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All Journal Jurnal Konseling dan Pendidikan Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Kasta: Jurnal Ilmu Sosial, Agama, Budaya dan Terapan Journal Research of Social Science, Economics, and Management Jurnal Desain Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Sunarmi
Institut Seni Indonesia Surakarta
Arts Decision Sciences, Operations Research & Management Education Environmental Science Other

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BUKAN HANYA KANCA WINGKING PUSPA KARIMA DALAM STIGMA GENDER MENUJU PANGGUNG INTERNASIONAL Mukhlis Anton Nugroho; Sunarmi; Santosa Soewarlan
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 23 No. 2 (2023): Keteg: Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v23i2.5732

Abstract

The rapid development of the digital era has changed the view of women's roles that were previously confined to household responsibilities, and now the stigma is starting to erode. In Javanese culture, there is the concept of "kanca wingking" which refers to the role of women at home to perform tasks such as cleaning, cooking, taking care of children, and so on. However, with the advent of the women's emancipation movement, the stigma has begun to fade as many women have careers. The same thing happened in the traditional music scene in West Java. Gender stigma also emerged by prohibiting women to play the Rebab instrument in Sundanese karawitan. This paper discusses how Puspa Karima, whose members are all women, tries to change the gender stigma in Sundanese karawitan performances. The method used is qualitative as a research procedure that produces descriptive data in the form of written or spoken words from people through the interview stage. In addition, data can also be collected through observation of people's behavior in the field on the object of research. The results of this paper show that Puspa Karima not only succeeded in changing the gender stigma that applies to Sundanese karawitan performances, but Puspa Karima actually succeeded in bringing gender issues in the case of karawitan art to the international arena. Keywords: Gender Stigma, Kanca Wingking, Women, Sundanese Karawitan
The Aestheticization of Saung as a Sundanese Cultural Resilience Space Edwin Widia; Sunarmi; Siti Badriyah
Journal Research of Social Science, Economics, and Management Vol. 5 No. 8 (2026): Journal Research of Social Science, Economics, and Management
Publisher : Publikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59141/jrssem.v5i8.1398

Abstract

This article theorizes the aestheticization of Saung, a traditional Sundanese shelter, as a strategy of cultural resilience rather than commodification. The research examines how the Saung is experienced, negotiated, and transformed by diverse social actors in contemporary Sundanese restaurants. Drawing on phenomenology, constructivism, and Bourdieu’s theory of practice, the research utilizes a quadrant model of design processes and a matrix of actor intentions. The research demonstrates that the Saung operates as an allegorical and affective space where embodied feeling (rarasaan), symbolic representation, material ecology, and adaptive design converge. Aestheticization is theorized here as counter-reification, a process through which tradition proliferates without becoming fixed. The article advances a second, theoretically distinct analysis by shifting the focus toward the mechanisms through which vernacular space endures. It argues that resilience is achieved through transversion, understood as the adaptive re-materialization of cultural codes, and through embodied affect that sustains cultural coherence amid contextual transformation.
Diaspora on display: a semiotic exploration of minangkabau visual identity in warung makan padang ampera across jawa Gema Ariprahara; Sunarmi; Handriyotopo
Jurnal Konseling dan Pendidikan Vol. 14 No. 1 (2026): JKP
Publisher : Indonesian Institute for Counseling, Education and Therapy (IICET)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29210/1184900

Abstract

This study examines how Minangkabau cultural identity is visually constructed and negotiated through the storefront displays of Warung Makan Padang Ampera (WMPA) in Java’s rantau (migration) context. Using a qualitative multi-site design, we documented 60 WMPA storefronts in Bandung, Yogyakarta, and Malang through systematic photography and field notes, complemented by photo-elicitation interviews with owners. Visual data were analyzed using Barthes’ tri-level semiotic framework (denotation, connotation, and myth) to identify recurrent signs and the cultural narratives they stabilize. The findings reveal a consistent set of identity anchors marawa color codes, Minangkabau roofline (gonjong) icons, and open paluang/stacked-plate showcases while typography, façade composition, and material treatments adapt to local urban constraints and market positioning. Beyond mapping recurring elements, the study argues that WMPA visual branding functions as a model of vernacular modernity, where recognizability is secured through stable anchors while urban viability is achieved through flexible, street-level adaptation. The significance of these findings lies in extending cultural branding and vernacular aesthetics scholarship from corporate and heritage settings to everyday micro-entrepreneurial foodscapes, showing how cultural identity and trust cues are maintained and recalibrated in ordinary commercial environments. Methodologically, this research contributes by operationalizing Barthes’ tri-level analysis for food-stall storefronts, offering a replicable protocol for interpreting visual identity in informal urban commerce.
CULTURAL MEMORY AND VISUAL BRANDING IN TRADITIONAL CULINARY DISPLAY OF URBAN BANDUNG Gema Ariprahara; Sunarmi; Handriyotopo
Desain Komunikasi Visual, Manajemen Desain dan Periklanan (Demandia) Vol 11 No 1 (2026): demandia - Jurnal Desain Komunikasi Visual, Manajemen Desain dan Periklanan
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/demandia.v11i1.9095

Abstract

This study investigates Padang Ampera restaurants in Bandung as visual archives of Minangkabau cultural memory, navigating urbanization and consumer culture through visual branding. Using a qualitative interdisciplinary approach integrating cultural memory, visual branding, and urban design, it examines design elements like façades, paluang, and ornamentation in Bunga Tanjung, Salero Bagindo, and Saudara Kembar. Findings reveal that these elements enhance authenticity and emotional resonance, preserving Minangkabau identity while appealing to urban lifestyles. The study proposes a cultural branding model that weaves memory, identity, and storytelling, contributing to design practices that balance heritage and modernity. This model supports sustainable cultural preservation in urban culinary spaces but is limited by its focus on Bandung, suggesting broader regional studies. The research advances understanding of how visual branding and culinary display sustain cultural heritage in dynamic urban contexts
A Sociological Model of Culture-Based Innovation Capacity in the Lasem Batik Artisan Community Qisthi Maghfiroh; Sunarmi; M. Arif Jati Purnomo
KASTA : Jurnal Ilmu Sosial, Agama, Budaya dan Terapan Vol. 6 No. 3 (2026): August
Publisher : Lembaga Bale Literasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/kasta.v6i3.4137

Abstract

The sustainability of culture-based creative industries depends not only on adaptation to environmental change but also on innovation capacity generated within cultural communities. Although previous research on Lasem Batik has examined history, heritage preservation, and the creative economy, the sociological mechanisms that construct and sustain innovation capacity remain insufficiently explained. This study develops a Sociological Model of Culture-Based Innovation Capacity (MSKIBB) by examining the relationships among artisans’ motivation, technical and creative capabilities, human resources, culture and tradition, and visual identity in the Lasem Batik artisan community. A qualitative case study design was employed. Primary data were collected through participant observation and semi-structured interviews with artisans, entrepreneurs, community leaders, cultural practitioners, academics, and policymakers selected through purposive and snowball sampling. Secondary data were obtained from archives, government documents, and scholarly literature. Data were analyzed using the interactive model of Miles, Huberman, and Saldaña through data condensation, data display, conclusion verification, and open, axial, and selective coding. The findings show that innovation capacity emerges from five mutually reinforcing dimensions: motivation initiates creative action; technical and creative capabilities transform ideas into products; human resources sustain intergenerational knowledge transfer; culture and tradition provide normative legitimacy; and visual identity strengthens differentiation while preserving authenticity. The MSKIBB advances innovation sociology by conceptualizing innovation capacity as a socially embedded and culturally constructed phenomenon and offers practical guidance for community empowerment and the sustainable development of culture-based creative industries.
Adaptasi bentuk Paksi Naga Liman pada logo klub motor R15CI@Cirebon Ismail Bambang Subianto; Sunarmi
Jurnal Desain Vol 13 No 2 (2025): Jurnal Desain
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/jd.v13i2.1413

Abstract

Artikel ini bertujuan untuk menganalisis proses transformasi visual dan pelestarian makna budaya Paksi Naga Liman dalam redesain logo klub motor  R15CI@Cirebon, serta mengkaji dampak budayanya melalui perspektif kenusantaraan Clifford Geertz dan teori kontak budaya Bronislaw Malinowski. Penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif interpretatif untuk mendeskripsikan evolusi artefak Paksi Naga Liman dari konteks sakral keraton menjadi identitas populer. Pengumpulan data dilakukan melalui observasi langsung di Keraton Kanoman, studi pustaka, serta wawancara dengan keluarga Kesultanan Kanoman. Hasil penelitian menunjukkan bahwa redesain logo R15CI@Cirebon menandai perubahan identitas komunitas yang signifikan, dari penggunaan simbol udang yang merepresentasikan komoditas ekonomi menjadi Paksi Naga Liman yang sarat nilai filosofis akulturasi budaya. Melalui teori kontak budaya Malinowski, penerapan ini bukan sekadar peniruan visual, melainkan strategi subkultur (budaya pasif) untuk meminjam otoritas sejarah dan filosofis dari budaya keraton (budaya aktif). Hal ini dilakukan guna membangun legitimasi sosial, memperkuat kohesi internal anggota, serta mengurangi stigma negatif yang sering melekat pada klub motor. Simpulan penelitian ini menegaskan bahwa transformasi Paksi Naga Liman ke dalam bentuk logo merupakan upaya revitalisasi makna yang efektif. Simbol budaya tidak hanya lestari di museum, tetapi juga dapat hidup dan relevan kembali melalui adaptasi dalam ranah profan.
Co-Authors Edwin Widia Gema Ariprahara Handriyotopo Handriyotopo Ismail Bambang Subianto M. Arif Jati Purnomo Mukhlis Anton Nugroho Qisthi Maghfiroh Santosa Soewarlan Siti Badriyah