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All Journal Naditira Widya KALPATARU Berkala Arkeologi
Indah Asikin Nurani, Indah Asikin
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PAMERAN MUSEUM SEBAGAI MEDIA KOMUNIKASI: KAJIAN BERDASARKAN PERSEPSI MODEL KAPLAN Nurani, Indah Asikin
Berkala Arkeologi Vol. 29 No. 2 (2009)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v29i2.382

Abstract

Exhibition at the museum is one of the communications media that can be used to present level of civilization and culture of a nation based on cultural materials on display. The essence of communication is the perception that is how visitors are able to accurately perceive the information presented in museum exhibits. Visitor perceptions of accuracy of the information depends on how curator described the encoding within the exhibitions. Formation of a person's perception of the stimulus preceded the arrest sensing nerves, then there's perception of the object, and finally the brain sends impulses through the motor nerve action. Arc sensingperception- reaction in psychology called the reflex arc. This paper describes how far the level of accuracy for the management of visitor perceptions of the exhibition at the Museum Sonobudoyo based on Kaplan's model of four variables namely coherent, easily understood, complexity, and mystery. The data was collected through questionnaires to 65 respondents.
KUALITAS DAN NILAI PELAYANAN BALAI ARKEOLOGI YOGYAKARTA DALAM PENGELOLAAN HASIL PENELITIAN KEPADA PUBLIK Nurani, Indah Asikin
Berkala Arkeologi Vol. 29 No. 1 (2009)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v29i1.372

Abstract

Balai Arkeologi Yogyakarta is a research institution which serves the public on informations concerned with researches on archaeology. On the other hand, the results of those researches have to be informed to the society, since it is supposed to have many benefits for the academic and the public. This article is intended to express the result of the public appreciation for the service done by Balai Arkeologi Yogyakrta, using measurement of service (tangible, empathy, responsive, reliability and assurance) and the comparison between the benefits and the cost.
GUA KIDANG, PILIHAN MANUSIA PRASEJARAH DI KAWASAN KARST BLORA Nurani, Indah Asikin; Yuwono, J. Susetyo Edy
Berkala Arkeologi Vol. 28 No. 1 (2008)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v28i1.351

Abstract

Blora karst area is a part of Rembang karst area on its northern and southern side of Kendeng Mountain. Geographically as well as geologically, Blora karst area is similar to Tuban karst area, but from archaeological aspect both areas show a significant difference. Tuban karst area is rich with various artifacts and ecofacts from prehistoric caves in particular. Meanwhile, in Blora there is one only cave showing evidences as a prehistoric dwelling place, which is Kidang cave. This cave is important because it shows a specific character compared to other caves in Java.
PERKEMBANGAN INDUSTRI LITIK PENGHUNI GUA-GUA DI JAWA TIMUR Nurani, Indah Asikin
Berkala Arkeologi Vol. 24 No. 1 (2004)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v24i1.889

Abstract

The influence of raw material is seen on the size of the tool. In the cave group on Mount Watang that uses rocks with a low level of silica (limestone), reliable artisan is demanded. This is because rock types are brittle and flaking them is difficult. Stone tool products in this group show a relatively large size due to the suboptimal flaking. Meanwhile, the stone tool products in the cave group in Sampung, Ponorogo is a microlithic. This is because the raw material has a relatively high level of silica (chert and chalcedony). The flaking techniques can be carried out optimally, resulting in small-sized stone tool products with micro trimming and flaking, both primary and secondary.
POLA KOMUNITAS GUA DI SAMPUNG, PONOROGO Nurani, Indah Asikin
Berkala Arkeologi Vol. 23 No. 2 (2003)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v23i2.871

Abstract

Each cave / rockshelters shows that the use of the cave land between Lawa Cave and Layah, Ngalen, and Sulur rockshelters shows a striking difference. It seems that the Lawa Cave in this community is used as the main cave, where all community activities take place. Meanwhile, the Layah, the Ngalen, and the Sulur rockshelters are used for supporting activities. This is based on a comparison of the excavation results between the Lawa Cave and the surrounding rockshelters. The findings of artifacts, ecofacts and features in the Lawa Cave varied more in quality and quantity compared to the surrounding recesses whose findings tended to be homogeneous in the form of lithic artifacts. In addition, based on the findings of artifacts in the Layah rockshelter, it shows that there is a development in their use. Initially (the lower layer) Layah was used as a stone tool workshop, then later (the upper layer) was dominated by the discovery of pottery. Meanwhile, the ecofac findings around the Lawa Cave tend to be minimal. It can be concluded that the pattern of the cave community in Sampung consists of a main cave with an ongoing cultural complexity and a supporting cave / rockshelter that is used for secondary activities.
ARTEFAK LITIK CERUK LAYAH, SAMPUNG : KAJIAN TEKNOEKONOMI Nurani, Indah Asikin
Berkala Arkeologi Vol. 23 No. 1 (2003)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v23i1.857

Abstract

Lawa Cave's multi-functional activities include food processing activities as evidenced by the findings of ecofacts (food scraps in the form of bone fragments and mollusc shells), tool-making activities (workshops) with evidence of the findings of artifacts including tools, waste and raw materials, and graves human skeleton findings). Meanwhile, the single activity in the Layah rockshelters was evidenced by findings that were dominated by lithic artifacts, including in the form of debitage, tool products, raw materials and core stones. The Lawa Cave which has a large area and is located near the river is used as a place for multi-functional activities, while the Layah Caves where the surrounding area is a source of raw materials is used as a place for making lithic tools. Based on the differences in activities and the quality of these raw materials in dealing with and adapting to the surrounding natural environment, it shows that there is a distinct character in the settlement patterns that take place in this area. Furthermore, based on technological observations and typology of the Layah rockshelter, it shows that humans at that time were exploiting nature optimally.
POLA-POLA KOMUNITAS SITUS GUA KAWASAN TIMUR JAWA Nurani, Indah Asikin
Berkala Arkeologi Vol. 21 No. 1 (2001)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v21i1.830

Abstract

Research on caves in Java, especially East Java, has been carried out by several foreign researchers such as van Es, van Stein Callenfels, Willems, and H.R. van Heekeren in Ponorogo, Situbondo, Pacitan, Jember, Tuban, and Bojonegoro Regencies. The research is more of an exploratory nature to explore cave settlements in Java. Meanwhile, with a thematic focus on spatial studies, the Balai Arkeologi Yogyakarta has conducted research on groups of caves in Jember Regency (Mount Watang), Bojonegoro Regency (Dander) and in Ponorogo Regency (Sampung). Meanwhile, similar research has also been carried out by the Puslit Arkenas in the cave group in Gunungkidul to Pacitan (Gunung Sewu).
TEKNIK ANALISIS SERPIH BILAH Nurani, Indah Asikin
Berkala Arkeologi Vol. 20 No. 1 (2000)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v20i1.804

Abstract

In general, stone tool technology is based on two factors, namely methods and techniques. Method is in the form of mind, while technique is in the way we are practicing. The method of making tools is an order that is carried out systematically and regularly and is not something that happens by accident. The manner in which stone tools are made with the same technique and for hundreds of years has produced the same forms and technological features in various parts of the world.
POLA PERMUKIMAN GUA DI PEGUNUNGAN KENDENG UTARA Nurani, Indah Asikin
Berkala Arkeologi Vol. 19 No. 2 (1999)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v19i2.818

Abstract

The cultural potential in Tuban Regency shows varied artifacts, both lithic artifacts, bones, and shells of molluscs in large numbers in relatively thick soil layers. Based on these conditions, it appears that there is a relationship between the settlement period between the cave groups in Bojonegoro and the cave groups in Tuban. It is possible that the caves in Bojonegoro were inhabited during a certain time or season, while the caves in Tuban were inhabited during other seasons. This is evidenced by the different quantity and archaeological qualities.
ANALISIS STRUKTURAL DAN MAKNA LUKISAN DINDING GUA DI SULAWESI SELATAN Nurani, Indah Asikin
Berkala Arkeologi Vol. 19 No. 1 (1999)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v19i1.792

Abstract

The spread of rock painting, which only developed in eastern Indonesia, raises the question of whether the bearer of this rock painting culture is different from the carrier of the culture that developed in western Indonesia. This paper tries to explain this based on rock paintings in South Sulawesi. In addition, with regard to cultural products in the form of rock paintings as one of the works of art that are full of symbols in conveying messages, it is necessary to study in more depth the meaning and message that the supporters of the culture are actually trying to convey. Is there a connection between the meaning of cave wall paintings as a medium for conveying messages and the migration?
Co-Authors Agus Tri Hascaryo, Agus Tri Delta Bayu Murti Hascaryo, Agus Tri Hascaryo J. Susetyo Edy Yuwono Toetik Koesbardiati