Witakania Sundasari Som
Universitas Padjadjaran

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Citra Perempuan dalam Novel Metropop “Tetralogi Empat Musim” Karya Ilana Tan Tania Intan; Vincentia Tri Handayani; Witakania Sundasari Som
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 14, No 4: November 2019
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (424.796 KB) | DOI: 10.14710/nusa.14.4.583-598

Abstract

When the storyline of chick lit and teen lit is always dominated by female figures, the metropop shows female and male figures. However, like popular novels that are more read and written by women, the metropop always presents issues that are centered on women. Therefore, this research was conducted with the aim of revealing the image of women in the ‘Tetralogi Empat Musim’ metropop by Ilana Tan consisting of ‘Summer in Seoul’ (2006), ‘Autumn in Paris’ (2007), ‘Winter in Tokyo’ (2008), and ‘Spring in London’ (2010). Data was collected by note-taking technique, and analyzed by descriptive-qualitative method. The methodological approach and the theoretical basis adopted for this research are feminist literary criticism. The results of the analyse indicate that in the tetralogy, (1) female self-image is displayed subject with TWITS (Teenage Women in Their 30s) characteristics, namely single, independent, working, aged between 24-30 years, beautiful and attractive, living in urban areas, lifestyle metropolis, heterosexual, and have character ‘The Waif’, and have 'weakness'. (2) The social image of women is described as being still the object of a patriarchal system in the form of dependence on male figures due to love relationships.
Pemajuan Kebudayaan sebagai Desa Mandiri Melalui Peningkatan Ketahanan Budaya di Desa Nagarawangi Sumedang Nyai Kartika; Reiza D. Dienaputra; Susi Machdalena; Prima Agustina Mariamurti; Witakania Sundasari Som; Rony Hidayat Sutisna
Jurnal Humanitas: Katalisator Perubahan dan Inovator Pendidikan Vol 11 No 4 (2025): Desember
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/jhm.v11i4.33261

Abstract

This study concerns the Promotion of Culture as an Independent Village through the Improvement of Cultural Resilience. The problem in villages that possess culture is the lack of inventory and documentation related to renewable cultural promotion objects (OPK), because conditions in the field may mean that these cultural promotion objects are still developing, underdeveloped, or even no longer developing. Through this research, it is hoped that the potential of OPK in Nagarawangi Village, Rancakalong District, Sumedang Regency, can be mapped comprehensively. The method used is qualitative research, with sources collected not only in the form of objects and written sources but also oral and visual sources. Oral sources were explored through interviews with storytellers as OPK actors and activists. As for visual sources, the exploration was not only carried out on visual sources in the form of moving images but also visual sources in the form of still visuals. The results of this study show a new approach to village development. The Cultural Advancement Village not only enriches the various existing approaches to village development but also provides a new space for village development, namely cultural space. The novelty of this approach will not only make villages more concerned about their culture but also enable villages to become centers of advancement.