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All Journal LingTera Segara Widya: Jurnal Penelitian Seni specta: Journal of Photography, Arts, and Media Gestalt : Jurnal Desain Komunikasi Visual Ghurnita: Jurnal Seni Karawitan Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Keperawatan Global Art Creativity Conference
Tisna Andayani, Ni Putu
Institut Seni Indonesia Denpasar
Arts Humanities Education Health Professions Languange, Linguistic, Communication & Media Medicine & Pharmacology Nursing Public Health Social Sciences

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Karawitan composition “Balengku” | Komposisi Karawitan Inovatif “Balengku” I Komang Widiartha; Ni Putu Tisna Andayani
GHURNITA: Jurnal Seni Karawitan Vol 3 No 2 (2023): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v3i2.1194

Abstract

Balengku is an innovative musical composition by developing two different cultures. This material was created and inspired by the acculturation process in Lombok. Balengku's work was incorporated into the gamelan klentang media as the main instrument and added several gamelan instruments found in the gamelan gong kebyar barungan. The two instruments are combined to realize the concept of acculturation as a source of ideas in this work. This composition is realized using the Tri Angga structure and also gives a touch to the gending structure in Lombok. This Balengku material was made using qualitative methods through a process of observation, interviews, and also a literature study, then in the process of pouring ideas it was carried out using the exploration stage, improvisation stage and formation stage.
Feudal Echoes: Unveiling Gendered Power Through Indonesian Literary Narratives The Girl from the Coast By Pramoedya Ananta Toer Tisna Andayani, Ni Putu; Candrayana, Ida Bagus
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 5 (2025): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v5i1.641

Abstract

This article analyzes Gadis Pantai (The Girl from the Coast) by Pramoedya Ananta Toer through a socialist feminist approach to uncover the forms of gender oppression embedded in the feudal social structure of early 20th-century in Java. Feudalism in The Girl from the Coast is portrayed as a system that freezes class and gender identity. It erases a woman's name, agency, and dignity in order to preserve the elite’s status quo. Bendoro positions the Girl from the Coast as a symbol of status rather than an equal partner. The Girl from the Coast serves as a vivid example of female resistance, even within constraints. Male dominance in the novel constructs a narrative that suppresses women's agency. The story illustrates how the institution of marriage can become a form of symbolic violence. Pramoedya gives voice to women who have long been silenced by social systems. The Girl from the Coast stands as a witness to how tradition can perpetuate subordination. Pramoedya not only critiques this feudal system, but also lays the foundation for reinterpreting the role of women within modern social structures. The protagonist, a young woman from a fishing community, is coerced into marriage with a Javanese aristocrat as a “trial wife,” reflecting the interwoven realities of patriarchy and class hierarchy. This study reveals that symbolic and social forms of violence depicted in the novel not only reinforce female subordination but also carve out space for symbolic resistance through the character’s emergence of self-awareness. By synthesizing feminist theory from Simone de Beauvoir and the patriarchy-class framework of Rosemarie Tong and Kate Millett, this article proposes that Gadis Pantai stands as an emancipatory narrative, remaining highly relevant for understanding gendered power relations in contemporary society.
Music Creation Wajaprani | Tabuh Kreasi Wajaprani Surya Adinatha, Made Surya; Andayani, Ni Putu Tisna
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3409

Abstract

Coral rocks, as an iconic element of Bali's coast, have a central role in the island's art and culture. Music, musical arts and dance in Bali often use the character and unique shapes of coral rocks found along the coast to become inspiration for works of art. In Jembrana district, precisely in Pengeragoan village, there is Yeh Leh Beach, on this beach there are beautiful coral rocks which later became the inspiration for the creation of the creative percussion work entitled Wajaprani. The rock's sturdy character even when hit by waves is an inspiration for creating dynamic rhythms. with the character of the coral rocks on Yeh Leh Beach, the stylist thought it would be very suitable to use the medium of gamelan gong kebyar to implement the characters on the coral rocks.
Co-Authors Candrayana, Ida Bagus Eldiana Tri Narulita I G.A. Rai Rahayuni I Gede Janu Merta Yasa I Komang Widiartha Ida Bagus Candra Yana Made Rismawan Raharjo, Anis Surya Adinatha, Made Surya