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All Journal Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni CARONG: Jurnal Pendidikan, Sosial dan Humaniora Ulil Albab Menulis: Jurnal Penelitian Nusantara Jejak digital: Jurnal Ilmiah Multidisiplin
Ali Sukri
Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Social Sciences Other

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METODE PENCIPTAAN TARI KONTEMPORER “TUBUHKU, PUISI YANG BERGERAK” Ali Sukri; Sahrul N
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3755

Abstract

The creation of the concept for the performance My Body, Poetry That Moves is summed up from social reality. This concept is inseparable from the results of observations of the reality of the community where the phenomenon occurs. The results of the observations will be an important note for the creator. The observation results can be used as a basis and it can be concluded that in the era of modernization, with the rapid development of technology, it has positive and negative effects on the younger generation and society. On the positive side, the Indonesian nation has progress in the fields of communication and information, intellectual progress and thinking and so on. Meanwhile, the negative side of the Indonesian nation is unconsciously experiencing a tremendous setback, namely the erosion of morals, mentality, values which eventually becomes an instantaneous life. The process of creating My Body, Moving Poetry is carried out in several stages, namely contemplating the ideas presented and developed, rebuilding the empirical, reading various books as sources and supports in explaining concepts and observing the creation techniques. At the next level, the phenomenon captured is disclosed by pouring it into the form of body text which is expressed through the properties presented and contextual issues that contain message content. In the process of creating the artist, he pours out and marries the concept of contemporary body and choreography with a mix of local content and Minangkabau ideom.
Buhua Sentak : Fenomena Sosial Kehidupan Masyarakat Nagari Muaro Pingai Dalam Penciptaan Karya Tari Frandi Yutra; Emri Emri; Ali Sukri
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 2 No. 10: September 2023
Publisher : CV. Ulil Albab Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56799/jim.v2i10.2237

Abstract

Karya tari “Buhua Sentak” terinspirasi dari fenomena sosial kehidupan masyarakat di nagari Muaro Pingai. Fenomena yang dimaksud adalah penggunaan alahan oleh sebagian besar masyarakat yang berprofesi sebagai nelayan. Alahan adalah lahan untuk penjaring bilih yang dibangun berdasarkan aliran air sungai ke danau Singkarak. Pembuatan alahan tergantung pada kepemilikan di sekitar Danau. Ada banyak nagari di sekitar danau Singkarak, salah satunya adalah nagari Muaro Pingai, kecamatan, Junjung Sirih, Kabupaten Solok. Fokus dalam penciptaan karya ini terdapat pada masalah dalam proses pembuatan alahan yang sering terjadi. Pembagian air dalam pembuatan alahan inilah yang seringkali menjadi pemicu terjadinya perkelahian antara kaum. Oleh karenanya, Panghulu selalu mengadakan ropok guna menyelesaikan masalah yang terjadi. Penciptaan karya tari “Buhua Sentak” merupakan sebuah upaya melalui proses kreatif untuk menyampaikan permasalahan yang terjadi dalam fenomena masyarakat di nagari Muaro Pingai. pengkarya juga mencoba menghadirkan karakter dari masing-masing niniak mamak yang berselisih dengan menggunakan properti yang dibuat dari bambu. Metode yang digunakan dalam proses penciptaan karya tari “Buhua Sentak” ini adalah kreativitas yang memfokuskan pada karya tari dramatik kontemporer. Terdapat tiga bagian dalam penciptaan ini; pertama, menggambarkan kebersamaan dalam bentuk musyawarah untuk menyampaikan keinginan masing-masing niniak mamak; kedua, menggambarkan sisi chaos dari niniak mamak dalam menyampaikan opini; ketiga, menggambarkan penyelesaian dan pengambilan keputusan oleh penghulu sebagai kepala kaum.
Karya Tari “Limpasan Raso” Interpretasi Makna Air dalam Tradisi Manjujuang Aia pada Konteks Kematian di Nagari Bungo Tanjuang Stefi Amelia Putri; Ali Sukri; Adjuoktoza Rovylendes; Emri Emri
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/8apj1664

Abstract

Limpasan Raso is a contemporary dance work inspired by the Manjujuang Aia tradition in the context of death rituals in Nagari Bungo Tanjung, Tanah Datar Regency, West Sumatra. This tradition is carried out by women who carry water on their heads to the mourning house for the ritual bathing of the deceased. Beyond its practical function, the tradition embodies symbolic meanings of purification, farewell, empathy, and social solidarity toward bereaved families. This dance work aims to interpret water as a symbol of purification and release through a contemporary dance performance with a cultural theme and an abstract form. The creative process consists of exploration, improvisation, and composition stages. Exploration was conducted through observation of the Manjujuang Aia tradition, literature review, and internalization of the cultural values embedded within the practice. The findings were then developed through movement improvisation and organized into a complete choreographic composition. The work is performed by nine female dancers representing the women of the nagari who participate in the tradition. The performance utilizes a wooden barrel measuring 2 meters in diameter and 90 centimeters in height, along with plastic buckets as symbolic properties representing the Manjujuang Aia tradition. The musical accompaniment uses sequenced music and is presented in an outdoor setting. Everyday makeup and black dresses are used to symbolize simplicity, mourning, and the close connection between the tradition and community life. Through Limpasan Raso, the choreographer expresses the overflow of emotions that emerge in the experience of death, including grief, acceptance, and social support that flow throughout the community. Water is presented as a symbolic medium representing purification, release, and human interconnectedness in confronting loss. This work is expected to serve as a means of appreciating local cultural values while contributing to the preservation of the Manjujuang Aia tradition as an important element of Minangkabau cultural identity.
Krisis Regenerasi Dalam Pelestarian Seni Tradisi Di Sanggar Cinangkiak Saiyo Nagari Sumani Kecamatan X Koto Singkarak Vegussanesa; Firdaus; Ali Sukri; Idun Ariastuti
Menulis: Jurnal Penelitian Nusantara Vol. 2 No. 7 (2026): Menulis - Juli
Publisher : PT. Padang Tekno Corp

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59435/menulis.v2i7.1395

Abstract

Penelitian ini bertujuan untuk mengidentifikasi faktor-faktor yang menyebabkan penurunan minat generasi muda terhadap seni tradisi serta mendeskripsikan upaya pelestarian yang dilakukan oleh Sanggar Cinangkiak Saiyo di Nagari Sumani. Penelitian ini menggunakan metode kualititatif deskriptif. Data primer dikumpulkan melalui observasi lapangan dan wawancara mendalam bersama tiga generasi penari sanggar. Data sekunder diperoleh dari dokumen, profil organisasi serta studi kepustakaan. Analisis data dalam penelitian ini dibedah menggunakan tiga landasan teori utama yaitu, teori pelestarian budaya dari Widjaja, Teori Pewarisan dan Pendidikan Budaya (Vertical Transmission) dari Hermawan, serta teori krisis kebudayaan dari Milan Kundera. Hasil penelitian menunjukkan bahwa krisis regenerasi pelaku seni di sanggar ini dipicu oleh kuatnya arus teknologi digital, maraknya penggunaan gawai, dan populernya budaya saat ini. Faktor-faktor tersebut mengakibatkan penurunan drastis jumlah anggota aktif secara berkala. Dampak keberlanjutannya adalah proses pewarisan nilai-nilai seni tradisi antargenerasi tidak dapat berjalan secara optimal, sehingga menciptakan keterputusan sejarah budaya lokal di tengah masyarakat Nagari Sumani
Sikalabai: Interpretasi Identitas Perempuan  Mentawai dalam Penciptaan Koreografi Hafizatul Rahmi; Ali Sukri; Ajuoktoza Rovylendes; Ariefin Alham Jaya Putra
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/m5tern98

Abstract

This artwork thesis is entitled “Si Kalabai: Interpretation of Mentawai Women’s Identity in Choreographic Creation”. This work departs from the meaning of the Geilat symbol (Mentawai traditional titti/tattoo) as a representation of identity, social status, and the role of women in the Mentawai indigenous community who adhere to the Arat Sabulungan belief. Women in this culture are seen as important subjects in maintaining the balance of life, but in the broader social reality they still often experience role restrictions and inequality. The creation of this dance work aims to interpret the strength, resilience, and struggle of women through the medium of movement as a form of artistic expression and social reflection. The creative method used refers to the stages of Alma M. Hawkins’ choreography, including data collection and field observation, exploration, improvisation, formation, and evaluation. The results of the creation are realized in an abstract contemporary dance work using five female dancers, which are arranged into three main parts, namely oppression, inner resistance, and self-liberation. Non-representational movement elements, the processing of space, time, and energy, as well as the use of internal and external music are utilized to strengthen the delivery of symbolic meaning. The work of Si Kalabai is expected to be a medium for appreciation and understanding of the identity of Mentawai women while also opening up awareness about the importance of equality and respect for women in social and cultural life.
Tari “Mahelo Nan Ado” Terinspirasi dari Kegiatan Mamukek di Kecamatan Lengayang Kabupaten Pesisir Selatan Ressia Aulia Putri; Rasmida Rasmida; Ali Sukri; Kurniadi Ilham
CARONG: Jurnal Pendidikan, Sosial dan Humaniora Vol. 3 No. 1 (2026): January-Maret, Pendidikan dan Edukasi Masyarakat Berkelanjutan
Publisher : Universitas Serambi Mekkah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/37xskj90

Abstract

The dance work “Mahelo Nan Ado” is inspired by the traditional mamukek activity in Lengayang District, Pesisir Selatan Regency. The mamukek or maelo pukek tradition is a method of catching fish practiced by coastal fishermen using large, long nets and ropes, which are cast from the shore to catch fish. This activity served as the source of inspiration for the choreographer to create a group dance that interprets the maelo pukek fishing activity. The central issue explored in this work is the togetherness and cooperation among the fishermen, as well as the gratitude they feel for the harvest they receive. The theoretical foundation used in the creation process is macro sociology, which relates to large-scale and long-term social processes that underlie the division of individuals into various groups. The choreographic method applied in this work follows the model developed by Alma M. Hawkins, as translated by Y. Sumandiyo Hadi, which includes field observation, literature study, exploration, movement arrangement, improvisation, composition, and evaluation. The choreography is structured into three parts: a calm atmosphere, tension, and joy mixed with solemnity. The piece is performed by seven female dancers and was staged on July 17, 2025, at the Boestanul Arifin Adam Auditorium, Indonesian Institute of the Arts (ISI) Padangpanjang.
Co-Authors Adjuoktoza Rovylendes Ajuoktoza Rovylendes Ariefin Alham Jaya Putra Emri Emri Firdaus Frandi Yutra Hafizatul Rahmi Idun Ariastuti Kurniadi Ilham Rasmida Rasmida Ressia Aulia Putri Sahrul N Stefi Amelia Putri Vegussanesa