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Perlindungan Hukum Royalti Karya Cipta Lagu Berdasarkan Peraturan Pemerintah Nomor 56 Tahun 2021 Tentang Pengelolaan Royalti Hak Cipta Lagu Dan/Atau Musik (Studi Kasus Ahmad Dhani Dan Once Mekel) Angie Angel Lina; Fani Diyah Wulandari; Maria Theresia; Isti Qomah; Ali Ridho Saputra
Seminar Nasional Penelitian dan Pengabdian Kepada Masyarakat Vol 3 No 1 (2023): Prosiding Seminar Nasional Penelitian dan Pengabdian Kepada Masyarakat (SNPPKM 20
Publisher : Universitas Harapan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35960/snppkm.v3i1.1177

Abstract

Song or music work is a complete copyrighted work, that song or music is a copyrighted work unit that must be protected. The case between Ahmad Dhani and Once Mekel regarding copyright began when Ahmad Dhani banned Once Mekel from performing a song created by Dewa 19. Apart from that, Ahmad Dhani demanded royalties for the song he composed, which was sung by Once Mekel. This research uses normative juridical research methods. The regulation of song copyright works according to Law Number 28 of 2014 Concerning Copyright, regulates exclusive rights including moral rights and economic rights obtained by the copyright subject. Royalties are compensation for the use of the economic rights of a creation or related product received by the creator or owner of the related rights. Government Regulation Number 56 of 2021 Concerning Song and/or Music Copyright Royalty Management, requires that everyone who makes commercial use of songs and/or music pays royalties to the creator, copyright holder, and/or owner of the related rights through institution. National Institute of Collective Management. Government Regulation Number 56 of 2021 aims to strengthen Law Number 28 of 2014 which regulates many matters relating to the principal of royalty receipts, procedures for managing royalties, distribution of royalties to responsible agencies, and royalties from users of musical works.
Legal Protection of Digital Copyrighted Works Traded Through NFTs in the Perspective of Intellectual Property Rights Maria Theresia; Maya Ruhtiani; Apitta Fitria Rahmawati
Jurnal Hukum In Concreto Vol. 5 No. 2 (2026): Jurnal Hukum In Concreto Volume 5 Nomor 2 2026
Publisher : LPPM Universitas Harapan Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35960/inconcreto.v5i2.2593

Abstract

The emergence of NFTs as digital marketplace technology has created new opportunities for artists and creators to monetize their works efficiently. Although Copyright Law Number 28 of 2014 serves as the primary legal framework for intellectual property protection in Indonesia, no specific regulations currently govern NFTs or digital copyrighted works traded through NFT platforms. This study examines the legal framework and protection of digital copyrighted works traded through NFTs under Indonesian copyright law. It employs a normative juridical method using statutory and conceptual approaches. The legal materials consist of primary, secondary, and tertiary legal sources collected through library research. The primary legal materials include international treaties, Copyright Law Number 28/2014, ITE Law Number 19/2016, and Constitutional Court Decision Number 84/PUU-XXI/2023. The findings show that Copyright Law implicitly protects digital copyrighted works traded through NFTs through provisions concerning moral rights, economic rights, reproduction, distribution, and technology-based copyrighted works. However, the absence of specific NFT regulations creates legal uncertainty. Furthermore, NFT marketplaces, as Electronic System Providers, have legal responsibilities regarding content traded on their platforms. Therefore, specific NFT regulations and strengthened marketplace policies are required to ensure effective legal protection for digital copyrighted works traded through NFTs.