Wiwin Purwinarti
Universitas Sultan Ageng Tirtayasa

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Transformation of the Profane Meaning of the Cirebon Mask: a Creative Industry Hadiyatno; Wiwin Purwinarti
Tsaqofah Vol. 21 No. 1 (2023): January-June 2023
Publisher : Departement of History and Islamic Civilization, Faculty of Ushuluddin and Adab, State Islamic University of Sultan Maulana Hasanuddin Banten, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32678/tsaqofah.v21i1.7996

Abstract

This article aims to examine and analyze the transformation of the profane meaning of the Cirebon mask in the creative industry. The mask transformation has significantly changed the economically supporting community, while for the government, the changes have provided foreign exchange for the country. The meaning of profane masks in the creative industry has made a positive trend for artisans; this is in line with changes in the social structure of Cirebon society and globally. Change has made its capital in the practice of cultural products by artisans. But from another perspective, the issue of cultural products in the creative economy concerns the emergence of capitalist practices and their strengths, especially by some artisans who remain loyal to the original value of masks. Departing from this point gave rise to internal turmoil and conflict in the Cirebon mask-supporting community. A paradox, the change issue is very complex, complicated, and full of contradictions. On the other hand, the current existence of masks can indirectly reinforce the sovereign integrity of masks in cultural dynamics. The writing of this article uses a qualitative method to be able to describe and analyze mask changes. The practice of transforming the meaning of masks is divided into three parts, Cirebon Mask, the transformation of profane meaning, and creative industries.
Planning, Implementation and Reflection on the Teaching of the Ringkang Jawari Dance at a Senior High School in Serang Regency Wiwin Purwinarti; Asep Muhyidin; Aan Hendrayana
Research in Education, Technology, and Multiculture Vol 5, No 2 (2026): Research in Education, Technology, and Multiculture
Publisher : Institute of Multidisciplinary Research and Community Service

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61436/rietm/v5i2.pp93-108

Abstract

Culture-based arts education is gaining increasing attention in the development of contextual education focused on cultural preservation. However, research on teachers' experiences in teaching traditional dance, particularly the Ringkang Jawari dance, remains relatively limited. This study aims to explore the experiences of arts and culture teachers in planning, implementing, and reflecting on Ringkang Jawari dance lessons in secondary schools. The study employed a qualitative, phenomenological approach to understand teachers' subjective experiences in the learning process. Data were collected through in-depth interviews, participant observation, and documentation of cultural arts teachers involved in traditional dance instruction. Data analysis was conducted thematically through the processes of reduction, categorization, and interpretation of participants' experiences. The research findings revealed four main themes. Firstly, lesson planning was understood as a process of adapting the school curriculum to the local cultural values embodied in the Ringkang Jawari dance. Secondly, the implementation of the learning process demonstrated experience-based pedagogical practices that emphasized students' active engagement through the exploration of movement, collective work, and cultural interpretation. Thirdly, teachers' reflections were an important part of learning evaluation and a means of continuous professional development. Fourthly, emotional and social dimensions emerge as integral elements that foster interpersonal relationships, self-confidence, and cultural appreciation among students. The research findings indicate that traditional dance learning is not merely focused on technical skills but is also a cultural, reflective, and social process. This research contributes to the development of the Experiential Reflective Cultural Pedagogy Model (ERCP) as a contextual, participatory, and reflective model of arts and culture education and provides implications for strengthening culture-based arts education in schools.Keywords: Teacher experience, Arts and culture education, Ringkang Jawari dance, Reflective learning, Arts education, phenomenology.