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SYMBOLIC VIOLENCE AGAINST WOMEN IN SEPASANG MATA DINAYA YANG TERPENJARA SHORT STORY BY NI KOMANG ARIANI Arianto, Tomi
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol 2, No 1 (2018): JURNAL KREDO VOLUME 2 NO 1 TAHUN 2018
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (296.456 KB) | DOI: 10.24176/kredo.v2i1.2526

Abstract

Sepasang Mata Dinaya yang Terpenjara short story expressed various problems related to the imbalance of social structure between women and men in Bali society. This is done in a structured and continuous to become a convention that is rooted down to the smallest social structure in society that is family. From the problems above, the research defined that the social problems present in those literary work included to the scope of sociological problems in literature work. The formulations of the problems in this research are as follows: 1) What is the scope of symbolic violence contained in Sepasang mata dinaya yang terpenjara? 2) How does the symbolic violence forms contained in a short story Sepasang mata dinaya yang terpenjara? To answer the research question, the researcher used literary theory related with the approach of sociology Pierre Bourdieu. The method used in this analysis is qualitative descriptive. The result of the analysis shows that the short story reveals various problems related to the inequality of social structure between women and men in Balinese society which has been formed in a structured and continuous culture that is rooted down to the smallest social structure in the family. From the dichotomy of these structures then arise forms of symbolic violence adopted from Bourdieu’s terminology. This form of symbolic violence is experienced in layers by agents who have more capital and dominate such as the parents of Dinaya, her husband, and the people who apply the patriarchal culture. This form of symbolic violence is reflected in: symbolic violence by parents (including Dinaya's mother) against her child (Dinaya). symbolic violence of an individual Man (Dinaya's husband) against his wife (Dinaya), and Symbolic Violence by Society (cultural norms) on Balinese women.
SYMBOLIC VIOLENCE AGAINST WOMEN IN SEPASANG MATA DINAYA YANG TERPENJARA SHORT STORY BY NI KOMANG ARIANI Arianto, Tomi
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol 2, No 1 (2018): JURNAL KREDO VOLUME 2 NO 1 TAHUN 2018
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (296.456 KB) | DOI: 10.24176/kredo.v2i1.2526

Abstract

Sepasang Mata Dinaya yang Terpenjara short story expressed various problems related to the imbalance of social structure between women and men in Bali society. This is done in a structured and continuous to become a convention that is rooted down to the smallest social structure in society that is family. From the problems above, the research defined that the social problems present in those literary work included to the scope of sociological problems in literature work. The formulations of the problems in this research are as follows: 1) What is the scope of symbolic violence contained in Sepasang mata dinaya yang terpenjara? 2) How does the symbolic violence forms contained in a short story Sepasang mata dinaya yang terpenjara? To answer the research question, the researcher used literary theory related with the approach of sociology Pierre Bourdieu. The method used in this analysis is qualitative descriptive. The result of the analysis shows that the short story reveals various problems related to the inequality of social structure between women and men in Balinese society which has been formed in a structured and continuous culture that is rooted down to the smallest social structure in the family. From the dichotomy of these structures then arise forms of symbolic violence adopted from Bourdieu’s terminology. This form of symbolic violence is experienced in layers by agents who have more capital and dominate such as the parents of Dinaya, her husband, and the people who apply the patriarchal culture. This form of symbolic violence is reflected in: symbolic violence by parents (including Dinaya's mother) against her child (Dinaya). symbolic violence of an individual Man (Dinaya's husband) against his wife (Dinaya), and Symbolic Violence by Society (cultural norms) on Balinese women.
Main Character’s Personality Conflict in Aladdin Movie Nolen Nolen; Tomi Arianto
TONIL: Jurnal Kajian Sastra, Teater dan Sinema Vol 17, No 1: Vol 17, No 1 (2020)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/tnl.v17i1.3876

Abstract

Abstrak: Dalam jurnal ini bertujuan untuk menemukan konfilk kepribadian karakter utama yang direpresentasikan melalui id, ego, dan superego dominan yang terdapat dalam karakter Aladdin dalam film Aladdin. Dalam makalah ini digunakan teori psikologi Sigmund Freud yang menyatakan bahwa ada tiga struktur yang dapat membentuk watak seseorang. Tiga struktur tersebut yaitu id, ego, dan superego. Penulis menggunakan metode deskriptif untuk menjelaskan id, ego, dan superego dalam karakter Aladdin. Penulis memperoleh data dari menonton film Aladdin yang dirilis pada tahun 1992, kemudian mencatat dan memberi tanda dimana karakter Aladdin menunjukkan sisi id, ego, dan superegonya. Hasil dari penelitian ini adalah id Aladdin terdapat disaat Aladdin bermimpi ingin menjadikan hidupnya lebih baik dan watak Aladdin yang tegar meskipun dihina oleh orang sekitar. Dalam penelitian ini penulis berharap agar penelitian ini berguna dan membantu untuk siapapun yang membaca, khususnya dalam karya sastra. Kata Kunci: Id, Ego, Superego, Teori Sigmund Freud, Watak. Abstract: In this journal aims to find the main character’s personality conflict reflected from id, ego, and superego dominant that contained in Aladdin's character in film Aladdin. In this paper, the writer will use psychological theory of Sigmund Freud that states that there are three striking features that can shape a person's character. The three structures are id, ego, and superego. The author uses descriptive methods to explain the id, ego, and superego in the Aladdin character. The author obtained data from watching Aladdin which was released in 1992, then recorded and gave a sign where the character of Aladdin showed the id, ego, and superhero side. The results of this study are that Aladdin was present when Aladdin dreamed he wanted to make his life better and his character was strong despite being insulted by people around him. In this study the authors hope that this research is useful and helpful for anyone who reads, especially in literary works. Keywords: Id, Ego, Superego, Sigmund Freud's theory, Character.
Indoctrination Against Women in "The Lowland" by Jhumpa Lahiri Tomi Arianto; Ambalegin Ambalegin
OKARA: Jurnal Bahasa dan Sastra Vol. 12 No. 2 (2018): OKARA: Jurnal Bahasa dan Sastra
Publisher : IAIN MADURA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/ojbs.v12i2.1935

Abstract

Indoctrination is one form to limit women's space unnoticed. Through indoctrination, a woman will not feel that her space of motion has been restricted. It is because the indoctrination done based on conventions, as well as traditions that exist in the community. This is reflected in the Lowland novel written by Jhumpa Lahiri. The Lowland novel provides an overview the position of women in India who are 'voluntarily' restricted by the indoctrination. Indoctrination reflected in customs, traditions and other things. It is represented by the character Gauri that almost all aspects of her life are determined by men. This research is done by applying the concept of the scope of women carried by Barbara Welter. This is a concept that women's movement space tends to be limited by the existence of constructions. The results indicated that Indoctrination contestation in the novel The Lowland is divided into four forms; piety, purity, submissiveness and domesticity. Lowland's novel is also a representation of feminism. Customary and community traditions are points criticized by Lahiri. What experienced by Gauri as a woman in the patriarchal society convention was also experienced by many women in India. The space for movement becomes limited due to indoctrination with the labels of religion, norms, customs and traditions.
Representation of Woman Existentialist Reflected from Archetypal Image Analysis in The Chrysanthemums Story Desria Natalia Sirait; Tomi Arianto
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol 8, No 2 (2020): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Litera
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v8i2.1678

Abstract

This study aims at analyzing the representation of women's existence through the archetypal image in the chrysanthemum story. This study uses Carl Jung's archetypal image theory which is supported by Simone de Beauvoir's theoretical concepts. This research is focused on analyzing archetypal image. This story is revealed by classifying symbol, persona, anima and animus archetypal, and self-archetypal. Meanwhile, further analysis of the archetypal symbol is then criticized using the concept of the woman existentialist Simone de Beauvoir. This study uses a qualitative research method in which all data sources are taken from the short story. The results showed that there are four symbols of archetypal, personal archetypal, opposing points of view of anima and animus archetypal, and how to control self-archetypal. From all of these classifications, it is concluded that the representation of an existentialist woman is reflected through the main character named Elisa, including daring to go against the rules, being able to make their own decisions and being a woman who can stand alone.
Segmental phonemic system of Riau Malay subdialect Kepulauan as local knowledge in Batam Ambalegin Ambalegin; Tomi Arianto
EduLite: Journal of English Education, Literature and Culture Vol 5, No 1 (2020): February 2020
Publisher : Universitas Islam Sultan Agung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (374.87 KB) | DOI: 10.30659/e.5.1.159-175

Abstract

Malay dialect has a specific final sound /ɑ/ as /ə/ but not all final sound /ɑ/ is pronounced as /ə/. The final sound /r/ is dropped down and the sound /u/ after the letter <r> is pronounced as /ɒ/ in some particular words. This phonemic system must be preserved and developed as a local knowledge. Modality change of consciousness happens to the Malay, and Indonesian becomes elitist and leaves the egalitarian Malay. This descriptive qualitative research concerned to the phonemic features and comprehensive picture of Malay contemporary sounds, and Malay vowels and consonants with the pertinent articulatory elements in Batam. Observation method with participatory technique involved in data collection taken from Kampong Tua Nongsa, Sanggau, Tanjung Uma, and Tanjung Riau. The theory to support the analysis was taken from Finegan and Low’s theories in term of phonological and phonetic approach and supported by Kelly, McMahon, Roach, and Yule’s theories. It is found that the letter <a> is pronounced as /ə/ in particular place. And <u> is pronounced as /ɒ/ in particular place. /Ɍ/ in Malay is different from /r/ in Indonesian and /ʁ/ in English as /Ɍ/ is produced by uvula. The final consonant-closed sound <k> and <l> are not sounded as they are represented by /Ɂ/. Letter <h> is not pronounced as /h/ in the final <h> consonant-closed syllable sound. /f/, /χ/, /ʃ/and /z/, all these fricative sounds do not appear in Malay. The Malay pronounced them as /p/ for /f/ in maaf, /k/ for /χ/ in ikhlas, /s/ for /ʃ/ in syukur, and /ʝ/ for /z/ in izin. Syllable sound ends with letter <b> or <d> is not pronounced with end /b/ or /d/ but it pronounces with end /p/ or /t/ such sebab as /sebʌp/, sabtu as /sʌptʊ/, wujud as /wʊʝʊt/, and sujud as /sʊʝʊt/.
The Wise Old Man In “The Kite Runner” By Khaled Hosseini ; Archetypal Approach Pegi Fortunela; Tomi Arianto
Cordova Journal : languages and culture studies Vol. 10 No. 1 (2020): Juni 2020
Publisher : The Center for Language Development, Mataram State Islamic University.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20414/cordova.v10i1.2324

Abstract

This research emphasizes on the analysis archetypal image of wise old man that found in Kite Runner novel by Khaled Hosseini in 2003. The novel is flashback story that told about Amir and Hassan as best friend who always play together when they child in Kabul, Afghanistan. The object of the research is archetypal image of wise old man in Kite Runner novel by Hosseini viewed from Carl Gustav Jung theory. The researcher employs qualitative descriptive method to analyze wise old man in Kite Runner novel by Hosseini. Data result founded from primary data and secondary data that stated by Creswell. In doing qualitative research, the researcher employs archetypal image theory purposed by Jung that categorized in book of Guerin (2005) as basic concept and framework thinking. The researcher found Hassan as symbol of wise old man and the realization wise old man of Hassan are as mentor, helpful man and guardian. All those realization wise old man of Hassan in this novel is very impact to support major character reach his goal. From the analysis, it can be concluded the wise old man is compatible to be found in Kite Runner novel by Hosseini.
THE AFFIRMATION OF SELF-EXISTENCE IN “LADY OF SCANDAL’’ BY TINA GABRIELL Tomi Arianto; Noviana Osinta Bere
eScience Humanity Journal Vol 1 No 1 (2020): eScience Humanity Journal Volume 1 Number 1 November 2020
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1011.042 KB) | DOI: 10.37296/esci.v1i1.1

Abstract

This study aimed to analyse the affirmation of self-existence against patriarchal construction in the novel "Lady of Scandal" by Tina Gabrielle. This research used feminist approach Simone de Beauvoir (2016) in her theory women existence. This study focused on four factors that caused women against patriarchy, namely submissive, matchmaking, mala fide and domesticity. To analyse kinds of affirmation against patriarchal construction, researcher focused on the Beauvoir terminology related; the intellectual, being herself, and freedom to actualize self. This research used qualitative methods. In this study, the researcher found on two points that made woman against patriarchy. First, because women have seen as second sex who were oppressed by men based the values and norms by society who believed in patriarchal culture. Second, woman awareness against patriarchy reflected from the showing of her existences as a woman
SOCIAL DYNAMICS OF TUBANG KARUEI VILLAGE LIFE IN MIGRATION TRADITION AND AFTER DETERMINATION A Cultural Anthropology Studies Septriani Septriani; Tomi Arianto
eScience Humanity Journal Vol 1 No 2 (2021): eScience Humanity Journal Volume 1 Number 2 Mei 2021
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1000.134 KB) | DOI: 10.37296/esci.v1i2.12

Abstract

The paper aimed to explore the transformation of community traditions in Tubang Karuei village from migrating to settling down. The Dayak Ot-Danum people of Central Kalimantan have a tradition of migrating from generation to generation, due to various factors. Currently, this tradition is no longer being practiced and they have settled in an area called the village. The process of settling the Dayak Ot-Danum community of Tumbang Karuei Village is a result of the company's efforts to secure its concession area. The results of this study indicate that this transformation has a correlation with the development policies and economic growth proclaimed by the New Order government. In order to carry out the program, the company must draw clear boundaries between the communal rights area and the concession area. Efforts to fix this area are not carried out by force and coercion but run through compromise, persuasion and good communication. The company, through its CSR program, also has a huge impact on the local community, which then results in economic diversification, health improvement, education, etc. This further reduces the negative points of the area of ​​origin and the positive points of the destination so that migrating is no longer the right choice.
THE YOUNG GENERATION CHARACTERS ENHANCEMENT FROM HISTORICAL EVENTS OF VIETNAM VILLAGE IN GALANG ISLAND Tomi Arianto; Septriani Septriani
eScience Humanity Journal Vol 1 No 2 (2021): eScience Humanity Journal Volume 1 Number 2 Mei 2021
Publisher : Asosiasi Ide Bahasa Kepri

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (936.107 KB) | DOI: 10.37296/esci.v1i2.13

Abstract

This study aimed to trace the historical events of Kampung Vietnam related to character education of the young generation on the island of Batam and what values ​​can be taken from the historical events of the Vietnamese Village of Galang Island in developing character education for the millennial generation. Using the concept of ethnocentrism, researchers try to trace historical events and patterns of ethnicity in the Galang community in accepting refugees from Vietnam. The existence of Kampung Vietnam on Galang Island should not only be preserved physically, but also the history of the event itself. The aim is that not only tourism (economic) benefits can be taken, but more important than that are values ​​that are useful for character education for the younger generation. . With the historical events of Kampung Vietnam on the island of Galang, it can help improve the quality of the character education formation process for today's young generation. The values ​​that can be taken from the historical events of the Vietnam Village of Galang Island in building the character of the younger generation include the attitude of nationalism, help, tolerance, and empathy for others.
Co-Authors Adelina Purba, Juliana Adira Cahya Adrias Adrias Afriana Afriana Afriana Afriana Afriana Afriana, Afriana Agus Sutardjo Ambalegin Ambalegin Ambalegin, Ambalegin Anastasia Juwita Ningsih Angel Purwanti Angelina, Veren Aprilia, Isnanda Ayu Nadira Wulandari Azhari, Chud Radeffy Aziz, Basyarul Br. Simbolon, Ayu Anggraeini Chairunnisa, Hera Cheristine Aprilia Cinta, Cinta Damanik, Bea Anantha Desica Desica Desria Natalia Sirait Elfi Rahmi Fahmy Dalimunthe, Syairal Febri Yulika Febriani, Jeany Jean Ghafari, M. Oky Fardian Ginting, Dea Veronika Br Ginting, Natalia Griselda Giovanni Simanjuntak Gulo, Merlin Soviana Hanus Tewarat, Sipri Harianja, Berlian Serevina Harry Yoesoef Pabiona Hasibuan, Hotna Ria HERA CHAIRUNISA, HERA Hotman Nasution Icha Sartika Jamba , Padrisan Jamba, Jamba Jeany Jean Febriani Karmila Alam Syah Wellem Khairunnisa Khairunnisa Kholijah, Nita Kurnia Pulungan, Hendra Lavinia Rosemary Libra Sinurat, Grace Lismalinda M. Oky Fardian Gafari Maharani, Puja Manalu, Sanada Manuela Indriati Siahaan Marson Goh Maulid Hariri Gani Mendrofa, Novi Oktavia Michelle Intan Goh Rumengan Waworuntu Mirda Aryadi Muhammad Fikri Munthe, Samantha Mariani Mutia Rafael Nazwa Annisa Nitasri Murawaty Girsang Nolen Nolen Nopriadi Nopriadi Noviana Osinta Bere Novita, Elmi Nurma Dhona Handayani Padrisan Jamba Pegi Fortunela Pijar Omar Piscesco Putri Dhea Sapitri Putri Silvia Putri, Saibil Aprilia Rahardy, Iffah Fauziah Resneri Daulay Reviani Manullang, Ester Ricky Ricky Rinaldi Panjaitan, Rinaldi Rizki, Sestri Novia Rusmitha Sipahutar Septiani Sihaloho, Jelita Septriani Septriani Septriani Septriani Septriani Septriani Septriani Septriani Septriani, Septriani Siallagan, Lasenna Sihombing, Noel Silalahi, Selvina Simangunsong, Cladeo SIMANJUNTAK, DAIRI SAPTA RINDU Sitanggang, Romauli situmorang, Dina Evianna Suryani, Melly Siska Syafitri, Astrid Syahfitri, Rindani Syielvi Dwi Febrianty Tamara Hasibuan, Susan Tampubolon, Nico Jacksen Tarigan, Ansi Br Vita Nancy Manurung Wulandari, Ayu Nadira Zahra, Naila Zakiah, Husnuz Zefri Azharman Zega, Fatizatulo Zia Hisni Mubarak Zuhdi Arman Zuhdi Arman