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All Journal Jurnal KOMUNIKA AT-TABSYIR: Jurnal Komunikasi Penyiaran Islam Wawasan : Jurnal Ilmiah Agama dan Sosial Budaya QALAMUNA: Jurnal Pendidikan, Sosial, dan Agama MUHARRIK: JURNAL DAKWAH DAN SOSIAL Jurnal Ilmu Dakwah Amalee: Indonesian Journal of Community Research & Engagement AL-ADABIYA: Jurnal Kebudayaan dan Keagamaan ASANKA: Journal of Social Science And Education Jurnal Kopis: Kajian Penelitian dan Pemikiran Komunikasi Penyiaran Islam InEJ: Indonesian Engagement Journal QAULAN: Journal of Islamic Communication Journal of Communication Studies Komunika: Jurnal Dakwah dan Komunikasi Proceeding of Conference on Strengthening Islamic Studies in the Digital Era Journal of Da'wah Jurnal Studi Islam dan Masyarakat al-Balagh : Jurnal Dakwah dan Komunikasi ICON Islamic Communication and Contemporary Media Studies
Asna Istya Marwantika, Asna Istya
Institut Agama Islam Negeri Ponorogo
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Public Health Social Sciences Other

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Journal : MUHARRIK: JURNAL DAKWAH DAN SOSIAL

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The Sacralization of the Myth of Prohibition of Leaving the House at Dusk in Sandekala Film: Charles Sanders Pierce’s Semiotic Analysis Asna Istya Marwantika
MUHARRIK: Jurnal Dakwah dan Sosial Vol 4 No 01 (2021): Muharrik: Jurnal Dakwah dan Sosial
Publisher : Fakultas Dakwah Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/muharrik.v4i01.553

Abstract

Abstract Sandekala is a horror film that tells the story of local and religious myths about the prohibition of going out at sunset because the devil hovers around at this time. The combination of myth and religion in this horror film is also an attempt to sacralize myth and religion which is produced in the plot of a scary film scene. This paper aims to determine the position of myth and religious themes in the horror film genre in Indonesia, and discuss how the depiction of the sacred myth comes out at sunset. Sandekala's film was analyzed using Charles Sanders Peirce's semiotic analysis, namely sign, text and interpretant. The results of this paper are first, myth and religion have been used by Indonesian horror film filmmakers since the New Order Era until now. Second, the depiction of the sacredness of the myth of the prohibition of going out at sunset in this film with a dark evening scene, the mother and child as the main characters who have left the house at dusk ignoring the prohibition that has become a myth of society. In addition to confirming the myth of society, this film is also an attempt to remind the segmentation of young people and urbanites who have begun to forget this myth. Abstrak Film Sandekala merupakan film bergenre horor yang bercerita tentang mitos lokal dan religi tentang larangan keluar pada waktu magrib karena setan bergentayangan pada waktu ini. Gabungan antara mitos dan religi dalam film horor ini juga merupakan upaya sakralisasi antara mitos dan religi yang diproduksi dalam alur scene film yang menakutkan. Tulisan ini bertujuan untuk mengetahui posisi tema mitos dan religi dalam genre film horor di Indonesia, dan membahas tentang bagaimana penggambaran sakralisasi mitos keluar pada waktu magrib. Fim Sandekala dianalisis menggunakan analisis semiotik Charles Sanders Peirce yaitu sign, teks dan interpretant. Hasil dari tulisan ini adalah pertama, tema mitos dan religi sudah digunakan sineas film horor Indonesia sejak Era Orde Baru sampai sekarang ini. Kedua, penggambaran sakralisasi mitos larangan keluar magrib di film ini dengan scene suasana magrib yang gelap, ibu dan anak sebagai pemeran utama yang terlanjur keluar rumah waktu magrib ini mengabaikan larangan yang sudah menjadi mitos masyarakat. Film ini selain meneguhkan mitos masyarakat, juga sebagai upaya untuk membidik segmentasi anak muda dan kaum urban yang sudah mulai melupakan mitos ini.
Da’wah in the Algorithmic Era: Investigating Bias and Validity of Islamic Artificial Intelligence Applications Marwantika, Asna Istya; Dauda, Kazeem Oluwaseun
MUHARRIK: Jurnal Dakwah dan Sosial Vol. 8 No. 2 (2025): Muharrik: Jurnal Dakwah dan Sosial (In Progress)
Publisher : Fakultas Dakwah Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/muharrik.v8i2.7730

Abstract

The emergence of Islamic AI applications represents a pivotal transformation in the mediation of daʿwah. Yet, it raises pressing concerns about bias, epistemic validity, and the absence of recognized religious authority. This study examines ChatMu GPT and MuslimAI.ai, two prominent platforms with distinct theological orientations, to evaluate how they address religious questions framed within Indonesia's four indicators of religious moderation across the domains of message of da'wah, such asʿaqīdah (creed), ʿibādah (worship), and muʿāmalah (social ethics). Using qualitative content analysis and drawing on Algorithmic Bias Theory, six prompts were designed to test inclusivity, doctrinal balance, and ethical framing. Findings reveal that ChatMu GPT consistently grounds responses in Muhammadiyah doctrinal sources, producing structured but institutionally aligned guidance, while MuslimAI.ai prioritizes emotional inclusivity and accessibility at the expense of jurisprudential depth. Both exhibit limited transparency of sources and potential algorithmic bias. These results suggest that while Islamic AI can enhance accessibility to religious knowledge, its unsupervised use risks narrowing interpretive diversity. The study recommends hybrid AI models supervised by qualified ʿulamāʾ, trained on pluralistic datasets, and aligned with Islamic ethical principles of ṣidq (truthfulness), amānah (trustworthiness), and maṣlaḥah (public good) to preserve the integrity of digital daʿwah.
Co-Authors Ajhuri, Kayyis Fithri Anak Agung Gede Sugianthara Choiroh, Himatul Christin Nur Aisyah Dauda, Kazeem Olewaseun Dauda, Kazeem Oluwaseun Dawam Multazamy Rohmatullah Dawam Multazamy Rohmatulloh Dewi Ayuni Purdiyaputri Fauzi, Ahmanda Fitriyana Maftukhatul Azizah Novitasari, Evi Nur Azizah Fitri Andini Prabowo, Galih Akbar Sherli Aulia Marwantika Wahyu Nurazwan Setiyadi