Garuda - Garba Rujukan Digital

Singing Formula of Kelong Jaga (Kajang Oral Tradition) Asmanur, A. Tenrinia
ELS Journal on Interdisciplinary Studies in Humanities Vol. 5 No. 4 (2022): December
Publisher : Hasanuddin University

This study focuses on the formula of Kelong Jaga. This study used a descriptive qualitative method in which data were the lyrics of Kelong Jaga then analyzed based on theory of Lord (1981). The result shows that singers of Kelong Jaga use ready common repeated pattern from tradition but in some certain part they usually have to improvise the lyric. The way of learning of Kelong Jaga starts from listening the performance in every opportunity, then practicing in leisure time, and finally trying to get the opportunity to perform in front of the real audience. The formula is distinguished in some parts, namely line analysis, parallel sense, and filler occurred in the Kelong Jaga. It is involved by some ideas that generally mean having good attitude to others, as a guest and as a host. It is involved some ideas namely, 1) Respecting ada’; 2) Party or feast; 3) Telling story about a single girl; 4) Unity and kinship; 5) Giving the best service to the guest; 6) Acting the best attitude to the host; and 7) Keeping earth or environment. It is suggested to youth to learn and perpetuate kelong jaga as oral tradition in Kajang community, thus extinction threat could be avoided. Keywords: Singing formula, Kelong Jaga, oral tradition, Kajang community.

Onomatopoeia in Comic Discourse: A Descriptive Study of Dead Days by Dey Mulyani, Andi; Asmanur, A. Tenrinia; J, Rahmat
Teaching English and Language Learning English Journal Vol. 6 No. 1 (2026): February
Publisher : Fakultas Keguruan dan Ilmu Pendidikan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36085/telle.v6i1.10041

Abstract This study examines English onomatopoeia in the comic Dead Days by Dey. It aims to identify the types of onomatopoeia and to analyze readers’ ability in understanding their meanings. This research used a descriptive qualitative method. The data were collected from 45 episodes of the comic and a questionnaire given to 30 students of the English and Literature Department at Alauddin State Islamic University of Makassar in the 2017/2018 academic year. The results show that direct onomatopoeia is the most common type, with 20 words identified, followed by 10 associative onomatopoeia words. No exemplary onomatopoeiawas found. The analysis of the questionnaire indicates that the students’ ability to understand the meaning of onomatopoeia is good, with most students scoring between 66 and 75. This study shows that onomatopoeia helps readers understand the comic story and makes the narrative more interesting. It also demonstrates that familiar sounds in comics can support language learning and improve readers’ vocabulary recognition. Furthermore, the findings provide useful information for educators, writers, and linguists about using onomatopoeia in comics and other literary texts. Overall, this research emphasizes the important role of onomatopoeia in comic discourse and its contribution to readers’ understanding and engagement. Keywords: direct onomatopoeia, associative onomatopoeia, readers’ ability, comic discourse

Transmission Procedure of Kelong Jaga as an Oral Tradition of Kajang Asmanur, A. Tenrinia; Meldawati, Sri Fatta; Mulyani, Andi; J, Rahmat; Winarti S, Indri
International Journal on Advanced Science, Education, and Religion Vol 9 No 1 (2026): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v9i1.1449

Maintaining the sustainability of oral culture is a necessity amidst the onslaught of the modern era that threatens its survival. This research focuses on investigating how the Kajang indigenious people maintain and continue to perform kelong jaga only through word of mouth as in Yugoslavia (Lord, 1981). The author analyzed the data using a descriptive qualitative approach. Performance recordings and interviews with experienced performers, traditional rulers, and locals comprised the data. The result shows 3 phases. This begins at an early age by listening and absorbing to the kelong jaga to be familiar with the words, tempo, sound, and so on; then next phase is practicing, learners practice the kelong jaga during their leisure time. They would usually gather in a little shelter in the middle of a rice field to act out kelong jaga; and the last phase is performing in front of real audience.

Transmission Procedure of Kelong Jaga as an Oral Tradition of Kajang Asmanur, A. Tenrinia; Meldawati, Sri Fatta; Mulyani, Andi; J, Rahmat; Winarti S, Indri
International Journal on Advanced Science, Education, and Religion Vol 9 No 1 (2026): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v9i1.1449

Maintaining the sustainability of oral culture is a necessity amidst the onslaught of the modern era that threatens its survival. This research focuses on investigating how the Kajang indigenious people maintain and continue to perform kelong jaga only through word of mouth as in Yugoslavia (Lord, 1981). The author analyzed the data using a descriptive qualitative approach. Performance recordings and interviews with experienced performers, traditional rulers, and locals comprised the data. The result shows 3 phases. This begins at an early age by listening and absorbing to the kelong jaga to be familiar with the words, tempo, sound, and so on; then next phase is practicing, learners practice the kelong jaga during their leisure time. They would usually gather in a little shelter in the middle of a rice field to act out kelong jaga; and the last phase is performing in front of real audience.

Transmission Procedure of Kelong Jaga as an Oral Tradition of Kajang Asmanur, A. Tenrinia; Meldawati, Sri Fatta; Mulyani, Andi; J, Rahmat; Winarti S, Indri
International Journal on Advanced Science, Education, and Religion Vol 9 No 1 (2026): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v9i1.1449

Maintaining the sustainability of oral culture is a necessity amidst the onslaught of the modern era that threatens its survival. This research focuses on investigating how the Kajang indigenious people maintain and continue to perform kelong jaga only through word of mouth as in Yugoslavia (Lord, 1981). The author analyzed the data using a descriptive qualitative approach. Performance recordings and interviews with experienced performers, traditional rulers, and locals comprised the data. The result shows 3 phases. This begins at an early age by listening and absorbing to the kelong jaga to be familiar with the words, tempo, sound, and so on; then next phase is practicing, learners practice the kelong jaga during their leisure time. They would usually gather in a little shelter in the middle of a rice field to act out kelong jaga; and the last phase is performing in front of real audience.

Title

Found 5 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 5 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 5 Documents
Search