M. Arif Jati Purnomo
Institut Seni Indonesia Surakarta

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PENCIPTAAN BUSANA CARNIVAL CAKRAPALAH SERTA PELATIHAN KOREOGRAFI DAN MAKEUP KECAMATAN KESAMBEN BLITAR Syarifah Nur Hajja; M. Arif Jati Purnomo; Aan Sudarwanto
Jurnal Abdimas Bina Bangsa Vol. 4 No. 2 (2023): Jurnal Abdimas Bina Bangsa
Publisher : LPPM Universitas Bina Bangsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46306/jabb.v4i2.751

Abstract

The community service activity entitled Creation of Busana Carnival Cakrapalah Choreography and Makeup Training in Kecamatan Kesamben, Kabupaten Blitar, was completed for 2 (two) days, namely on Saturday and Sunday, 29 and 30 July 2023 at the Kantor Kecamatan Kesamben, Kabupaten Blitar, Jawa Timur. This training activity has resulted in a Busana Carnival with the theme "The Power of Cakapalah". The theme of the Busana "The Power of Cakrapalah" has innovative and creative new ideas, so that the people of the masyarakt desa Kesamben, Kabupaten Blitar. Have new competencies as busana carnival creators. Busana Carnival production training will be carried out in stages: include designing busana, designing headwear, designing accessories for chest necklaces, sleeves and legs. The output targets of this activity are the design results of carnival dress designs from Cakrapalah motifs, products made by design, fantasy makeup training, and choreography
A Sociological Model of Culture-Based Innovation Capacity in the Lasem Batik Artisan Community Qisthi Maghfiroh; Sunarmi; M. Arif Jati Purnomo
KASTA : Jurnal Ilmu Sosial, Agama, Budaya dan Terapan Vol. 6 No. 3 (2026): August
Publisher : Lembaga Bale Literasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/kasta.v6i3.4137

Abstract

The sustainability of culture-based creative industries depends not only on adaptation to environmental change but also on innovation capacity generated within cultural communities. Although previous research on Lasem Batik has examined history, heritage preservation, and the creative economy, the sociological mechanisms that construct and sustain innovation capacity remain insufficiently explained. This study develops a Sociological Model of Culture-Based Innovation Capacity (MSKIBB) by examining the relationships among artisans’ motivation, technical and creative capabilities, human resources, culture and tradition, and visual identity in the Lasem Batik artisan community. A qualitative case study design was employed. Primary data were collected through participant observation and semi-structured interviews with artisans, entrepreneurs, community leaders, cultural practitioners, academics, and policymakers selected through purposive and snowball sampling. Secondary data were obtained from archives, government documents, and scholarly literature. Data were analyzed using the interactive model of Miles, Huberman, and Saldaña through data condensation, data display, conclusion verification, and open, axial, and selective coding. The findings show that innovation capacity emerges from five mutually reinforcing dimensions: motivation initiates creative action; technical and creative capabilities transform ideas into products; human resources sustain intergenerational knowledge transfer; culture and tradition provide normative legitimacy; and visual identity strengthens differentiation while preserving authenticity. The MSKIBB advances innovation sociology by conceptualizing innovation capacity as a socially embedded and culturally constructed phenomenon and offers practical guidance for community empowerment and the sustainable development of culture-based creative industries.