ISKANDARWASSID ISKANDARWASSID, ISKANDARWASSID
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Traising Pesantren Poetry as a Cirebon Teaching Material, Study of Nadoman Poetry Text Structure in The Aurodan Tradition of AsySyahadatain Cirebon S, A. Maskur; Sumiyadi, Sumiyadi; Iskandarwassid, Iskandarwassid; Permadi, Tedi
International Conference on Elementary Education Vol. 2 No. 1 (2020): Proceedings The 2nd International Conference on Elementary Education
Publisher : Elementary Education Study Program School of Postgraduate Studies Universitas Pendidikan Indonesia in collaboration with UPI PRESS

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Abstract

Oral tradition is a legacy passed down from ancestors to later generations through speech media. Nadoman in the Aurodan tradition of the Asy-Syahadatain Congregation in Cirebon is part of an oral tradition in the form of an oral poem in the Cirebon language that is used for the media of the preaching of the chaplain which is usually sung in the form of singing during the rituals of dhikr together. Aurod is a book in which nadoman poetry is read together in an Aurodan tradition developed as the tradition of the Munjul Islamic Boarding School in Cirebon. Auordan and Nadoman are very thick with the Cirebon Islamic culture which is flexible, gentle, open, tolerant, as a product of acculturation of several cultures, namely Javanese Islam, Sundanese, Arabic, and even other cultures in Cirebon, even though it was born from ulama leaders who are identical and closed. This study aims to examine the structure of the nadhoman poetry text in the oral tradition of the Aurodan Praise of the Prayer of the Noble Congregation of the Asy-Syahadatain Congregation of Cirebon. This research is a qualitative research. Qualitative methods are used to examine objects in natural conditions, to find meaning and generalization, where the researcher as a key instrument. This study was designed to describe, analyze, reveal, and explain the structure of Nadoman poetry texts in the Aurodan tradition of the Asy-Syahadatain Cirebon Cirebon. This study uses basic data which includes (1) the structure of the nadhoman poetry text in the oral traditions of the Aurodan Congregation of the As-Syahadatain Cirebon Cirebon which were sung as praises of prayer before prayer; (2) efforts to use it in learning Cirebon Literature at school. Tenik Data collection is done by observation, interviews, document studies. The results of this study found some very beautiful niroman cirebon poems and conditions for value and worth to be raised in as one of Cirebon's cultural heritage, and Nusantara's cultural heritage in general by incorporating it into the school curriculum as teaching material
Character Education Behind the Function and Value of Cirebonan Tarling Art Fajri, Khoirul; Sumiadi, Sumiadi; Sunendar, Dadang; Iskandarwassid, Iskandarwassid
International Conference on Elementary Education Vol. 2 No. 1 (2020): Proceedings The 2nd International Conference on Elementary Education
Publisher : Elementary Education Study Program School of Postgraduate Studies Universitas Pendidikan Indonesia in collaboration with UPI PRESS

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Abstract

A common problem encountered in the development of the art of tarling is the negative understanding of the majority of people about tarling itself. Tarling is currently experiencing difficulties in returning to be the belle of art in Cirebon society. As the development of tarling is used for the entertainment side and little by little reduces the value of tarling itself. This has become a fundamental problem for people who consider the art of tarling to be a mere art without any significant value. The purpose of this study was intended to find out more about character education in the function and value of the cirebonan tarling art. This research method uses descriptive qualitative exposure with ethnographic research design to find out more about character education in the function and value of the tarling itself, as well as using literature study data collection techniques related to Tarling arts and music, as well as interviews with informants. In general, tarling music can be divided into two forms: classical tarling music and modern Cirebon rhythm tarling music. Modern tarling experiences the absorption of various types of music, including pop and dangdut. Little by little in modern tarling puts forward the entertainment and material aspects and little by little reduces the value and function of the art of tarling itself. Whereas classical tarling music still has strong functions and values in instilling character education in every element of the performance of the tarling itself in each of its elements