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Katoneng-Katoneng Cawir Metua: A Cultural Expression of Karo Society Sembiring, Bebas; Naiborhu, Torang
PANGGUNG Vol 27, No 3 (2017): Education, Creation, and Cultural Expression in Art
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i3.275

Abstract

ABSTRACT Katoneng-katoneng is a traditional song of Karo ethnic in North Sumatera composed spontaneously using repetitive melody with different lyrics depend on the context and situation (strophic logogenic). Used in various social and cultural activities of Karo society, one of them is for the cawir metua ritual (the death of a person deemed to have been in accordance with the ideals and expectances of Karo society).This research reviewed the textual signification of Katoneng-katoneng as the cultural expression of the owner society by using the art theory (performing art), ethnomusicology, semiotic, and anthropology. Field data collected by direct observation, interview, and recording. Qualitative method used by defining key informant, including traditional figure, sierjabaten (musician), perkolong-kolong (katoneng-katoneng singer) and user society.The result shows katoneng-katoneng is the expression of various things: messages and advices, prayer, expectance, ideals, exemplary, life persistence, cooperation values, purpose of life, and others; delivered by perkolong-kolong professional singer represents those who have died and the elements of sangkep nggeluh (rakut sitelu) relatives by singing. The significance of the texts refer to culture ideals and concepts of Karo society.Keywords: katoneng-katoneng, cawir metua, sierjabaten, perkolong-kolong, sangkep nggeluh (rakut sitelu) ABSTRAK Katoneng-katoneng adalah nyanyian tradisional etnik Karo di Sumatera Utara yang diciptakan secara spontan menggunakan melodi tetap namun dengan teks baru sesuai situasi dan konteksnya (strophic logogenic). Digunakan dalam berbagai aktivitas sosial budaya masyarakat Karo, salah satunya ialah pada upacara cawirmetua (kematian seseorang yang dipandang telah sesuai dengan cita-cita dan harapan masyarakat Karo). Penelitian ini mengkaji fungsi dan makna tekstual katoneng-katoneng sebagai ekspresi kultural masyarakat pemiliknya dengan menggunakan teori kesenian (seni pertunjukan), etnomusikologi, semiotika, dan antropologi. Pengumpulan data lapangan dilakukan melalui pengamatan langsung, wawancara, dan perekaman. Menggunakan metode kualitatif dengan informan kunci yaitu tokoh adat, sierjabaten (pemusik), perkolong-kolong (penyanyi katoneng-katoneng) dan masyarakat pemiliknya. Hasil yang diperoleh menunjukkan bahwa katoneng-katoneng adalah ungkapan tentang berbagai hal: pesan-pesan dan nasehat, do’a, harapan, cita-cita, keteladanan, keteguhan hidup, nilai-nilai kegotong-royongan, tujuan hidup di dunia, dan lainnya yang disampaikan oleh penyanyi professional perkolong-kolong mewakili orang yang meninggal dan unsur-unsur kerabat sangkep nggeluh (rakut sitelu) dengan cara bernyanyi. Fungsi dan makna teks mengacu kepada cita-cita dan konsep-konsep budaya Karo.Kata kunci: katoneng-katoneng, cawir metua, sierjabaten, perkolong-kolong, sangkep nggeluh (rakut sitelu). 
Empowering Huruk Gabe Aeksorseang Musical Studio as Bataknese Musical Instrument Craftman in Lintongnihuta Village, Samosir Sembiring, Bebas; Purba, Mauly; Adha, Ishbir Mujahid
ABDIMAS TALENTA: Jurnal Pengabdian Kepada Masyarakat Vol. 5 No. 2 (2020): ABDIMAS TALENTA : Jurnal Pengabdian Kepada Masyarakat
Publisher : Talenta Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2748.744 KB) | DOI: 10.32734/abdimastalenta.v5i2.5029

Abstract

Huta Gabe Aeksorseang studio is a traditional art studio that helped preserve traditional culture, especially the Batak Toba. The presence of this art studio has stimulated creative economy activities within the region. The problems currently being faced by the Huta Gabe Aeksorseang studio have not been made optimal yet. Products that had been sold nationally but had not well known to many other Indonesian consumers due to there is no product brand. The daily activities of this art gallery cultivate traditional music. This community services is carried out with a focus on solving partner problems by providing appropriate science and technology for the local community, especially for the management of the Studio. The method of making traditional musical instruments is still not optimal so that the resulting sound quality is not correctly produced. Science and technology has been given to partners related to production and marketing techniques that have been carried out. We also provided online marketing strategies to assist the online marketing activities of the Huta Gabe Aeksorseang studio. Technical equipment is also provided to help partners improve product quality and product competitiveness with lower production costs. Heavy equipment such as welding machines in the area makes production costs high. With the help of the equipment provided, partners will be more efficient in production, thereby increasing partner competitiveness.