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All Journal Journal on Education Jurnal Igel: Journal of Dance
I Ketut Sutapa
Institut Seni Indonesia Denpasar
Arts Humanities Education

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Proses Penciptaan Karya Tari Kreasi B Aris Tanda I Ketut Sutapa; I Putu Gede Bagus Restu Pratama Wiwaha; Gusti Ayu Ketut Suandewi
Journal on Education Vol 5 No 3 (2023): Journal on Education: Volume 5 Nomor 3 Tahun 2023
Publisher : Departement of Mathematics Education

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Abstract

Baris Tanda is a new dance with the theme of heroism about widyadaras. The sign comes from the word tamanwa which means the first dance of Lord Rudra. The Wa Sign in the Kesiman Traditional Village is interpreted as a Sign, one of the properties of Pengarebongan and Sapuh Agung during the Pangilen ceremony at Pura Agung Petilan. The Baris Tanda dance, which is danced by seven male dancers, represents a combination of the Mantra Puja Dynamics and Mudras contained in the Bratha Natyam book. This dashing dance is presented in the form of a group dance with a smoky composition, rows and circles accompanied by Gamelan Semarandana digital music. This newly created dance was created using the Angripta Sesolahan creation method (creating dances) with the planning, nasen, makalin, nelesin, and grain processes. This dance work was created in the framework of the Merdeka Learning-Independence Campus Program, a collaboration between the Indonesian Art Institute and the Pancer Langit Art Studio.
Tari Aku Kumara, Sebuah Refleksi Diri Peduli Anak I Nyoman Kharisma Aditya Hartana; I Wayan Budiarsa; I Ketut Sutapa
Jurnal IGEL : Journal Of Dance Vol 1 No 2 (2021): Terbitan Kedua Bulan Oktober tahun 2021
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v1i2.860

Abstract

The creation of this Aku Kumara dance work started from reading a piece of literature namely Anoman Seri Cerita Anak dan Remaja, specifically the story of Anoman's childhood when he ate the sun. This makes the stylists want to create a contemporary dance piece in the form of a large group by interpreting the children's I-ness (selfishness) with curiosity to try to reach the light like the sun. This dance uses several sources of information, namely written sources, discography, filmography, interviews, and direct observations. The theories used are the theory of imagination and aesthetics. Related to the theory of creation, namely using the theory by Alma M. Hawkins consisting of the stages of exploration, improvitation, and forming.Aku Kumara is a contemporary dance piece in the form of a large group of eight male dancers who interpret children's behavior with curiosity and determination to seek the light. The dance structure consists of the beginning, the content, and the end with the movement approaching children and getting inspiration from Balinese dance standards that have been re-explored into new forms. This dance work is accompanied by the FL Studio 2020 software application with Balinese-Modern nuances. The make-up used is a theatrical type of make-up that is fantasized and adapted to the children's character with a casual dress with the concept of jumpsuits and a highlighter green T-shirt. Aku Kumara's dance work was staged on the concept of a proscenium stage at the Gedung Natya Mandala ISI Denpasar.Keywords: Aku Kumara, children, contemporary, creation
Tari Bhairawapaksa, Interpretasi Sosok Mpu Barang Kadek Karunia Artha; I Ketut Sutapa; I Wayan Adi Gunarta
Jurnal IGEL : Journal Of Dance Vol 2 No 1 (2022): Terbitan Pertama Bulan Juni tahun 2022
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v2i1.1575

Abstract

Bhairawa is a force (group) who worships Durga as the supreme goddess in practice. Bhairawa is one of the most influential sects for Balinese people both in terms of spiritual practice and history. One of the stories related to the teachings of bhairawa and is well known to this day is the story of Mpu Barang. In the book Kajian Naskah Lontar Siwagama, Mpu Barang is described as a powerful Budha priest who can feed wandering spirits by eating his rough body until it runs out, the magic that Mpu Barang has is Bhairawapaksa. Mpu Barang's magic made the stylists interested in creating contemporary dances with horror nuances by using the theory of imagination so that they can freely interpret the cannibalism of the Mpu Barang character. In the process of realizing this dance work using the creation method proposed by Alma M. Hawkins, which consists of 3 stages, namely exploration, improvisation, and formation.This dance work, the stylist gives the title Bhairawapaksa Bhairawapaksa is a contemporary dance that is danced by 7 core dancers as a representation of Sapta Kanda Pat and Sapta Angga and uses 5 additional dancers. The structure of the Bhairawapaksa dance consists of 4 parts that describe the magical, calm, disgusting, and religious atmosphere. The message to be conveyed in this work is not to judge something only from the outside, but to look inside.   Keywords: Bhairawapaksa, Horor, Kanibal Mpu Barang, and Contemporary
ABURU SATA I Made Dendi Dwi Karyana; I Ketut Sutapa; Ni Wayan Suartini
Jurnal IGEL : Journal Of Dance Vol 3 No 1 (2023): Terbitan Kesatu Bulan Juni tahun 2023
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/journalofdance.v3i1.2377

Abstract

The Aburu Sata dance is a contemporary dance work that takes the theme of mulat sarira which is inspired by the Balinese folklore of an animal hunter to fulfill his needs, named Lubdaka. The creator is interested in elevating lubdaka’s emotional traits which include feelings of ambition, restlessness and regret. This dance piece is danced by six male dancers with almost the same body posture. The purpose of the creation of this dance work is to criticize the reality in today’s life throught Lubdaka’s story as a source of inspiration, that many people forget their identity and purpose in life because they are still heavily influenced by the Sad Ripu nature eithin themselves. The method of creation used in creating this dance work is using the Alma M. Hawkins method wich includes exploration, improvisation,forming, because this method is easier for creators to unsderstand to use as a method of creating art. This dance work uses minimalist make up and clothing including udeng, ¾ length pants, shirt, belt, rempel sesaputan, kamen kancut, bracelets, anklets. It is hoped that this dance work will become a performing art that can be enjoyed by people of all groups and can understand that Balinese folkore is not only a story or a night tale, but a story that contains meaning and moral values that are a reflection for us to improve ourselves so that wecan live to be better.   Keywords: Aburu Sata, Emotional nature, Dance work
Karya Tari Aci Dehe Ni Made Eka Sanisca Dewi; Ida Ayu Wimba Ruspawati; I Ketut Sutapa
Jurnal IGEL : Journal Of Dance Vol 3 No 2 (2023)
Publisher : UPT Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar

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Abstract

Abstrak Karya Tari Aci Dehe terinspirasi dari Tari Rejang Lilit di Dusun Peninjoan, Desa Golong, Kecamatan Narmada, Lombok Barat. Tari ini mengambil bagian rasa bahagia, ceria, dan tulus iklas yang muncul saat prosesi ritual Tari Rejang Lilit, kemudian dituangkan ke dalam karya dengan bentuk kreasi yang memiliki tiga struktur yakni, pepeson, pengawak, dan pengecet. Metode penciptaan dalam mewujudkan karya tari ini adalah metode Angripta Sesolahan yang dikemukakan oleh I Kt Suteja. Metode tersebut meliputi Ngerencana, Nuasen, Makalin, Nelesin, dan Ngebah. Ngarencana merupakan tahap awal merancang seluruh kebutuhan karya seperti konsep, pemilihan composer, pemilihan penari, dan rancangan kegiatan karya. Nuasen merupakan tahap ritual untuk memohon kelancaran selama proses karya. Makalin merupakan tahap ekplorasi gerak dan pemilihan material seperti tempat latihan. Nelesin merupakan tahap pembentukan karya dengan menggabungkan hasil eksplorasi gerak sehingga menghasilkan motif gerak pada Tari Aci Dehe. Ngebah merupakan tahap pementasan perdana karya Tari Aci Dehe yang dipentaskan untuk mendapatkan evaluasi dan mengadakan perubahan-perubahan pada karya. Tari Aci Dehe menggunakan 6 orang penari wanita dengan iringan musik digital FL Studio, dan pementasan dilakukan secara langsung di Gedung Natya Mandala ISI Denpasar. Kata kunci : Aci Dehe, kreasi, Tari Rejang Lilit.
Co-Authors Gst.Ayu Ketut Suandewi I Made Dendi Dwi Karyana I Nyoman Kharisma Aditya Hartana I Putu Gede Bagus Restu Pratama Wiwaha I Wayan Budiarsa Ida Ayu Wimba Ruspawati, Ida Ayu Kadek Karunia Artha Ni Made Eka Sanisca Dewi Ni Wayan Suartini