Article Per Year (5 Year)
p-Index From 2020 - 2025
0.817
P-Index
This Author published in this journals
All Journal Journal of Visual Art and Design Jurnal Titik Imaji Eduvest - Journal of Universal Studies
Inne Chaysalina
Universitas Bunda Mulia
Aerospace Engineering Arts Humanities Computer Science & IT Health Professions Languange, Linguistic, Communication & Media Neuroscience Social Sciences

Published : 3 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 3 Documents
Search

 1 
ANALISIS POSTER FILM “THE BOYS IN THE STRIPED PAJAMAS (2008)” MENGGUNAKAN PENDEKATAN SEMIOTIKA ROLAND BARTHES Inne Chaysalina; Nadya Nadya
Titik Imaji Vol 5, No 1 (2022): Jurnal Titik Imaji
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/.v5i1.3516

Abstract

Poster film sering digadang sebagai media promosi untuk mengkomunikasikan konflik/pokok cerita yang terkandung dalam suatu film. Berbagai elemen visual yang terkandung pada poster memiliki tanda. Tanda-tanda inilah yang nantinya akan memiliki makna yang akan coba disampaikan pada audiens. Ilmu yang mempelajari tentang tanda adalah semiotika. Dalam ilmu semiotika mempelajari teori tentang tanda dalam suatu konteks skenario, gambar, teks ataupun adegan dalam film yang dapat dimaknai. Dalam penelitian ini akan membahas analisis poster film “The Boys in the Striped Pajamas (2008)” menggunakan pendekatan semiotika Roland Barthes. Hasil dari penelitian ini diketahui bahwa desain poster film “The Boys in the Striped Pajamas (2008)” sarat akan pesan yang berusaha mengungkapkan alur dan pokok cerita film tersebut yang akan didiskusikan dalam tulisan ini.Kata Kunci: Media Komunikasi, Poster film, Semiotika Roland Barthes, Tanda Visual.
Procedures Experiments using Photogrammetric Method Inne Chaysalina; Achmad Syarief; Meirina Triharini
Eduvest - Journal of Universal Studies Vol. 1 No. 8 (2021): Journal Eduvest - Journal of Universal Studies
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3658.207 KB) | DOI: 10.59188/eduvest.v1i8.140

Abstract

Tangible objects are actual objects that can be touched and have a physical form. Therefore, the existence of tangible objects cannot be separated from the potential of damage and even disappearance. At the same time, tangible objects can be an essential source of research and can be a historical source that needs to be preserved. With the development of technology, objects can be recorded in digital forms, 2D Documentation, such as photos and videos, and increasingly sophisticated technology makes object recording developed in 3D Documentation. An easy method with good data quality results is photogrammetric. The implementation of the photogrammetric method has many advantages, some of which are straightforward procedures, portable equipment, and relatively low prices. This study uses a qualitative method based on photogrammetric experiments with various lighting settings and different needs. The results of this research are trying to breakdown of photogrammetric procedures that can applied according to field conditions.
Preserving Cultural Identity of Angklung Paglak through Visual Identity-based Approach Zzyafra Iomaski Zihana; Inne Chaysalina
Journal of Visual Art and Design Vol. 15 No. 2 (2023): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2023.15.2.3

Abstract

Angklung Paglak, a traditional musical instrument rooted in the rich cultural heritage of Kemiren Village, Banyuwangi, East Java, Indonesia, has played a pivotal role in entertaining farmers and expressing gratitude during the Great Harvest ceremonies. However, with the gradual decline of traditional harvest practices and the advent of modernization, the once vibrant Angklung Paglak tradition faces the risk of extinction. This study used the endogenous development theory to investigate the historical existence of Angklung Paglak and its evolution under the influence of tourism, emphasizing the structure of awareness, social relations, and practical techniques. In summary, by employing an ethnographic approach, the research involved real-world observations and interactions with local participants for one year to gain first-hand insight into the complex interplay between Angklung Paglak as a cultural asset and tourist attraction. The envisioned visual identity plays a significant role in fostering cultural continuity and unity, thus revitalizing and preserving Angklung Paglak’s significance within the community’s collective memory.
Co-Authors Achmad Syarief Meirina Triharini Nadya Nadya Zzyafra Iomaski Zihana