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Rosmegawaty Tindaon
Pascasarjana Institut Seni Indonesia Padangpanjang
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The Song Of Gandang Tambua Azizi Afwan; Rafiloza Rafiloza; Rosmegawaty Tindaon
Gestus Journal: Penciptaan dan Pengkajian Seni Vol 1 No 2 (2021): GESTUS JOURNAL : PENCIPTAAN DAN PENGKAJIAN SENI
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gsts.v1i2.27414

Abstract

The Song Of Gandang Tambua is a work of sound art inspired by the phenomenon of the traditional art of Gandang Tasa in Pariaman, West Sumatra. The phenomenon of the existence of Gandang Tasa is the main interest of this paper. The author formulates three things that are the reasons why Gandang Tasa still exists today: œdiversity, œcohesiveness, and people's œlove for the art of Gandang Tasa are the three reasons why Gandang Tambua still exists today. With these three backgrounds, the artist was inspired to create a programa music using traditional western music techniques such as Retrograde, Augmentation, Diminusion, Imitation, Repetition, Sequence and Canon. The method of creation is carried out by several work groupings: Concept Development Method (Observation, Interview, Data Collection and Concept Formulation); and Methods of Realizing the Concept (Exploration, Experimentation, and Application). In describing expression, this musical composition is made in the form of three parts, each of which is entitled œRagam, œKompak and œCinta with a mixed ensemble formation.Keywords: Gandang Tambua, Gandang Tasa, Program Music.
Sintaksis Nyaru : Komposisi Musik Generatif dalam Ansambel Campuran Gen Dekti Dekti; Rosmegawaty Tindaon; Zainal Warhat
Gestus Journal: Penciptaan dan Pengkajian Seni Vol 1 No 2 (2021): GESTUS JOURNAL : PENCIPTAAN DAN PENGKAJIAN SENI
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gsts.v1i2.27421

Abstract

Sintaksis Nyaru is an artificial musical composition that departs from the musical event of the Nyaru mantra in the Asyeik Pumbaru Jikat ritual as a natural composition grammar. The concept of the work of Sintaksis Nyaru is an elaboration of the construction of a musical hierarchy of mantras using a Generative Music system approach which is realized in the formation of a Mixed Ensemble. Overall, this composition offers two types of branching regarding the sequence of musical events, namely the right branch indicates retention and depending on memory, the left branch indicates retention and depends on expectation. The method of creating works is divided into three stages. The first stage determines the placement of Composition and Intuition Grammar. Second, form a Sequence of Events (Musical Works). Third, determine the structural description of the work. There are five parts (Arch Form) of the local structure consisting of part I (protention), part II (retention), part III (complexity), part IV (retention), part V (re-protection). The conclusion resulting from the psychological distance of the horizontal and vertical dimensions obtained from the attraction value of the global structure is 29,397 with the direction of relaxing movement.Keywords: Asyeik Ritual, Mantra Nyaru, Generative Music, Arch Form, Mixed Ensemble 
Co-Authors Azizi Afwan Gen Dekti Rafiloza Rafiloza Zainal Warhat