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All Journal ACCELERATION: Multidisciplinary Research Journal
Titis Ary Laksanti I Desak Ketut
Universitas Surakarta
Computer Science & IT Education Languange, Linguistic, Communication & Media Public Health Social Sciences

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A FOREGROUND ANALYSIS OF CLOCKS, DEAR LOVE, AND PATIENCE POEMS WRITTEN BY LANG LEAV Alifia Noor Yasmine; Ika Oktaria Cahyaningrum; Titis Ary Laksanti I Desak Ketut; Yunita Widiyantari
Acceleration: Multidisciplinary Research Journal Vol. 2 No. 02 (2024): Acceleration: Multidisciplinary Research Journal
Publisher : PT Akselerasi Karya Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70210/amrj.v2i02.72

Abstract

Literature and linguistics stand oppositely. They almost cannot be related, but nowadays Linguistics and Literature can stand in one field of study called Stylistics. From stylistics, literature can be interpreted in linguistic ways and otherwise. This research aims to know the influences of foreground features in the interpretation of modern poems written by Lang Leav (Clocks, Dear Love, and Patience) and analyze the properties of particular linguistic construction metaphors in the three poems. This research is descriptive qualitative research because it analyzed the foreground features, classified the metaphor structure, and described the interpretation of all foreground and metaphors found in the three poems. The source of data for this research is the poems entitled Clocks, Dear Love, and Patience. Meanwhile, the data is all clauses from the selected poems. This research applied total sampling as a technique of sampling data because the population of the sample is less than 100 data.The results found in this research are the foreground features affect the interpretation and could lead to a new perspective that cannot be reached by Literary Criticism and the mapped metaphor in the poems leads to a different perspective from where it first appeared.
OBJECTIVE AND MORALIST CRITICIS THE WAY OF WATER Okta Viani Dwi Lestari; Ika Oktaria Cahyaningrum; Titis Ary Laksanti I Desak Ketut
Acceleration: Multidisciplinary Research Journal Vol. 3 No. 4 (2025): Acceleration: Multidisciplinary Research Journal
Publisher : PT Akselerasi Karya Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70210/amrj.v3i4.194

Abstract

This research aims to analyze the objective and moralist criticism of James Cameron's Avatar 2: The Way of Water. This analysis will focus on two main aspects, namely objective criticism and moralist criticism. Objective criticism examines objective elements in literary works such as theme, plot, characters and characterization, setting, point of view and message. Meanwhile, moralist criticism examines the moral values contained in the film scenes. Using descriptive qualitative methods, researchers can describe and interpret in detail how objective criticism and moralist criticism are represented in the film Avatar 2: The Way of Water. In two categories of criticism analyzed from the movie Avatar 2: The Way of Water, namely Objective Criticism and Moralist Criticism. In Objective Criticism, 18 data were found with the following data distribution: theme (4 data), setting (4 data), character and characterization (2 data), plot (2 data), point of view (2 data), and message (4 data). Moralist Criticism includes a total of 21 data, with the following details: criticism of natural exploitation and environmental damage (5 data), colonialism and bullying (4 data), lives destroyed by military policy and violence (3 data), family sacrifice and responsibility (4 data), ignoring the environment and destroying ecosystems (3 data), and the struggle to preserve cultural heritage (2 data). In terms of percentage, Objective Criticism contributes 46% of the total 39 data analyzed, while Moral Criticism contributes 54%, in Avatar 2: The Way of Water.
LANGUAGE, SUBCULTURE, AND POPULAR MUSIC: A SOCIOLINGUISTIC ANALYSIS OF THE “KICAU MANIA” REGISTER IN THE SONG LYRICS OF NDARBOY GENK Ramadan Adianto Budiman; Titis Ary Laksanti I Desak Ketut; Dessy Dwijayanti; Sofia Safira
Acceleration: Multidisciplinary Research Journal Vol. 4 No. 2 (2026): Acceleration: Multidisciplinary Research Journal
Publisher : PT Akselerasi Karya Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70210/amrj.v4i2.219

Abstract

Language in contemporary Javanese popular music no longer functions merely as an aesthetic medium; it has become a dynamic arena for negotiating social identity and the symbolic resistance of the working class. This study aims to dissect the linguistic representation of the kicau mania (bird-singing enthusiast) subculture in the lyrics of “Kicau Mania” (2026), performed by Ndarboy Genk, Banditoz Yaow 86, and BoyCord. Employing a descriptive qualitative approach and a content-analysis method integrated with the ethnography of communication, this study analyzes twenty-four (24) linguistic units classified into three main corpora: in-group marker lexicon, communal solidarity construction, and code-mixing patterns. The theoretical analysis was conducted through triangulation of Dell Hymes’ Speech Community theory, Bonny Norton’s Social Identity theory, and Pierre Bourdieu’s concept of linguistic habitus. The findings show that exclusive lexical items such as gacor and nggantang have undergone linguistic translocation from an isolated physical space to the macro digital marketplace. Furthermore, sociocultural metaphors such as kalah kondangan are actively constructed to democratize Javanese masculine identity and to build communal solidarity. Finally, the hybrid code-mixing patterns reflect the linguistic habitus of the urban working class, adapting to modernity without losing the authenticity of its locality.
Co-Authors Alifia Noor Yasmine Dessy Dwijayanti Ika Oktaria Cahyaningrum Okta Viani Dwi Lestari Ramadan Adianto Budiman Sofia Safira Yunita Widiyantari, Yunita