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Eriyanto
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Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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Social media communication: content analysis of Indonesian parliament instagram account Jamil, Achmad; Eriyanto
Jurnal Studi Komunikasi Vol. 5 No. 3 (2021)
Publisher : Faculty of Communications Science, Dr. Soetomo University

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Abstract

This study aimed to analyse the dialogic communication by The House of Representatives through Instagram of the Republic of Indonesia (DPR-RI) as part of public institutions. This study is prompted by the low public trust in DPR using dialogic communication in Instagram. DPR-RI Instagram account is one of the most popular accounts among Indonesian government bodies’ Instagram accounts. Having 470,000 followers, DPR_RI’s Instagram has uploaded 6,347 photos and videos. The research method used was quantitative content analysis. This study also used thematic units that examined the topic or discussion of a text. The populations in this study were the posts on the Instagram account of DPR RI (@dpr_ri) from January 2015 to December 2020. The sample in this study amounted to 600 posts where, in each year, 100 posts were taken as a sample. The result indicates that DPR Instagram account has not applied the principle of dialogic communication. The low number of posts suggesting a dialogue with the public and stakeholders signifies this finding. DPR could use the results of this study to improve their public communication, especially in the use of social media.
REIFICATION OF DA'WAH MEANING THROUGH MEDIA AMONG PRACTITIONERS OF THE "AZAB" SUB-GENRE RELIGIOUS SOAP OPERA Haroni, Nanang; Hamad, Ibnu; Eriyanto
Jurnal Ranah Komunikasi Vol 9 No 1 (2025): Jurnal Ranah Komunikasi (JRK)
Publisher : Departemen Ilmu Komunikasi Universitas Andalas

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This study examines how behind-the-scenes practitioners of the "azab" (divine punishment) sub-genre religious television dramas perceive da'wah (Islamic proselytizing) through television media and the role of religious preachers within it, viewed through the lens of Axel Honneth's theory of recognition. For Honneth, recognition is a fundamental human need in the process of identity and integrity formation. Conversely, misrecognition can lead to social pathologies. This misrecognition is what Lukács termed reification—the objectification of abstract values. Complex values are simplified and treated merely as tools or commodities for profit. Through Interpretative Phenomenological Analysis (IPA) and in-depth interviews with those involved in the production of these dramas, the research found that while the shows are considered an effective means of da'wah and the media provides a platform for it, this recognition is superficial. Within this dynamic, spiritual values are reified into profit-oriented messages. The role of the preachers in the production serves only to provide religious legitimacy. At the same time, the content of the da'wah is subordinated to industrial interests, sacrificing the empowerment of spiritual messages.
Co-Authors Achmad Jamil Haroni, Nanang Ibnu Hamad