Hadiyatno
Universitas Sultan Ageng Tirtayasa

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MANAJEMEN PERTUNJUKAN MUSIK SALBAI 34 PRO DI HOUSE OF SALBAI 34 VENUE Syamsul Rizal; Tubagus Achmad Fitrandi; Suhaya; Hadiyatno
TANDIK : Jurnal Seni dan Pendidikan Seni Vol 2 No 2 (2022): Volume 2 No.2 Oktober 2022
Publisher : STKIP PGRI BANJARMASIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33654/tdk.v2i2.1648

Abstract

Abstrak: Penelitian ini dilatarbelakangi oleh keunikan manajemen pertunjukan musik salbai 34 pro yang berasal dari sebuah perkumpulan non akademis manajemen maupun seni, namun mampu mengelola kegiatan pertunjukan musik sekelas artist baik dalam segi sumber daya manusia hingga equipment propertynya. Tujuan penelitian untuk mengetahui manajemen pertunjukan musik yang dikelola salbai 34 pro di house of salbai 34 venue dan tahapan pembuatan konsep pertunjukan musik di dalam manajemen pertunjukan salbai 34 pro. Metode yang digunakan meliputi penelitian kualitatif dan pendekatan studi kasus deskriptif. Berdasarkan hasil penelitian, manajemen salbai 34 pro memiliki tiga ranah utama dalam pengelolaannya yaitu education, advertising and bussines, serta terdapat tahapan pembuatan konsep pertunjukan musik di dalam manajemen pertunjukan musik salbai 34 pro. Kata Kunci: Manajemen Pertunjukan Musik, Salbai 34 pro Abstract: This research is motivated by the uniqueness of Salbai 34 pro music performance management which comes from a non-academic management and arts association, but is able to manage artist-class music performances, both in terms of human resources and equipment property. The purpose of the study was to determine the management of musical performances managed by salbai 34 pro at the house of salbai 34 venues and the stages of making the concept of musical performances in the management of salbai 34 pro's performances. The methods used include qualitative research and a descriptive case study approach. Based on the results of the study, the management of salbai 34 pro has three main areas in its management, namely education, advertising and business, and there are stages of making the concept of musical performances in the management of musical performances of salbai 34 pro. Keywords: Music Show Management, Salbai 34 pro
Transformation of the Profane Meaning of the Cirebon Mask: a Creative Industry Hadiyatno; Wiwin Purwinarti
Tsaqofah Vol. 21 No. 1 (2023): January-June 2023
Publisher : Departement of History and Islamic Civilization, Faculty of Ushuluddin and Adab, State Islamic University of Sultan Maulana Hasanuddin Banten, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32678/tsaqofah.v21i1.7996

Abstract

This article aims to examine and analyze the transformation of the profane meaning of the Cirebon mask in the creative industry. The mask transformation has significantly changed the economically supporting community, while for the government, the changes have provided foreign exchange for the country. The meaning of profane masks in the creative industry has made a positive trend for artisans; this is in line with changes in the social structure of Cirebon society and globally. Change has made its capital in the practice of cultural products by artisans. But from another perspective, the issue of cultural products in the creative economy concerns the emergence of capitalist practices and their strengths, especially by some artisans who remain loyal to the original value of masks. Departing from this point gave rise to internal turmoil and conflict in the Cirebon mask-supporting community. A paradox, the change issue is very complex, complicated, and full of contradictions. On the other hand, the current existence of masks can indirectly reinforce the sovereign integrity of masks in cultural dynamics. The writing of this article uses a qualitative method to be able to describe and analyze mask changes. The practice of transforming the meaning of masks is divided into three parts, Cirebon Mask, the transformation of profane meaning, and creative industries.