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All Journal Grenek: Jurnal Seni Musik Gorga : Jurnal Seni Rupa Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Besaung : Jurnal Seni Desain dan Budaya Jurnal Kajian Seni Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Paradigma: Jurnal Kajian Budaya Aksara Aksara
Sahrul N
Institut seni indonesia padangpanjang
Arts Humanities Computer Science & IT Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

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SA PANGAMBE SA PANAILI “SEBUAH KARYA TARI TERINSPIRASI DARI RITUAL MARPANGIR DI KABUPATEN MANDAILING NATAL” Rasmida Rasmida; Sahrul N; Siti Pratiwi Agmaulida Fatrion
Gorga : Jurnal Seni Rupa Vol 10, No 2 (2021): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v10i2.30064

Abstract

People of Mandailing Natal have a tradition called Marpangir which was done by the ancestors in the ancient time. It is an activity of self-cleaning as a form of welcoming the holy month of Ramadhan. This tradition has several values such as cultural, ethical, religious and social values. Along with the world's development, this ritual has had changes in terms of the way it is done and the ingredients used. Concerns have been raised by researchers regarding the differences of values that appear among the young generations nowadays, which then leads to individualist personnels. These phenomena are interpreted and expressed through publications related. Looking back on the old days, young generations in Mandailing Natal had a strong sense of togetherness and created a saying "Sa Pangambe Sa Panaili". This work of art applies the dramatic type and focuses on the changes of values of Marpangir ritual. The stepping stones are movements of Tor-tor that is available in Mandailing Natal in which they are chosen and developed to suit the message and meaning meant to be delivered. The property used is Parompa Sadun the traditional cloth of Mandailing Natal.Keywords: marpangir, cultural, togetherness, concerns. AbstrakMasyarakat Kabupaten Mandailing Natal memiliki tradisi yang dilakukan nenek moyang pada zaman dahulu salah satunya ritual Marpangir. Marpangir artinya kegiatan membersihkan diri dalam menyambut bulan suci Ramadhan. Kegiatan Marpangir ini memiliki nilai-nilai, seperti nilai budaya, nilai etika, nilai agama dan nilai sosial. Seiiring berkembangnya zaman ritual Marpangir ini sudah mulai berubah cara melakukan dan bahan yang digunakan. Hal ini menimbulkan keprihatinan pengkarya dalam melihat fenomena pergeseran nilai yang terjadi pada muda-mudi saat ini sehingga berpengaruh terhadap sikap dari muda-mudi yang individualisme. Fenomena ini diinterpretasikan dan diekspresikan melalui karya tentang keprihatinan pengkarya terhadap pergerseran nilai dari ritual Marpangir ini. Padahal dulu muda-mudi di Kabupaten Mandailing Natal memiliki sikap kebersamaan yang kuat sehingga hadir ungkapan “Sa Pangambe Sa Panaili”. Karya ini menggunakan tipe dramatik dan bertema keprihatinan terhadap pergeseran nilai dari ritual Marpangir. Pijakan gerak menggunakan gerak Tor-tor yang ada di Kabupaten Mandailing Natal dan memilih gerakan yang sesuai kemudian dikembangkan agar pesan dan maknanya tersampaikan. Properti yang digunakan yaitu Parompa Sadun (Kain khas Mandailing Natal).Kata Kunci: marpangir, budaya, kebersamaan, keprihatinan. Authors:Rasmida : Institut Seni Indonesia PadangpanjangSahrul N : Institut Seni Indonesia PadangpanjangSiti Pratiwi Agmaulida Fatrion : Institut Seni Indonesia Padangpanjang References:Dharsono. (2016). Kreasi Artistik: Perjumpaan Tradisi Modern Dalam Paradigma Kekaryaan Seni. Yogyakarta: Citra Sain.Efendi, Erwin. (2017). “Sa Pangambe Sa Panaili”. Hasil Wawancara Pribadi: 03 Oktober 2017, Mandailing Natal.Hadi, Y. Sumandiyo. (2003). Mencipta Lewat Tari.Yogyakarta: Manthil.Hasan, Alwi dkk. (1990). Kamus Besar Bahasa Indonesia Edisi I. Jakarta: Balai Pustaka.Hidajat, Robby. (2008). Pengantar Teori Dan Praktek Menyusun Tari Bagi Guru. Malang: Jurusan Seni & Desain Fakultas Sastra Universitas Negeri Malang.Muslim. (2017). “Sa Pangambe Sa Panaili”. Hasil Wawancara Pribadi: 12 Oktober 2017, Mandailing Natal.Murgiyanto, Sal. (1993). Ketika Cahaya Merah Memudar. Jakarta: CV Deviri Ganan.Sari, Lucky Pesona. (2020). Nelangsa. Padangpanjang: Pascasarjana Institut Seni Indonesia Padangpanjang.Sugianto. (2021). “Pakaian dan Aksesoris”. Hasil Dokumentasi Pribadi: 13 Maret 2021, Panyabungan.
OPERA BATAK PEREMPUAN DI PINGGIR DANAU KARYA LENA SIMANJUNTAK SEBUAH TINJAUAN SEMIOTIKA Isna Hidayani; Sahrul N; Dharminta Soeryana
Gorga : Jurnal Seni Rupa Vol 10, No 2 (2021): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v10i2.26436

Abstract

The purpose of the research is to reveal the meaning of sign in Woman at The Lakes Edge Batak Opera Performance. The study used descriptive analysis aproach by quantitative resesrach methode. The theoritical frameworks chosen to answer the research questions are the structural and texture coceptual frammework and the semilogical conceptual framework. Several conclusions resulted from the research are: The Woman at The Lakes Edge Opera Batak Performance has a moral massage that conveyed by the implied meaning of the sign created by Lena as the performance script writer and directure.Keywords: semiology, woman at the lakes edge. AbstrakPenelitian ini bertujuan untuk mengungkapkan makna tanda dalam Pertunjukan Opera Batak Perempuan di Pinggir Danau, Penelitian ini menggunakan pendekatan Deskriptif Analisis dengan metode penelitian kualitatif. Kerangka teoritis yang dipilih untuk menjawab pertanyaan penelitian adalah kerangka konsep Semiologi. Beberapa kesimpulan yang dihasilkan dari penelitian ini yakni; Pertunjukan Opera Batak Perempuan di Pinggir Danau memiliki pesan moral yang disampaikan dengan makna yang tersirat pada tanda yang diciptakan oleh Lena selaku Penulis naskah sekaligus sutradara pertunjukan.Kata Kunci: semiologi, perempuan di pinggir danau. Authors:Isna Hidayani : Institut Seni Indonesia PadangpanjangSahrul N : Institut Seni Indonesia PadangpanjangDharminta Soeryana : Institut Seni Indonesia Padangpanjang References:Barthes, Roland. (2010). Elements Of Semiolog. New York: Hill And Wang.Hidayani, Isna. (2019). “Opera Batak”. Hasil Dokumentasi Pribadi: 28 Juli 2020, ISI Padangpanjang.Hidayani, Isna. (2020). “Opera Batak”. Hasil Dokumentasi Pribadi: 29 Juli 2020, ISI Padangpanjang.Hutari, Fandy. (2009). Sandiwara Dan Perang.Yogyakarta: Ombak.Norman, K. Denzin, Yvonna S. Lincoln. (1994). Handbook Of Qualitative Research. London: Sage Publications Ltd.Simanjuntak, Lena. (2013). Opera Batak Perempuan Di Pinggir Danau Woman At Lake’s Edge Frauen Am Rande Des Sees Borua Nadi Duru Ni Tao. Yogyakarta: Katakita.Sobur, Alex. (2003). Semiotika Komunikasi. Bandung: PT. Remaja Rosdakarya.
KEHIDUPAN SURAU DI MINANGKABAU SEBAGAI INSPIRASI DALAM KARYA SENI LUKIS Ferdian Ondira Asa; Sahrul N
Gorga : Jurnal Seni Rupa Vol 7, No 2 (2018): Gorga : Jurnal Seni Rupa
Publisher : Fakultas Bahasa dan Seni Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gr.v7i2.11003

Abstract

AbstrakSurau di Minangkabau sebagai tempat ibadah lebih dikenal sebagai mesjid, langgar dan musalla. Kehidupan surau sebagai tempat pendidikan  anak anak pada saat dahulu mendidik anak laki-laki di surau sebagai tempat bermalam, bermain, menggaji. Model pendidikan ini sudah merubah fungsi sebagai pendidikan modern. Fenomena surau masa lalu sebagai konsep dalam bekarya seni lukis, kehidupan surau di Minangkabau sebagai inspirasi dalam karya seni lukis merupakan bagian dari restrospeksi terhadap realita saat ini. Metode penciptaan karya seni lukis melalui  riset etik dan riset emik. Riset etik melalui teknik observasi, wawancara, mengamati dan mendokumentasikan fenomena yang ada di kehidupan surau. Riset emik teknik melukis membuat model dengan menggunakan plastisin untuk objek-objek utama kemudian di potret dengan kamera foto. Potret di jadikan sebagai acuan dalam melukis. Karya seni lukis yang divisualkan pada lukisan realis fotografi yang menceritakan kehidupan surau masa lalu, kehidupan tersebut seperti pendidikan, lukisan mengaji, batapian, bujang surau. Karya seni lukis tersebut bermaksud memberitahukan serta mengajak masyarakat untuk menghidupkan kembali kehidupan di surau. Sebab, kegiatan yang dilakukan di surau tersebut dapat membentuk karakter pemuda-pemudi di Minangkabau menjadi lebih baik. Ekspresi yang hadir dalam penciptaan karya merupakan perasaan marah, kecawa dan sedih, melihat fenomena yang terjadi. Kemudian diterapkan ke dalam karya seni lukis berbentuk dua dimensi, berupa simbol. Simbol yang hadir metafhor dari bentuk surau kemudian didisformasikan, sehingga hadir bentuk baru yang mewakili dari visual peranan kehidupan surau Minangkabau , dengan berpedoman pada unsur-unsur seni rupa.           Kata Kunci: surau, restrospeksi, fenomena budaya, Minangkabau AbstractSurau in Minangkabau as a place of worship is better known as mosques, langgar and musalla. The life of surau as a place for children's education when they first educated boys in surau as a place to spend the night, play, pay. This educational model has changed the function of modern education. The past surau phenomenon as a concept in the work of painting, the life of surau in Minangkabau as inspiration in painting is part of the retrospect of the current reality. Methods of creating paintings through ethical research and emic research. Ethical research through observation, interview techniques, observing and documenting phenomena that exist in surau life. Emik research painting techniques make models using plasticine for the main objects and then portrayed with a photo camera. Portrait is used as a reference in painting. The visualized artworks in realist photography that tell the life of the past, life such as education, mangaji  painting, bujang surau. The artwork aims to inform and invite people to revive life in surau. Because, the activities carried out in the surau can shape the character of young people in Minangkabau to be better.Expressions that are present in the creation of works are feelings of anger, laughter and sadness, seeing the phenomena that occur. Then it is applied to two-dimensional painting, in the form of symbols. The symbol that metaphor comes from the surau form is then informed, so that there is a new form representing the visual role of the life of the Minangkabau surau, guided by the elements of art.  Keywords: surau, restrospect, cultural phenomenon, Minangkabau
METODE PENCIPTAAN TARI KONTEMPORER “TUBUHKU, PUISI YANG BERGERAK” Ali Sukri; Sahrul N
Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Vol 1, No 2 (2023): Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni
Publisher : Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/gjg.v1i2.3755

Abstract

The creation of the concept for the performance My Body, Poetry That Moves is summed up from social reality. This concept is inseparable from the results of observations of the reality of the community where the phenomenon occurs. The results of the observations will be an important note for the creator. The observation results can be used as a basis and it can be concluded that in the era of modernization, with the rapid development of technology, it has positive and negative effects on the younger generation and society. On the positive side, the Indonesian nation has progress in the fields of communication and information, intellectual progress and thinking and so on. Meanwhile, the negative side of the Indonesian nation is unconsciously experiencing a tremendous setback, namely the erosion of morals, mentality, values which eventually becomes an instantaneous life. The process of creating My Body, Moving Poetry is carried out in several stages, namely contemplating the ideas presented and developed, rebuilding the empirical, reading various books as sources and supports in explaining concepts and observing the creation techniques. At the next level, the phenomenon captured is disclosed by pouring it into the form of body text which is expressed through the properties presented and contextual issues that contain message content. In the process of creating the artist, he pours out and marries the concept of contemporary body and choreography with a mix of local content and Minangkabau ideom.
DRAMATURGI TARI DALAM NEGERI BUDAYA LATAH KOREOGRAFER DESLENDA Fitri Nurmayanti Kusumo Wibowo; Sahrul N; Afrizal Harun
Jurnal Cerano Seni | Pengkajian dan Penciptaan Seni Pertunjukan Vol. 2 No. 1 (2023): Cerano Seni | Pengkajian dan Penciptaan Seni Pertunjukan
Publisher : Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel dengan judul Konsep Dramaturgi dalam Pertunjukan Tari Negeri Budaya Latah Koreografer Deslenda secara eksplisit merupakan usaha peneliti di dalam menjawab berbagai pertanyaan terkait bentuk karya tari yang digarap oleh Deslenda. Artikel ini bertujuan untuk menjelaskan tentang konsep galuik dalam pertunjukan Tari Negeri Budaya Latah karya Deslenda dan menganalisis tentang kencendrungan Deslenda sebagai koreografer, dalam mencipta karya tari dengan menggunakan unsur teaterikal pada tari Negeri Budaya Latah. Metode penelitian yang dilakukan adalah metode kualitatif yang berpusat pada data wawancara dan dokumentasi. Temuan dari penelitian ini adalah galuik sebagai konsep dramaturgi dalam proses kreatif yang dilakukan oleh Deslenda dalam penggarapan karya tari kontemporer Negeri Budaya Latah.
PRAKTIK TEATER POSTDRAMATIK DI INDONESIA H, Afrizal; N, Sahrul; Yusril, Yusril
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 2
Publisher : UI Scholars Hub

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Abstract

The article entitled "Practice of Postdramatic Theater in Indonesia", is an examination of the practice of postdramatic theater in Indonesia in the 1990s to 2000s in Jakarta, Bandung, Yogyakarta, and even West Sumatra. This practice spawned generations that continue to grow and develop through aesthetics based on performance texts, outside of the conventional drama texts that we understand so far. Each theater community, regardless of whether it is postdramatic or not, has carried out an in-depth exploration and elaboration of all possible bodies, texts and artistic materials which are used as the main capital of performances. This study uses qualitative methods, with several theories, namely; historical theory and postdramatic theater theory. The process of composing, structure, and texture of postdramatic theater developed by Hans-Thies Lehmann is centered on the elements of text, space, time, body, and media depicted in the works of SAE Theatre, Grave Theater, Black-and-White Payung Theatre, Garage Theatre, and Black-White Art Community.
Analisis Elemen Visual Pada Poster Film Miracle In Cell No.7 Fitriani, Dian; Asril; N, Sahrul
Besaung : Jurnal Seni Desain dan Budaya Vol. 9 No. 2 (2024): Besaung
Publisher : UNIVERSITAS INDO GLOBAL MANDIRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36982/jsdb.v9i2.4257

Abstract

A film poster is the identity of a film which functions as a promotional medium for the film. Promotion of the film Miracle in Cell No.7 by Hanung Bramantyo uses internet marketing techniques, by uploading film posters to social media. This research aims to analyze the various meanings of the signs implied in the film poster Miracle in Cell No.7. This research is qualitative research, the data analysis method consists of four stages of design review, namely, work description, formal analysis, interpretation, and evaluation. The work description describes all the elements contained in the film poster Miracle in Cell No.7. Formal analysis is technically discussing how basic elements such as illustrations, colors, and typography are arranged to form a single unit in an order or layout. Interpretation is interpreting the meaning of signs based on Charles Sanders Pierce's semiotic theory which includes icons, indices, and symbols. Evaluation is outlining the conclusions of all the stages that have been passed. The research results found that various signs were in harmony with each other so that they supported the message conveyed in the film poster. It was concluded that the visualization of the main illustrations, supporting visuals, colors, and typography displayed on the visual poster for the film Miracle in Cell No.7 gives an implied picture of a father's love for his daughter, until one day they had to separate because justice was not on his side
THE SHIFTING FUNCTION OF ABDUL MULUK'S TRADITIONAL THEATER: FOLK PERFORMANCE TO AN EXCLUSIVE PERFORMANCE Wulandari, Iis; N, Sahrul; Asril, Asril
Jurnal Kajian Seni Vol 11, No 2 (2025): Jurnal Kajian Seni Vol 11 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.102655

Abstract

The development of the times made the continuity of Abdul Muluk's traditional theater in Muaro Jambi Regency experience a shift. The shift in art consumption patterns resulted in a shift in the function of Abdul Muluk's traditional theater from folk entertainment to exclusive spectacle. This study aims to analyze the factors causing and the impact of the shift in the function of Abdul Muluk's traditional theater in Muaro Jambi Village, Muaro Jambi Regency, Jambi Province. The research method used is a qualitative method with an art sociology approach based on Janet Wolff's social production theory of art. Data collection techniques used literature study, observation, interviews and documentation. The results showed that this shift occurred due to internal factors, such as the lack of management in theater groups and the lack of regeneration. Meanwhile, external factors include changes in public tastes, the influx of modern entertainment, and the weakening of institutional support and patronage. This shift has had an impact on various aspects, including the duration of performances, changes in stories, and most prominently accessibility, which is now limited. This study provides insights into how traditional arts are adapting to globalization and highlights the importance of support from others.
ABSURDISME PELUKIS DAN WANITA KARYA ADHYRA IRIANTO Handayani, lusi; N, Sahrul; Muliati, Roza
Grenek: Jurnal Seni Musik Vol. 9 No. 2 (2020): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v9i2.19585

Abstract

This study aims to reveal the absurdism value contained in the show Pelukis dan Wanita by Adhyra Irianto. This study uses a descriptive analysis approach with qualitative research methods. The theoretical framework chosen to answer the research questions is the concept of dramatic structure and the concept of absurdism. Several conclusions resulted from this research, namely, Pelukis dan Wanita by Adhyra Irianto has an indication of absurdism from play texts to performance texts. Painters and Women have plots that are not circular or circular, conflicts without certainty, unbalanced characters and unresolved ending. The indications of absurdism depicted in this work are irregularity, uncertainty and imbalance.
Pacu Itiak Sebagai Sumber Penciptaan Komposisi œSRIPANGGUNG Arsola, Pangeran; Rafiloza, Rafiloza; N, Sahrul
Grenek: Jurnal Seni Musik Vol. 10 No. 2 (2021): Grenek: Jurnal Seni Musik (December)
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/grenek.v10i2.27428

Abstract

Sripanggung adalah sebutan untuk pemeran utama wanita dalam pertunjukan seni. Sebutan ini terinspirasi dari rasa kecintaan si pemilik itiak terhadap itiknya, dan selalu dianggap seperti primadona dalam setiap perlombaan pacu itiak. Karya ini menggunakan pendekatan deduktif dengan dengan prinsip œekstramusikal. Metode yang dipakai pada karya ini adalah observasi dan data lapangan yang bertujuan untuk mengetahui apa saja nilai atau suasana yang ada dalam perlombaan pacu itiak. Hasil dari pengamatan pengkarya, dalam perlombaan pacu itiak tersebut terdapat suasana persaingan/kompetisi dan euforia, dan damai. Suasana inilah yang akan diinterpretasikan kembali menjadi sebuah komposisi musik.
Co-Authors Afrizal H Afrizal Harun Ali Sukri Arsola, Pangeran Asa, Ferdian Ondira Asril ASRIL ASRIL Dharminta Soeryana Dian Fitriani Fitri Nurmayanti Kusumo Wibowo H, Afrizal Handayani, lusi Iis Wulandari Isna Hidayani Rafiloza, Rafiloza Rasmida Rasmida Roza Muliati Siti Pratiwi Agmaulida Fatrion YUSRIL YUSRIL Yusril Yusril