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All Journal IJoASER (International Journal on Advanced Science, Education, and Religion) Jurnal Al-Qiyam Jurnal Tana Mana
Winarti S, Indri
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Religion Education Law, Crime, Criminology & Criminal Justice Social Sciences

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Transmission Procedure of Kelong Jaga as an Oral Tradition of Kajang Asmanur, A. Tenrinia; Meldawati, Sri Fatta; Mulyani, Andi; J, Rahmat; Winarti S, Indri
International Journal on Advanced Science, Education, and Religion Vol 9 No 1 (2026): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v9i1.1449

Abstract

Maintaining the sustainability of oral culture is a necessity amidst the onslaught of the modern era that threatens its survival. This research focuses on investigating how the Kajang indigenious people maintain and continue to perform kelong jaga only through word of mouth as in Yugoslavia (Lord, 1981). The author analyzed the data using a descriptive qualitative approach. Performance recordings and interviews with experienced performers, traditional rulers, and locals comprised the data. The result shows 3 phases. This begins at an early age by listening and absorbing to the kelong jaga to be familiar with the words, tempo, sound, and so on; then next phase is practicing, learners practice the kelong jaga during their leisure time. They would usually gather in a little shelter in the middle of a rice field to act out kelong jaga; and the last phase is performing in front of real audience.
Transmission Procedure of Kelong Jaga as an Oral Tradition of Kajang Asmanur, A. Tenrinia; Meldawati, Sri Fatta; Mulyani, Andi; J, Rahmat; Winarti S, Indri
International Journal on Advanced Science, Education, and Religion Vol 9 No 1 (2026): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v9i1.1449

Abstract

Maintaining the sustainability of oral culture is a necessity amidst the onslaught of the modern era that threatens its survival. This research focuses on investigating how the Kajang indigenious people maintain and continue to perform kelong jaga only through word of mouth as in Yugoslavia (Lord, 1981). The author analyzed the data using a descriptive qualitative approach. Performance recordings and interviews with experienced performers, traditional rulers, and locals comprised the data. The result shows 3 phases. This begins at an early age by listening and absorbing to the kelong jaga to be familiar with the words, tempo, sound, and so on; then next phase is practicing, learners practice the kelong jaga during their leisure time. They would usually gather in a little shelter in the middle of a rice field to act out kelong jaga; and the last phase is performing in front of real audience.
Transmission Procedure of Kelong Jaga as an Oral Tradition of Kajang Asmanur, A. Tenrinia; Meldawati, Sri Fatta; Mulyani, Andi; J, Rahmat; Winarti S, Indri
International Journal on Advanced Science, Education, and Religion Vol 9 No 1 (2026): IJoASER (International Journal on Advanced Science, Education)
Publisher : Sekolah Tinggi Agama Islam Al-Furqan, Makassar - Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33648/ijoaser.v9i1.1449

Abstract

Maintaining the sustainability of oral culture is a necessity amidst the onslaught of the modern era that threatens its survival. This research focuses on investigating how the Kajang indigenious people maintain and continue to perform kelong jaga only through word of mouth as in Yugoslavia (Lord, 1981). The author analyzed the data using a descriptive qualitative approach. Performance recordings and interviews with experienced performers, traditional rulers, and locals comprised the data. The result shows 3 phases. This begins at an early age by listening and absorbing to the kelong jaga to be familiar with the words, tempo, sound, and so on; then next phase is practicing, learners practice the kelong jaga during their leisure time. They would usually gather in a little shelter in the middle of a rice field to act out kelong jaga; and the last phase is performing in front of real audience.
Co-Authors Asmanur, A. Tenrinia J, Rahmat Meldawati, Sri Fatta Mulyani, Andi