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Investigating the Indonesia Folk Song Arrangement in Six Choir Competition, 2019 Rachel Mediana Untung
Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Vol 21, No 2 (2020): Agustus 2020
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v21i2.4357

This study is aimed at investigating the trend of folk song arrangement in six Choir Competitions Folklore Category, 2019. It is specifically focused on investigating three things: the trend of arrangers’ names, title of, origin of folk songs performed in the competitions, the characteristic of the arrangement and relationship between the arrangers and the national choir competitions committee. The reason of choosing the topic is because such a folk song arrangement is seen to be one of the key factors in conducting a choir competition, folklore category. As for the research method, it is more on music behaviour in a relational teritory. Therefore, it used a document study and qualitative research design. In this case, the researcher observed in six choir competitions and interviewed the arrangers, choir leaders, and musicians taking apart in the competitions. The findings revealed that the most frequently used arrangement was Ken Steven’s “Cikala Le Pong Pong”, the most popular arranger was Budi Susanto Yohanes, and Java and Madura were the two origins from which most of the folk songs were performed in choir competitions. The characteristic of the most popular one due to its unique arrangement in the form of vibrant music rhythm and body percussion. It revealed that an arranger is the first key agent in a systemic social-organization mechanism like in a choir competition.

Organizing System of Tayub Performance (Case Study in Kabupaten Grobogan in Central Java) Rachel Mediana Untung
IJCAS (International Journal of Creative and Arts Studies) Vol 2, No 2 (2015): December 2015
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v2i2.1797

The aim of this study is to figure out a management model of Tayub performance which is performed in Grobogan, Central Java. The research background is Tayub performance is still preserved as a folk art competing with modern art in this modern era. This study is based on sociology and anthropology’s management prespective. This study was conducted in a qualitative research by interviewing several informants. The issue is about early management of functional aspect which includes production management, marketing, human resources and finance. Sociology and anthropology’s perspective sees from the methodology and human’s aspect in management. The results showed that four functions of management have not been implemented well. Yet, Tayub performance can still be performed successfully. The role of dancers, karawitan group, guest leaders, sound and light’s operator also the hosts perform its role professionally. In conclusion, the study found that a successful Tayuban is not about a good management in it but the people themselves who dedicate their abilities, a good understanding in orientation process and highly entrepreneurial spirit. Academically, this research aims to reveal how Tayub’s management model is. Practically, this result can be used by the government to empower socio-economics’ community life as well as to preserve Tayub’s performance.

Hybrid Performance as The Behavior of Singing Folk Songs Chorally in Indonesia Choir Competition in 2019 Rachel Mediana Untung; Wisma Nugraha Christianto; Victor Ganap
Jurnal Kawistara Vol 12, No 1 (2022)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.68229

The artistic contestation between choral culture and folk song is an important concern in the study of musicology. The problem that is of concern in this study focuses on singing behavior in singing hybrid vocal music. Choir singing behavior has standard vocal techniques, on the other hand the context of understanding folk songs includes natural singing expressions from an ethnicity without being overshadowed by good vocal techniques. The study aims to reconstruct the practice of artistic requirements in Indonesian folksong choir competitions. The study is important because there is artistic contestation between choir culture and folk songs culture leading to a good hybrid performance in the Folklore category. This research method takes material from singing events through observations and studies of audio-visual documentation that are observed repeatedly. This study uses a performance centered approach study that concentrates on the choir's performance. Descriptive-analytic analysis is used as a consequence of the material of the event‘s that relies on careful descriptions. The results of this study indicate, firstly the choirs which sang folk song repertoire are a hybrid performance characteristic. Second, the relationship that occurs between artistic requirement and the reality of performances on stage occurs in a multidimensional manner. It was found that there was an adjustment to standardization in the perspective of the coral setting. Third, an understanding of the performance practice as multidimentional and hybrid with artistic requirements shows that a small portion is given to other dimensions (kinesthetic & visual).The findings can be used to reformulate artistic requirements entailing a bigger cultural aspect of folk songs.

Kajian Musikologis Ya Tuhan, Tuhan Kami dalam Buku Nyanyikanlah Nyanyian Baru Bagi Tuhan Imanuela Indahmevia Putri Moniung; Agastya Rama Listya; Rachel Mediana Untung
Tonika: Jurnal Penelitian dan Pengkajian Seni Vol 6 No 1 (2023): Volume 6 Nomor 1 Tahun 2023
Publisher : Sekolah Tinggi Theologia Abdiel

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37368/tonika.v6i1.522

Artikel ini bertujuan menganalisis secara struktural lagu Ya Tuhan, Tuhan Kami dengan menggunakan pendekatan musikologis. Penelitian ini merupakan penelitian tekstual dengan sumber data utama adalah partitur dari NNBT No. 17 Ya Tuhan Tuhan Kami. Hasil penelitian menunjukkan bahwa lagu Ya Tuhan, Tuhan Kami yang bertangga nada Es mayor dan bertanda sukat 4/4 merupakan lagu berbentuk dua bagian (binary form). Lagu Ya Tuhan, Tuhan Kami diadaptasi dari Mazmur pasal 8 yang menggambarkan tentang kemuliaan Tuhan. Lagu ini dinyanyikan dalam volume suara yang keras atau melengking, menggambarkan upaya manusia mendekatkan diri dengan sang Maha Kuasa serta menyatakan keagungan Tuhan. Lirik lagunya menggunakan bentuk sastra dialog dan litani. Lagu ini disajikan dengan mengadaptasi cara bernyanyi dalam maengket, budaya pertunjukan dari etnis Minahasa. Unsur maengket dari lagu ini dapat dilihat pada bagian A solo, yaitu suara sopran yang mencerminkan peran kapel, pemimpin perempuan. Pada bagian B, munculnya trio pada frase kelima.

Kajian musikologis "Ya'ahowu" movement pertama dalam "Moroi ba daní¶ niha numalí¶ ba daní¶ jawa" musik program budaya Nias Zega, Venti Krisdayanti; Untung, Rachel Mediana; Ruswanto, Yohanes
Imaji: Jurnal Seni dan Pendidikan Seni Vol. 22 No. 1 (2024): April
Publisher : FBSB UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/imaji.v22i1.69112

Studi ini dilakukan dalam ranah penciptaan karya komposisi musik yang menceritakan tentang kehidupan penulis berdasarkan budaya sendiri (Nias). Sejalan dengan proses penciptaan itu, penulis menceritakan proses penyusunan karya dan menganalisis karya tersebut. Metode penelitian ini menggunakan studi pustaka, penelitian kualitatif dan melakukan analisis menggunakan pendekatan musikologi. Selain menggunakan studi pustaka, pengumpulan data yang dilakukan didasarkan dari beberapa artikel jurnal dari hasil wawancara dan observasi. Hasil penelitian ini menunjukkan bahwa proses cipta dari karya yang disusun menggunakan empat tahapan kreasi dan analisis struktural dari karya yang disusun terbagi menjadi enam bagian. Proses kreatif pada karya yang telah disusun didasarkan atas pengalaman empiris dari penulis kemudian untuk analisis struktural dari karya ini merupakan bagian dari proses penciptaan komposisi yang sudah dibagi menjadi beberapa bagian untuk mempermudah analisis dari karya ini. Tulisan ini menyarankan perlunya berbagai sumber informasi yang lebih luas yang diteliti dalam penambahan sumber data untuk memungkinkan karya yang disusun dapat dipahami oleh masyarakat. Kata kunci: Musik program, budaya Nias, proses kreatif, pengalaman empiris, analisis struktural The musicological study of the "Ya'ahowu" movement in "Moroi ba daní¶ niha numalí¶ ba daní¶ jawa" Nias cultural music program AbstractThis study is conducted in the realm of creating musical compositions that narrate the author's life based on their own culture (Nias). Along with the creative process, the author describes the process of composing the work and analyzes the composition. This research employs literature review, qualitative research, and analysis using a musicological approach. In addition to the literature review, data collection is based on several journal articles from interviews and observations. The findings of this research show that the creation process of the composition follows four stages of creation, and the structural analysis of the composition is divided into six sections. The creative process of the composition is based on the author's empirical experiences. The structural analysis of the composition is part of the creation process, divided into several parts to facilitate the analysis of the work. This paper suggests the need for a wider range of information sources to be examined in the addition of data sources to enable the composition to be understood by the public. Keywords: Music program, Nias culture, creative process, empirical experience, structural analysis

Hybrid Performance as The Behavior of Singing Folk Songs Chorally in Indonesia Choir Competition in 2019 Rachel Mediana Untung; Wisma Nugraha Christianto; Victor Ganap
Jurnal Kawistara Vol 12, No 1 (2022)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.68229

The artistic contestation between choral culture and folk song is an important concern in the study of musicology. The problem that is of concern in this study focuses on singing behavior in singing hybrid vocal music. Choir singing behavior has standard vocal techniques, on the other hand the context of understanding folk songs includes natural singing expressions from an ethnicity without being overshadowed by good vocal techniques. The study aims to reconstruct the practice of artistic requirements in Indonesian folksong choir competitions. The study is important because there is artistic contestation between choir culture and folk songs culture leading to a good hybrid performance in the Folklore category. This research method takes material from singing events through observations and studies of audio-visual documentation that are observed repeatedly. This study uses a performance centered approach study that concentrates on the choir's performance. Descriptive-analytic analysis is used as a consequence of the material of the event‘s that relies on careful descriptions. The results of this study indicate, firstly the choirs which sang folk song repertoire are a hybrid performance characteristic. Second, the relationship that occurs between artistic requirement and the reality of performances on stage occurs in a multidimensional manner. It was found that there was an adjustment to standardization in the perspective of the coral setting. Third, an understanding of the performance practice as multidimentional and hybrid with artistic requirements shows that a small portion is given to other dimensions (kinesthetic & visual).The findings can be used to reformulate artistic requirements entailing a bigger cultural aspect of folk songs.

“Fattened by Friendship” of the Papuan Sawi Tribe: Creative Process and Analysis Leunupun, Sepnath Yambres; Untung, Rachel Mediana; Soesila, Poedji
Journal of Urban Society's Arts Vol 12, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v12i1.14668

“Fattened with Friendship” is the title for the creation of a musical work in the story of Tarop Tim (Child of Peace) of the Sawi Tribe. The creation of this musical work is an effort to contribute to the treasury of Indonesian musical compositions that elevate the cultural values of the Sawi tribe of Papua. The method of music composition creativity applies practice-led research in four creative stages, namely preparation, incubation, illumination and verification. The creation of this new composition elevates the culture of the Papuan Sawi tribe innovatively in melody, rhythm, and other musical elements. The instruments used are string quartet (violin 1-2, alto violin and violoncello), piano, synth, percusion and local Papuan instruments (tifa and pikon). The creation of this musical work aims to be enjoyed by the wider community, especially the younger generation, and to inspire young composers to raise the archipelago’s musical idioms as the foundation of the main creative ideas. “Fattened with Friendship” Suku Sawi Papua: Proses Kreatif dan Analisis. “Fattened with Friendship” merupakan judul dari penciptaan karya musik yang mengangkat kisah Tarop Tim (Anak Damai) dari Suku Sawi. Penciptaan karya musik ini merupakan upaya untuk memberikan kontribusi terhadap khazanah komposisi musik Indonesia yang mengangkat nilai-nilai budaya suku Sawi Papua. Metode penciptaan komposisi musik ini menggunakan metode penelitian yang berbasis praktik dengan empat tahapan kreatif, yaitu persiapan, inkubasi, iluminasi, dan verifikasi. Penciptaan komposisi baru ini mengangkat budaya suku Sawi Papua secara inovatif dalam melodi, ritme, dan elemen musik lainnya. Instrumen yang digunakan adalah string quartet (biola 1-2, biola alto, dan biola cello), piano, synth, perkusi, dan alat musik lokal Papua (tifa dan pikon). Penciptaan karya musik ini bertujuan agar dapat dinikmati oleh masyarakat luas, khususnya generasi muda, dan menginspirasi komposer muda untuk mengangkat idiom-idiom musik nusantara sebagai landasan ide kreatif utama.

Artistic Negotiation of Emma and Lucy Annual Drama The Musical Jekyll & Hyde: A Performance Quadrilogue View Untung, Rachel Mediana; Kusumaningtyas, Purwanti
Mudra Jurnal Seni Budaya Vol 39 No 4 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i4.2890

The main focus is on the artistic aspects of the two female characters, Emma Carew and Lucy Harris in the production of “The Musical Jekyll & Hyde” by the Annual Drama team of Faculty of Language and Arts, Satya Wacana Christian University Salatiga, in 2023. The study focused on the process and artistic decision making within the context of management, musicology, dramaturgy, and literary studies. The study highlights how Emma and Lucy, are constructed in feminism artistic analysis in contemporary drama. The characters represented female with their domestic and private roles. Observation, interviews, documentation, and library studies were conducted to gather the data. Using performance centered approach, the study thoroughly observed the artistic decision process of the three actors of performance quadrilogue, namely the source, producer, and performer. As a college theater, all the artistic decision was made by the students. The four artistic elements of theater production, comprising the verbal text, song, movement, and scenary, portrayed the story’s setting in the 1800s in England. Emma’s verbal text depicted the English women of the elite with their domestic orientation. On the contrary, Lucy portrayed liberal English women. The four artistic elements in a theater production, referred to Broadway theater of the same title. This study positioned artistic elements as its study object instead of drama as a media of English learning. These two domains are discussed to sharpen on the construction of the female figure in the artistic perspective of feminist analysis. Post-production studies are also conducted to examine how students gain experience of an artistic decision-making process in producing a performance. It was conducted through the management’s delegating mechanism in the chart of the structured organization.

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