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Memaknai Arsitektur dan Ragam Hias pada Rumah Khas Betawi di Jakarta sebagai Upaya Pelestarian Budaya Bangsa Salim, Polniwati
Humaniora Vol 6, No 3 (2015): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v6i3.3365

Indonesia is an archipelago country with various ethnics which have specific culture. One of the most popular cultures is Betawi culture in which people grew and spreaded in a city used to be called as Batavia. Nowadays, the variety of Betawi culture can be obviously seen by language, art, dance, ceremony, tradisional clothes, architecture, and ornaments. In order to preserve the culture, discussing and analyzing Betawi tradisional house with its ornaments and architecture is very important. The architecture which shows symbols and ornaments in all over the design can be found at the ethnic house. Betawi ethnic house consists of many symbols that represent meaning of the art and delivers some messages for people. This study was carried with comparative analysis and descriptive method. Research results show all Betawi architectural and ornaments could bring benefits and support preservation. The preservation included protecting and developing, and at the same time, making use of it as the cultural inheritance that has high values.

Modern Concept of Interior Design Food Court as Rebranding Form of Sustainability Design Related to the Growth of Mall (Case Study: Delicaè, Senayan City) Salim, Polniwati
Humaniora Vol 8, No 4 (2017): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v8i4.4125

The purpose of this paper was to make people aware of the new concept design of the food court that influence the ambiance and related to the attractiveness factors. The method of documentation of the interior element was done by the analysis to the food court in Senayan City. It was expected to be a comparison of the previous design before the renovation (Food Studio) in connection with the modernization and renewal of the design (Delicaè). Some design elements such as floor wall and ceiling that applied must bear a lasting impression and be an inbuilt piece of the decoration that linked to scale, style, and color. This research was potentially contributed to shopping malls attractiveness factors and their impact on shoppers’ satisfaction in shopping malls in Jakarta and outside the city. It can be concluded that updating the design is very important if the shopping malls do not want to left-behind in this modern area. The comparison has been made between old-design with the new one that is found out that people nowadays are very open-minded about design and do care about attractive things in shopping malls.

Intervensi Ergonomi Terhadap Kenyamanan Bekerja di Dapur Rumah Tinggal Salim, Polniwati
Humaniora Vol 5, No 1 (2014): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v5i1.3015

Clothing, food, and shelter are basic human needs. In a common household, food is provided through the kitchen. However, a kitchen does not only serve that purpose it is also needed as a place for recreation and communication of the family. Because cooking is a daily routine and takes quite an amount of time, it is considered as a tedious and heavy job. And so, if someone does not cook/work properly in terms of the movements or follow the ergonomic requirements, it would easily make her/him down and make her/him less efficient. To overcome these problems, it is required to improve the environment by adjusting the height according to user’s anthropometry. With these steps, the family would hopefully change their work attitude. They would hopefully find cooking easier and less tiring; and make it more comfortable and ergonomic to cook in the kitchen.

Penerapan Ornamen Sebagai Ciri Budaya Tionghoa pada Chinese Restaurant di Jakarta Salim, Polniwati
Humaniora Vol 6, No 4 (2015): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v6i4.3385

Chinese restaurants are obviously connected to Chinese culture for it holds a great importance and is even the core point of creating art. The art would be based upon the aesthetic contents which contain symbolic meaning in Chinese philosophy. In a typical chinese restaurant the connection between tradition and art is represented in the form of ornaments that acts functionally and has specific unique characteristics. This study was conducted by qualitative method with survey, interview, and documentation of the ornaments in chinese restaurant. This study aims to introduce and enrich the knowledge, as the ornaments stand for showing the identity of chinese culture in chinese restaurant. The aesthetical theory about the art of design and the implementation of chinese ornaments took part in the study as well. Result of the study shows that the chinese restaurant observed has implemented the interior and applied the ornaments well in showing chinese identity. Besides, the materials used for furniture and interior elements have given the nuances of Chinese culture. Study concludes that the aesthetic atmosphere of the interior of Dian Xiao Er Restaurant is calm, peaceful, and relaxing like sitting in a modest diner. The dynamics that was created is something impressed repetitive yet not boring

Ragam Ornamen Atap Klenteng Jin De Yuan sebagai Salah Satu Aset di Kawasan Kota Tua Salim, Polniwati
Humaniora Vol 2, No 2 (2011): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v2i2.3173

The Plurality of cultures in the country of Indonesia can be seen from the diverse ethnics and tribal minorities and the majorities either. The numbers of Klenteng/temple as one of the places of worship of minority Chinese community which has now been given freedom by the government of Indonesia, are still very few. Jin De Yuan Klenteng is one of the mainstay of tourism in the Area Chinatown, Glodok who entered the Old City area in the world. Therefore, the aesthetic value in the pagoda is very important to be raised in order to remain attractive as a tourism asset. How the application of aesthetic elements on the exterior of Jin De Yuan temple, and any decoration is used, by looking at the positive side of social relationships and cultural preservation, is the point that must be noticed and developed by all of us.

Arsitektur Cina pada Klenteng Jin De Yuan di Kawasan Pecinan Jakarta sebagai suatu Perwujudan Akulturasi Kebudayaan Salim, Polniwati
Humaniora Vol 3, No 2 (2012): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v3i2.3341

Cultural acculturation can be seen from various aspects, where the fusion of two cultural elements will not remove the could go to Indonesia and was applied to the temples in Indonesia, but still did not leave the cultural elements of Indonesia. Temple Jin De Yuan was one of the many temples in Jakarta, especially in the area of Chinatown, an area in terms of population, form of shelter, social order and the atmosphere of the environment had historically rooted characteristic of cultured Chinese people which was very thick with the architecture Chinese. Article presents how the application of Chinese architecture as a manifestation of Chinese culture and acculturation Indonesia in the temple Jin De Yuan can increase the cultural treasury of Indonesia. The research applied qualitative method and also library research.

Memaknai Pengaplikasian Ornamen pada Atap Bangunan Klenteng Sebagai Ciri Khas Budaya Tionghoa Salim, Polniwati
Aksen : Journal of Design and Creative Industry Vol. 1 No. 2 (2016)
Publisher : Universitas Ciputra Surabaya

Indonesia sebagai negara kesatuan memiliki beragam etnik kebudayaan dan suku baik minoritas maupun mayoritas. Klenteng adalah tempat ibadah masyarakat minoritas Tionghoa, yang jumlahnya belum terlalu banyak, namun tersebar di berbagai wilayah kepulauan Indonesia. Sejak pemerintah telah memberikan kebebasan beragama bagi masyarakat Tionghoa keturunan, semakin banyak klenteng-klenteng tua yang mulai dikenal dan diekspos masyarakat. Mulai dari ritual doa dan dewa-dewa yang ada dalam klenteng, hingga dekorasi eksterior maupun interior klenteng, sudah ditilik oleh masyarakat yang tidak hanya tertarik untuk mengetahui namun juga mulai terdorong untuk meneliti lebih jauh kedalam mengenai makna itu semua. Fasad dan atap yang pertama kali terlihat pada sebuah bangunan eksterior klenteng sangat menarik untuk ditelaah mengingat banyak makna yang terkandung dari pengaplikasian ornamen yang digunakan. Metode penelitian yang digunakan adalah dengan metode kualitatif dan dilakukan dengan studi lapangan, observasi, dokumentasi serta wawancara. Hasil yang didapatkan berguna bagi keilmuan desain arsitektur mengenai makna ragam hias atau dekorasi pada atap klenteng. Nilai estetika sangat penting untuk ditampilkan agar tampilan luar tetap menarik sebagai aset wisata. Bagaimana penerapan elemen estetika pada eksterior bangunan kelenteng dan ragam hias apa saja yang digunakan menjadi hal yang menarik untuk diteliti dan dikembangkan selanjutnya.

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