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All Journal Jurnal Humanitas AlphabetAlphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Changlun: Journal of Chinese Language, Literature, Culture and Linguistic Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti)
Nanang Endrayanto
Fakultas Ilmu Budaya Universitas Brawijaya Jl. Veteran Malang 65145
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences

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THE WITCHES IN SHAKEASPEARE’S MACBETH Mochamad Nasrul Chotib; Nanang Endrayanto
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Publisher : Jurnal Humanitas

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Abstract

Taking into account the existence of the witch characters in Macbeth, this study was performed to analyze the social function of the due characters. In so doing, the historical design was used to locate the play as it was socially and originally perceived by its contemporary audiences. The result shows that such characters serve both structurally and socially as well: structurally to justify the course of the hero disgracing fate and socially to maintain the idea of the necessary goodness  
Revisiting Literature in Times of Pandemics: The Relevance of Cultural Studies for Literary Analysis Nanang Endrayanto
Alphabet: A Biannual Academic Journal on Language, Literary, and Cultural Studies Vol 4, No 1 (2021)
Publisher : Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.alphabet.2021.04.01.01

Abstract

In trying to integrate science into the policy-making process, authorities and the public commonly overlook the essential role of literature in dealing with the COVID-19 pandemic. A close examination of the topic shows that it is more complex than the authorities’ commitment to science. “We follow the science” is a way of communicating rather than implementing. Since other articulations are excluded in the articulation of “we follow science,” cultural and critical studies become crucial. Arguably, literature communicates science better than the strategy adopted by the ruling elites.
ANALISIS IDEOLOGI DAN TEKNOLOGI PENERJEMAHAN MOLINA DAN ALBIR PADA LAGU INDAH CINTAKU VERSI BAHASA MANDARIN Francisca Akhidna; Nanang Endrayanto
CHANGLUN: Chinese Language, Literature, Culture and Linguistic Vol 1 No 1: 2022
Publisher : Program Studi D3 Bahasa Mandarin Fakultas Ilmu Budaya Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.changlun.2022.1.1.7720

Abstract

Teknik dan ideologi yang digunakan untuk menerjemahkan lagu Nicky Tirta Indah Cintaku ke dalam bahasa Mandarin akan dikaji dalam penelitian ini. Lagu Indah Cintaku karya Nicky Tirta dalam lantunan mandarinnya dipilih sebagai objek penelitian. Permasalahan yang akan dibahas dalam penelitian ini adalah: (1) Bagaimana menerjemahkan lagu Indah Cintaku ke dalam bahasa Mandarin dengan menggunakan metode penerjemahan Molina dan Albir; dan (2) Ideologi apa yang digunakan dalam menerjemahkan lagu Indah Cintaku ke dalam bahasa Mandarin. metode deskriptif kualitatif digunakan dalam penelitian ini. Metode mencatat digunakan untuk mendapatkan data. Versi Mandarin dari lagu Indah Cintaku menjadi sumber data utama, referensi terkait adalah sumber data sekunder. Metode analisis kualitatif yang dikembangkan oleh Miles dan Huberman digunakan dalam proses analisis data. Menurut temuan penelitian ini, ada dua jenis teknik yang digunakan: teknik tunggal dan teknik ganda. Enam dari 18 pendekatan penerjemahan yaitu teknik literal, amplifikasi linguistik, adaptasi, kreasi diskursif, dan reduksi digunakan. Ideologi domestikasi adalah filosofi penerjemahan yang digunakan. Kata Kunci : Teknik penerjemahan, ideologi penerjemahan, lagu, bahasa mandarin
CINEMA AND PANDEMIC IN INDONESIA: A SOCIOLOGICAL PERSPECTIVE ON ATTITUDES TOWARDS COVID- 19 AND ISOLATION IN A SHORT MOVIE POSITIF BY JEIHAN ANGGA AND HANUNG BRAMANTYO Yusri Fajar; Nanang Endrayanto; Diah Ayu Wulan
Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) 2021
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

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Abstract

The COVID-19 epidemic has spurred Indonesian filmmakers to produce films depicting the pandemic's consequences. Positif, a short film on the COVID-19 pandemic directed by Jeihan Angga and Hanung Bramantyo and posted on YouTube on January 1, 2021, has surpassed over two million views. The goal of this film is to raise public knowledge about how to protect themselves from the coronavirus. This article examines how Positif portrays a man who does not believe in the coronavirus and how he eventually must be isolated since he has become infected. I argue that the filmmaker of Positif focuses on delineating the man's unbelief in the coronavirus because it is a problem that Indonesia has had to deal with during the COVID-19 pandemic. This analysis of the film takes a sociological approach, viewing it as a representation of social realities. This article will unpack Positif through textual and contextual analysis. The result shows that the main character in this film, Tegar, does not believe in the coronavirus, and hence refuses to heed his family's and friends' advice. This film emphasizes the repercussions that Tegar must face. He was finally discovered to be positive and was quarantined. Tegar's obstinate refusal to believe in Covid-19 was eventually broken when several Covid-19 positive patients died. As a result, the film's goal is to raise awareness about Covid-19 among Indonesians who disbelieve in it.
Co-Authors Francisca Akhidna Mochamad Nasrul Chotib WULAN, DIAH AYU Yusri Fajar