Septriani Septriani
Institut Seni Indonesia Padang Panjang

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RELASI PEREMPUAN DAN ALAM DALAM LEGENDA RAKYAT SUMATERA SELATAN Septriani Septriani; Tomi Arianto
IdeBahasa Vol 4 No 2 (2022): Jurnal Ide Bahasa Vol. 4 No. 2 Desember 2022
Publisher : Asosiasi dosen IDEBAHASA KEPRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/idebahasa.v4i2.100

Abstract

Malay ethnicity has a wide cultural diversity. One of them is reflected in the legend story. Legend is part of an oral story tradition that is passed down from generation to generation and is believed to be true. In legends, it is often accompanied by abstinence taught from the older generation to the younger generation for generations. This article presented a gender relation in a continuity relationship with nature contained in folk legends in the South Sumatera region. This research departed from the concept of Ecocritic Garrard (2004) and Glothfelty (1996) in looking at the relationship between humans and nature then the Ecofeminism approach (Shiva, 2005) in looking at the relationship between women and nature. The method used in this research is a qualitative method with literature study data collection techniques. The analysis was carried out using interpretative descriptive analysis techniques. In this research, researchers analyzed three South Sumatera folk legends entitled Legend of Putri Kembang Dadar, Putri Kemarau and Antu Banyu. The results of this study indicated that the legend of South Sumatra region represented and narrated a gender perspective that put women as the central life of nature. Even though there are discriminatory discourses about women's space and power, in continuity women's discourse is always strong and attached to natural life.
THE AFFIRMATION OF ECOLOGICAL CAMPAIGN IN IWAN FALS ENVIRONMENT CRITICAL LYRICS Irene Svinarky; Septriani Septriani; Hijratur Rahmi
IdeBahasa Vol 5 No 1 (2023): JURNAL IDEBAHASA Vol. 5 No. 1 Juni 2023
Publisher : Asosiasi dosen IDEBAHASA KEPRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37296/idebahasa.v5i1.110

Abstract

This study aimed to reveal the affirmation of the ecological movement through Iwan Fals' green lyrics. There are three lyrics song chosen in this study, entitled Isi Rimba tak ada tempat berpijak lagi, Tak biru lagi lautku, and Balada orang pedalaman. Actually, there are many liryca by Iwan Fals that told about the environment, but these three themes are taken as a form of musicians' rage towards the increasingly disturbed environment. Ecological Theory is the most effective approach to analyze each verse of this lyric. Garrard (2004) said that eco-critical perception helps to open, determine, explore, and even solve ecological problems in a broader and more detailed manner. The method used in this research is descriptive qualitative method, content analysis method or content analysis to examine the contents of a document. The results of this study indicate that 1) Isi Rimba tak ada tempat berpijak lagi as a representation of corrupt capitalist criticism, 2) Tak biru lagi lautku as a figurative form of ecological anxiety, and 3) Balada orang pedalaman as a romance of human life and nature which is lost by the greed of capitalist humans .
The ethnoecology of the Malay sacred myth through narratives of Kampung Tua Nongsa in Batam Tomi Arianto; Adrias Adrias; Septriani Septriani; Febri Yulika
Studies in English Language and Education Vol 11, No 1 (2024)
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/siele.v11i1.19006

Abstract

The condition of the Malays is significantly marginalized due to the migration and the rapid industrial development in Batam, Indonesia. However, the Malay sacred myth is still sustained as a local wisdom for the Malay generations. Therefore, this study aims to analyze the ethnoecology behind the story of the sacred myth of Bumbum, Puak, and Batu Belah as a representation of environmental Malay local wisdom in Kampong Tua Nongsa, Batam. Within the conceptual framework of ethnoecology as a bridge to understanding the relationship between literature in the form of folklore and the culture of society, this qualitative research collected data through observation by being directly involved in the community and in-depth interviews with 21 informants including the key jury of the sacred places, community advice, community leaders, village officials, and the younger generation of Malay people in Kampong Tua Nongsa. Data analysis was carried out by comparing, reconfirming, classifying, and interpreting the data with an ethnoecology approach. The results showed that there were three important ethnoecological representations: (1) the ecological ties between forests and humans in the sacred Bumbum, (2) the reflection of the wise king in the sacred of Puak, and (3) the sea as the central life of nature in the sacred of Batu Belah. Sacred site prohibitions reveal deep connections between human behavior and nature, emphasizing ethical considerations; these stories highlight cultural values, insights for heritage preservation, and solutions for environmental challenges within an ethnoecological framework, stressing the importance of ethics in human-nature interactions.