Abstract

This study aims to find out how love and disease are represented as discourse in the movies entitled Midnight Sun (2018) and Meet Me After Sunset (2018). How the discourse of disease and love is constructed simultaneously in the stories of two characters with different social and cultural backgrounds is crucial to probe because discourses convey and create power and hierarchy. This study compares two characters who suffer from a rare disease named xeroderma pigmentosum. The disease makes them sensitive to sunlight in the teenage phase during which they experience falling in love. The main objects of comparison are the movie characters Katie from Midnight Sun and Gadis in Meet Me After Sunset. This study employs comparative methods which are appropriate to analyze how different socio-cultures can influence the discourse on love and illness. Discourses and constructs regarding love and illness in popular literature, including movies, cannot be fully understood without referring to gender and socio-culture. Illness is romanticized in Meet Me After Sunset and Midnight Sun. In the Indonesian context, the discourse of love as freedom is less obvious. In contrast, the discourse of isolation and the lack of agency are more advocated compared to the American counterpart. It is due to the differences in cultural patterns that operate in both movies. The discourse of illness in both stories leads to a binary gender hierarchy that associates masculinity with health, while femininity is associated with illness. The isolation caused by disease can also be associated with domestic femininity, which then becomes the idealized value of femininity in both movies.
Red Badge of Courage and Jalan Tak Ada Ujung: Comparing Indonesia’s and America’s National Masculinity Danial Hidayatullah
k@ta: A Biannual Publication on the Study of Languange and Literature Vol. 25 No. 2 (2023): DECEMBER 2023
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/kata.25.2.81-91

Abstract

Masculinity linked to conflict or war is often seen as hegemonic. This research offers two literary texts from two different countries: Stephen Crane’s The Red Badge of Courage (2005) and Muchtar Lubis’ Jalan Tak Ada Ujung (The Endless Road) (1952). By comparing and contrasting both countries in terms of non-hegemonic masculinities of the protagonist characters, the pattern of masculinities of each nation, which is often overlooked, can be explainable. We can identify variations of masculinities in classic fiction, which reflect the national discourses. By utilizing the notion of focalization, the method of narratology can locate the power relation and agency in the story. Post-war anxiety as well as the ideology of fatherism and momism constructs the national gendered discoures. Indonesia’s masculinity resists the legitimate and privileged as well as the status-quo concept of national masculinity. The resistance implies that Indonesia’s national masculinity is more diverse and progressive than America’s is.