Fitri Nur Ardiantika
Politeknik Negeri Jakarta

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Representasi Penulisan Berita Efektif Pada Teras Berita Surat Kabar (Analisis Wacana Pada Film The Bridgerton) Fitri Nur Ardiantika
Jurnalistik dan Media Vol. 2 No. 1 (2024)
Publisher : Program Studi Penerbitan, Politeknik Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32722/jjm.v2i1.6661

Abstract

The Bridgerton film is a British film based on a novel by Julia Quinn, who is known as a writer of historical romance stories. The Bridgerton takes place in England during the Regency era, namely around the 1800s. This film depicts the life of British aristocrats during the Regency Era in England which lasted from 1811 – 1820. The main characters in this film are the Bridgerton family and the writer of the newspaper "Lady Whistledown". Lady Whistledown is the pen name of the writer of the newspaper "Lady Whistledown", who is known as a writer of gossip and information that occurs in the lives of nobles, one of which is the life of The Bridgerton family. Lady Whistledown's newspaper is what the British people are most looking forward to because of its interesting news content, which is needed by certain groups of people and also the writing style is critical and straight to the point. Therefore, Lady Whistledwon's newspaper has unusual news value and human interest. Keywords: Film,Value,News,Writing,Effective
Strategi Digitalisasi Musik Lokal: Studi Peran Media Sosial dalam Popularitas NDX AKA Amalia Rizky Fatonah; Fitri Nur Ardiantika; Khaylila Safitri; Farel Ziladio Santoso
SOSMANIORA: Jurnal Ilmu Sosial dan Humaniora Vol. 5 No. 1 (2026): Maret 2026
Publisher : Yayasan Literasi Sains Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55123/sosmaniora.v5i1.7614

Abstract

This study aims to analyze the strategy of local music digitalization through the role of social media in enhancing the popularity of the music group NDX AKA. The focus is on three major platforms YouTube, TikTok, and Instagramwhich act as digital ecosystems shaping the existence of hip-hop dangdut music in the new media era. Using a descriptive qualitative approach within the framework of Marshall McLuhan’s media ecology theory, this research draws from an online survey of 95 respondents and observations of NDX AKA’s official social media accounts. Data analysis was conducted to identify media consumption patterns for audience participation, as well as the relationship between musicians and fans in digital spaces. The findings reveal that YouTube serves as the main distribution medium expanding audiences across regions and countries, TikTok acts as a participatory platform driving virality through sound-based challenges, and Instagram functions as an interactive space maintaining fan loyalty. The synergy of these platforms creates a communication ecosystem that strengthens the existence of local music, transforming passive audiences into active communities preserving cultural continuity