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All Journal Jurnal Kajian Bali Lekesan: Interdisciplinary Journal of Asia Pacific Arts Jurnal Penelitian Agama Hindu Hastagina: Jurnal Kriya dan Indsutri Kreatif JHSS (Journal of Humanities and Social Studies)
I Wayan Suardana
Indonesian Institute Of The Arts Bali
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Pelestarian Keramik Porselen pada Bangunan Pura di Puri Agung Satria Denpasar Ni Made Rai Sunarini; I Ketut Muka Pendet; I Wayan Suardana
Hastagina : Jurnal Kriya Seni Vol 1 No 01 (2021): Hastagina: Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v1i01.64

Abstract

Penggunaan benda rumah tangga berupa porselen sebagai media ornamen sangat dimungkinkan karena hiasannya indah dan menarik untuk mendekorasi sebuah bentuk bangunan. Di kota Denpasar, khususnya di kalangan bangsawan atau penglingsir di Puri Satria, banyak memanfaatkan barang keramik porselen untuk menghiasi tempat suci keluarga yaitu Pura Agung Satria. Pura Agung kelihatan sangat unik, karena semua bangunannya dihiasi dengan porselen keramik Cina. Adapun pelinggih di Pura Agung Puri Satria yang memanfaatkan porselen terdapat pada pelinggih bagian utara, tengah, dan bagian selatan. Seiring dengan perubahan waktu, pemakaian piring yang awalnya dipergunakan untuk makan, beralih fungsinya sebagai hiasan pada bangunan profan maupun tempat suci seperti Pura atau Pelinggih. Saat ini, pemanfaatan porselen sebagai unsur ornamen telah berkurang jumlahnya, disamping karena pecah, juga karena faktor gaya bangunan yang berubah. Kondisi keramik porselen yang ada pada bangunan-bangunan kuno telah terlepas dari tempatnya dan hilang tanpa bekas. Jika keunikan ini dirawat dengan serius dan dipelihara dengan baik, sudah tentu akan sangat menunjang Puri Satria sebagai destinasi kunjungan wisata. Pemilik Puri mempunyai komitmen yang besar untuk melestarikan keramik porselen tersebut agar dapat terpelihara dengan baik. Keunikan ornamen porselen yang terdapat pada Pura Puri Agung Satria, perlu dikaji lebih mendalam, oleh sebab itu perlu diadakan penelitian secara holistik. Hasil penelitian ini akan sangat bermanfaat sebagai pengetahuan terutama berkaitan dengan pemanfaatan keramik porselen sebagai ornamen pada bangunan Puri maupun Pura.
Analisis Kemampuan Membuat Keramik Oleh Siswa Kriya Keramik SMK Negeri 2 Sukawati Pande Putu Sastra Anda Anindia; I Wayan Suardana; I Gst. Ngurah Agung Jaya CK
Hastagina : Jurnal Kriya Seni Vol 2 No 02 (2022): Hastagina : Jurnal Kriya dan Industri Kreatif
Publisher : Pusat Penerbitan LP2MPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/hastagina.v2i02.1017

Abstract

Teaching Assistance in the Independent Learning-Independent Campus (MBKM) program has a goal, to be able to carry out sharing activities in the field of knowledge in educational units. This study aims to analyze the ability to make ceramics by class XI students majoring in Ceramic Crafts at SMK Negeri 2 Sukawati. The problem focuses on 2 aspects, namely: 1) the ability to make ceramics for class XI students in terms of the intellectual aspect of ideas, and 2) the ability to make ceramics for class XI students in terms of technical mastery. Based on the results of research on the ceramic works of class XI students majoring in Ceramic Crafts, there is still a need for much improvement. Of the 5 samples studied, only a few got good marks, and the rest got sufficient marks, from the intellectual/idea aspect 4 works got good marks, and 1 work got good marks. enough, while from the aspect of technical mastery, 3 works got good marks, 1 work got very good marks, and 1 work got enough marks.
Subconscious Memory Narrative In The Exploration Of Iconic Puppet Of I Ketut Teja Astawa’s Painting I Wayan Seriyoga Parta; I Wayan Suardana
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 3 No. 1 (2020): April
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lekesan.v3i1.1042

Abstract

The process of creation in creating works of art is stimulated by various factors, one of which is the personal experience of the artist who is so imprinted that makes it an inspiration and motivation in the work. In the context of the creation of experiential works of art, it then undergoes a process of internalization and interpretation in an artist, which is then reconstructed back into the medium of art. The reconstruction is related to the reimagining process, which at the level of implementation can vary by artist. Similarly, the work process of Teja Astawa, a young artists who grew up in the coastal environment of Sanur, Bali. Teja’s works highlight his childhood experiences when playing with frangipani leaves and jackfruit leaves which then made into various forms of puppets. That experience made an impression and room in Teja’s artistic life as an adult, especially in the media of painting. Teja also re-knits the series of experiences by bringing back the puppet figures in his work. To begin the reconstruction process, Teja conducted a field study by observing various forms of puppets with their respective symbolic characters.
Religious Values in the Cenk Blonk Shadow Puppet Show Ni Ketut Dewi Yulianti; I Wayan Suardana; Wardizal Wardizal; Ni Wayan Ardini; I Komang Darmayuda; Ni Kadek Dwiyani; Agus Darma Yoga Pratama
Jurnal Penelitian Agama Hindu Vol 10 No 2 (2026)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/jpah.v10i2.5022

Abstract

The transformation of traditional performing arts in the digital era has opened new possibilities for transmitting religious values and moral education to younger generations who are increasingly influenced by media-driven cultural change. In this context, the Cenk Blonk shadow puppet show represents a contemporary adaptation of Balinese wayang kulit that combines humor, social criticism, and spiritual reflection, while remaining rooted in Hindu-Balinese ethical teachings. This study aims to analyze the representation of religious values and moral messages in three Cenk Blonk shadow puppet performances uploaded on YouTube, namely Backing Sakti, Tidak Cukup Hanya Cinta, and Sebuah Renungan (Setan dalam Diri). This research employs a descriptive qualitative approach using qualitative content analysis of narrative structures, dialogues, and symbolic expressions, reinforced by semi-structured interviews with the puppeteer to strengthen contextual interpretation. The findings reveal that the performances consistently articulate key religious values, including honesty (satya), self-control (dama), tolerance, compassion, and non-violence (ahiṁsā). These values are conveyed through character contrasts, humorous satire, and symbolic conflicts that reflect contemporary socio-political, familial, and religious realities. Moral messages emphasize ethical leadership, household harmony, religious humility, and interfaith respect, presented in ways that encourage reflection rather than didactic instruction. The study concludes that Cenk Blonk performances function as an effective culture-based educational medium that integrates entertainment and moral reflection. Through digital dissemination on YouTube, these performances expand their pedagogical reach and demonstrate the relevance of traditional arts in strengthening contextual, inclusive, and humanistic character development in the digital era.
Aesthetic Transformations of Ogoh-Ogoh: From Conventional Giant Figures to Hybrid Myth–Popular Culture Characters I Wayan Suardana; I Nyoman Laba; Surasak Jamnongsarn
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 3 (2025): Identity in Contemporary Bali
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i03.p05

Abstract

Thousands of Ogoh-Ogoh (towering giant effigies) are paraded across Bali to welcome the arrival of the Saka New Year (Nyepi Day), which falls every March or April. This article examines the evolving aesthetics of these processions, tracing their shift from ritualistic giant figures meant to repel the destructive power of bhuta kala to contemporary hybrid mythic–popular forms that incorporate global pop-cultural icons and local socio-political characters. Employing qualitative methods such as visual ethnography, observation, and semiotic analysis, this study explores Ogoh-Ogoh production across Bali, where creative experimentation is especially vibrant. The findings reveal a significant aesthetic transformation driven by environmental regulations, competitive youth creativity, and the changing visual preferences of younger generations. Material innovations, including the use of LED lighting, have further intensified a performative orientation emphasizing spectacle and technical sophistication. Despite these shifts, ritual continuity endures, demonstrating that ogoh-ogoh remains a living, adaptive tradition in contemporary Balinese society.
Documentary Films As An Educational Medium On The Gaming World And Teenagers' Emotions I Putu Huwa Bagus Utama; I Wayan Suardana; I Nengah Wirakesuma
JHSS (JOURNAL OF HUMANITIES AND SOCIAL STUDIES) Vol. 10 No. 02. (2026): JHSS (Journal of Humanities and Social Studies)
Publisher : UNIVERSITAS PAKUAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jhss.v10i02..202

Abstract

This study aims to produce a documentary film as an educational medium to explore the impact of gaming on adolescents’ emotional development. The research applies a practice-based approach using both qualitative and quantitative methods. Data were collected through in-depth interviews, participatory observation, and questionnaires involving adolescents, parents, and experts. The findings indicate that most adolescents engage in gaming daily with durations exceeding three hours. This activity generates various emotional responses, including enjoyment, satisfaction, frustration, and anger. Gaming provides positive impacts such as entertainment, cognitive skill development, and social interaction, but also presents negative effects, including addiction, emotional instability, and reduced direct social engagement. The documentary film is designed using an expository approach to present balanced and reflective perspectives. The results suggest that documentary film is an effective educational medium to raise awareness among adolescents and parents regarding balanced game use in daily life
Co-Authors Agus Darma Yoga Pratama I Gst. Ngurah Agung Jaya CK I Ketut Muka I Komang Darmayuda I Nengah Wirakesuma, I Nengah I Nyoman Laba I Putu Huwa Bagus Utama I Wayan Seriyoga Parta Kadek Dwiyani Ni Ketut Dewi Yulianti Ni Wayan Ardini, Ni Wayan Pande Putu Sastra Anda Anindia Rai Sunarini Ni Made Surasak Jamnongsarn Wardizal, Wardizal