Articles
<![CDATA[Penerapan Tipografi dalam Sistem Signage pada Interior Ruang Publik ]]>
<![CDATA[Ruki, Ulli Aulia]]>;
<![CDATA[Nediari, Amarena]]>
<![CDATA[ Humaniora Vol 5, No 2 (2014): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v5i2.3139
<![CDATA[Signage system is applied in interior public spaces with consideration to the basic of typography. The objective of signage system is to provide the user convenience in public spaces in order to reach destination while the user is in the building. The basic requirements for designing signage system are legibility and readability. There are still designers who are not aware about the importance of designing a signage system so that sometimes it is found only as decorative element. It is necessary to make the best use of the purpose of signage design, so an interior design should be more carefully in conducting research related to the application of signage system in public spaces. The applied typography has to be considered by its size, placement, colors, and materials to be used. This research used design thinking goal grid method that is suitable to examine the signage system in order to complete design objectives. Article focuses on how to design the signage system to accommodate information that was useful for the user in public space. At the end, there would be identified signage system’s function in interior public spaces as information, guidance, identification as well as safety regulation. ]]>
<![CDATA[Pendokumentasian Aplikasi Ragam Hias Toraja sebagai Konservasi Budaya Bangsa pada Perancangan Interior ]]>
<![CDATA[Nediari, Amarena]]>;
<![CDATA[Hartanti, Grace]]>
<![CDATA[ Humaniora Vol 5, No 2 (2014): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v5i2.3271
<![CDATA[Various ornaments of Indonesia come from ethnic groups from all over the archipelago. As a tangible culture, ornament has specific purpose and does not change throughout the ages. Tana Toraja is one ethnic group in the archipelago that has beautiful decorative art and one of the most popular tourism destinations in Indonesia. Toraja’s ornament generally is seen as decorative carving on the column of Tongkonan (Toraja traditional house), window, or even in barn doors. The beauty of Tana Toraja is not only as an inspiration for its colors and sculptures but also the variety of forms that has been simplified in the ornament. Moreover, the geometric forms are easy to apply as interior element in modern buildings. Generally, the value of these ornaments has a specific purpose related to the cultural and social custom of the Toraja people. Hence, the application needs to consider about the purpose of the symbol of the ornament. ]]>
<![CDATA[Paradigma Baru Dalam Museum Seni dan Budaya Jawa Ullen Sentalu ]]>
<![CDATA[Nediari, Amarena]]>
<![CDATA[ Humaniora Vol 2, No 1 (2011): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v2i1.3102
<![CDATA[The existence of the museum building as conservation collection of historic objects often give the impression that the museum is an ancient building, dark and disheveled. While the new paradigm in the management of the museum is a museum not only as a place to store historical objects, but need to present the collection in an attractive package so that visitors interested in coming back again to the museum. Museum of art and culture of Java Ullen Sentalu, in Kaliurang has provided a new insight to the culture, especially Javanese culture in the family palace of Yogyakarta and Solo Palace. The main attraction of this Sentalu Ullen is to deliver information about the historic collection from the family palace is presented as a whole, so that leaves a deep impression for visitors. This museum has given the world a new concept in museums in Indonesia, which certainly can be applied to other museums in Indonesia. ]]>
<![CDATA[Fenomena Mal bagi Masyarakat Urban di Jakarta ]]>
<![CDATA[Nediari, Amarena]]>
<![CDATA[ Humaniora Vol 4, No 1 (2013): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v4i1.3428
<![CDATA[Mall building is a place where urban communities come together with their specific interest. People go to the mall with their independent needs without any emotional bonding between each other. As a public space, mall is trying to meet the needs of urban communities especially as an entertaining space for the visitors. Go to the mall has become a way of life in urban society, as a destination for the whole family. While on the other hand the existence of many mall building are the traits of sick city, because as a public space, city does not meet the social and environmental objectives anymore. Jakarta has more than 75 building mall, it has exceeded the limit of the population. Mall has become a phenomenon because it has met the lifestyle of urban society but on the other side mall has spent water absorption area. This disagreement about mall building requires a mall that friendly to the environment, so that the green open spaces and water absorption area can be provided or replaced as well. The next discussion is about mall that should build friendly to the environment and its importance to the urban community. ]]>
<![CDATA[Fenomena Bangunan Mal dan Pengalaman Estetika Bagi Masyarakat Urban di Jakarta ]]>
<![CDATA[Nediari, Amarena]]>;
<![CDATA[Purwana, Christophorus]]>
<![CDATA[ Humaniora Vol 4, No 2 (2013): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v4i2.3535
<![CDATA[Mall building has become part of the urban living’s lifestyle. Going to the mall is an independent necessity without any emotional bond with others. As a public area, mall has been trying to fulfill urban communities’ needs such as to enlarge employment opportunities as well as to provide an entertainment center for visitors. For most of urban communities, mall is considered to be a solution for all members of family. It is one destination for all. Mall elements consist of anchor, secondary anchor, street mall, and landscaping. They are built in a perfect composition in order to emphasize the main purpose of a mall building as a modern place for trading. Interior design in a mall building is not only to apply a finishing treatment but also to give an aesthetic experience to the visitors. The excitement of being surrounded by beautiful material, attractive colors in luxurious building are some of the impact that gives an aesthetic experience in mall buildings. This meant to attract customer to purchase the product. The phenomenon of mall building is that although the function of mall building has met the urban communities’ demand it also has used the green spaces and spoiled the water absorption. In order to solve the problems that suitable for this situation, designing an integrated mal with green building concept should be the solution. The solution should be supported with government regulation based on the awareness of environmental friendly, combining a mall building with open space with well designed of landscapingwill offer a new place to gather for urban communities. ]]>
<![CDATA[Koleksi Mebel Antik Museum Sejarah Jakarta ]]>
<![CDATA[Nediari, Amarena]]>
<![CDATA[ Humaniora Vol 1, No 2 (2010): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v1i2.2892
<![CDATA[Collection of antique furniture is the most dominant type collection belongs to the Jakarta History Museum. The museum building is located in tourist areas Kotatua Jakarta, which became the center of historic and cultural development of the city. The purpose of this research is to determine the condition of furniture in the museum's collections so that the rescue of cultural heritage and history associated with the city through the exhibition can be done well. Methods of research conducted by collecting data from various literature sources, surveys and interviews with the management of Jakarta History Museum as a resource. Unfortunately, the furniture collection is currently not maintained and not well protected so that the high historical value of cultural heritage and history of the city of Jakarta is almost negligible. Conclusion from this research is to realign of the furniture collection at the Museum of History of Jakarta. ]]>
<![CDATA[Pendokumentasian Aplikasi Ragam Hias Budaya Bali, Sebagai Upaya Konservasi Budaya Bangsa Khususnya pada Perancangan Interior ]]>
<![CDATA[Hartanti, Grace]]>;
<![CDATA[Nediari, Amarena]]>
<![CDATA[ Humaniora Vol 5, No 1 (2014): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v5i1.3079
<![CDATA[Various ornament of Indonesian people comes from the ethnic groups from all over the archipelago. As a tangible cultural ornament has a specific purpose and it does not change throughout the ages. Bali is one of the ethnic group in archipelago that has beautiful decorative art and one of the most popular tourism destination in Indonesia. Bali?s ornament generally seen as decorative carving on the column, window or even in door. The beauty of Bali is not only as an inspiration for their colors and sculpture but also the variety of forms that have been simplified in the ornament. Moreover, floral & fauna forms are easy to apply as an interior element in modern buildings. Generally the value of these ornament has a specific purpose related to the cultural and social custom in Bali people. So that the application need to consider more about the purpose of the symbol of the ornament. ]]>
<![CDATA[Pendokumentasian Aplikasi Ragam Hias Budaya Betawi pada Desain Interior Ruang Publik Café Betawi ]]>
<![CDATA[Nediari, Amarena]]>;
<![CDATA[Hartanti, Grace]]>
<![CDATA[ Humaniora Vol 6, No 3 (2015): Humaniora ]]>
Publisher : <![CDATA[Bina Nusantara University ]]>
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DOI: 10.21512/humaniora.v6i3.3363
<![CDATA[Various ornaments of Indonesia come from the ethnic groups from all over the archipelago. Ornament is a tangible culture which has specific meaning and purposes. Its meaning does not change throughout the ages. Betawi culture has become cultural roots for most people in Jakarta which also as the capital city of Indonesia. Betawi culture is seen in a wide variety of dance, batik, decorative ornaments, and culinary. Betawi ornament can also be seen in the architecture and public areas since the geometrical shape is very easy to apply as interior element. The application of Betawi ornaments in a restaurant interior represents the idea of dining area in Betawi house. The study of Betawi ornaments was conducted by documentation of decorative elements in a restaurant as a public space. Objective of this research is to preserve various ornaments of Betawi culture. So that, the data can be valuable as an inspiration for designing restaurant interior with Betawi style. Generally, value of the ornaments has specific purposes related to Betawi?s cultural and social customs. Therefore, the application needs to consider more about the purpose of the symbol of the ornament. ]]>
<![CDATA[Pemberdayaan Komunitas Batik Bayat di Klaten-Jawa Tengah dalam Kreativitas Desain Produk sebagai Keberlanjutan Batik di Era Pandemi Covid-19 ]]>
<![CDATA[Simanjuntak, Polin M]]>;
<![CDATA[Roesli, Christianto]]>;
<![CDATA[Nediari, Amarena]]>
<![CDATA[ SENADA : Semangat Nasional Dalam Mengabdi Vol. 1 No. 3 (2021): SENADA: Semangat Nasional Dalam Mengabdi ]]>
Publisher : <![CDATA[Perkumpulan Dosen Periset Indonesia ]]>
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<![CDATA[Batik sebagai warisan budaya dan falsafah hidup masyarakat Nusantara, ditetapkan oleh UNESCO sebagai Warisan Kemanusiaan untuk Budaya Lisan dan Nonbendawi (Masterpieces of the Oral and Intangible Heritage of Humanity) pada 2 Oktober 2009. Keberlanjutan batik sebagai warisan budaya harus dapat diwariskan ke generasi muda. Masyarakat desa Bayat di Klaten, Jawa Tengah, merupakan penghasil batik tembayat yang sangat berpegang teguh pada tatanan kehidupan budaya Jawa. Batik tembayat dikenal memiliki warna lembut yang dihasilkan oleh material alami. Di era pandemi covid-19 saat kebutuhan pasar menurun, Batik Tembayat berupaya mencari alternatif untuk dapat meningkatkan daya jual batik melalui kreatifitas produk batik yang dihasilkan. Pemberdayaan masyarakat di desa Bayat dilakukan untuk memberikan solusi alternatif selain fesyen agar pemasaran dari batik dengan proses sekali celup ini dapat semakin luas, diantaranya sebagai desain aksesoris interior maupun furnitur yang mengambil inspirasi batik tembayat sebagai material utama maupun pendukung. Metode yang dilakukan dalam kegiatan pengabdian masyarakat ini adalah dengan melakukan studi literatur terhadap ragam batik tembayat, wawancara dengan pihak Batik Tembayat sebagai narasumber dan mengajukan sketsa desain terkait pengembangan kreatifitas produk batik tembayat. Diharapkan kontribusi ini dapat memperkaya ragam desain dalam produk batik tembayat, menambah pengetahuan masyarakat akan kekayaan ragam batik Indonesia juga berperan aktif dalam menjaga keberlanjutan batik tembayat sebagai warisan budaya Indonesia]]>
<![CDATA[Studi Desain Halte Bus dan Perilaku Masyarakat Urban di Wilayah DKI Jakarta ]]>
<![CDATA[Amarena Nediari]]>
<![CDATA[ Jurnal Strategi Desain dan Inovasi Sosial Vol 1, No 1 (2019): Desain Sebagai Strategi dan Inovasi Sosial ]]>
Publisher : <![CDATA[School of Design Universitas Pelita Harapan ]]>
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DOI: 10.37312/jsdis.v1i1.1821
<![CDATA[Keberadaan halte bus di ibu kota DKI Jakarta telah menjadi bagian dari kehidupan masyarakat urban yang berfungsi memenuhi kebutuhan akan ruang tunggu di jalan raya. Halte menjadi titik pertemuan bagi pengguna serta penyedia jasa transportasi umum baik yang konvensional seperti busway, feeder busway, taksi juga transportasi umum berbasis online seperti ojek online dan taksi online. Halte bus di wilayah DKI Jakarta belum memiliki standarisasi desain. Hal ini memberikan peluang bagi pemerintah DKI Jakarta untuk dapat menata kembali keberadaan dan fungsi halte sebagai fasilitas umum. Saat ini halte bus dimanfaatkan oleh berbagai pihak untuk berbagai kepentingan. Perilaku pengguna halte bus berdampak terhadap lingkungan di sekitar halte yang menjadi tidak teratur, tidak tertib terutama pada waktu tertentu seperti jam masuk kerja dan jam pulang kerja. Hal yang menarik untuk dipelajari lebih lanjut adalah bagaimana perilaku pengguna memanfaatkan halte tidak hanya sebagai tempat menunggu, namun juga sebagai media bertransaksi untuk kepentingan individu. Pengumpulan data dilakukan melalui pengamatan terhadap pengguna halte, mengunjungi lokasi halte serta mendokumentasikan aktifitas di halte bus dan sekitarnya dilanjutkan dengan analisa dan kesimpulan merupakan metode penelitian yang dilakukan. Artikel ini diharapkan dapat memberikan referensi akan desain halte bus agar memiliki fungsi sebagaimana mestinya dalam memenuhi kebutuhan masyarakat urban di wilayah DKI Jakarta.]]>
