Anggono Kusumo Wibowo
Institut Seni Indonesia Surakarta

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Sejarah Perkembangan Reog Sepuh di Paguyuban Singo Gaplok Kabupaten Ponorogo Apriyanto, Sendi Iman; Wibowo, Anggono Kusumo
Gesture: Jurnal Seni Tari Vol. 14 No. 2 (2025): Gesture: Jurnal Seni Tari (October)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gjst.v14i2.67907

Abstract

 This research examines the development of Reog Sepuh in Bedingin Village, Sambit District, Ponorogo Regency as a form of cultural heritage that has evolved within the dynamics of social changes. The research focuses on the transformation of performance structure, philosophical values, and preservation efforts carried out by its supporting community. This research employs a qualitative approach with ethnographic methods, participatory observation, in-depth interviews, and document study. The results show that Reog Sepuh Bedingin has uniqueness in terms of performance structure, movement patterns, and ritual functions that are still maintained to this day. Despite facing the challenges of modernization and shifting interests of the younger generation, Reog Sepuh Bedingin persists through regeneration efforts, creative innovations that still respect traditional standards, and support from local government and community. This research emphasizes the importance of balance between preserving authentic values and contextual adaptation to ensure the sustainability of traditional arts in the modern era.
KOMPOSISI GAMELAN KELOMPOK SARDULO ANUROGO PADA FESTIVAL REYOG NASIONAL 2019 Sigit Setiawan; Anggono Kusumo Wibowo
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 1 (2023)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i1.5443

Abstract

This research reveals the composition of the Reyog Ponorogo gamelan, a case study of the Reyog Sardulo Anurogo group in Jember, East Java, in the context of the 2019 National Reyog Festival. The reason for selecting Sardulo Anurogo as the case study subject is due to the group's interesting pluralism aspect, where Reyog is not only studied by the Javanese Ponoragan ethnic group, but also by other ethnic groups in Jember, Madura. The 2019 National Reyog Festival also marked a significant moment for Sardulo Anurogo, as they achieved a top 3 position in the festival, representing the group's highest achievement. The approach used is based on the ideas of I Wayan Sadra, who proposed four methods for composing music. These are (1) the principle of growth, (2) sound transformation or medium, and (3) range or tonal area. These principles areapplied to analyze the composition of the Reyog Sardulo Anurogo gamelan. The research result is the categorization of Reyog music development methods, which can be used as a prototype for composing and enhancing the creative aspects of Reyog gamelan.