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Sumaryanto F, Totok
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Polarization Music Function of Bia in Context of Social Change in Culture in Community Village South District Likupang South Regency of North Minahasa North Sulawesi Kapoyos, Richard Junior; Sumaryanto F, Totok; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19286

Abstract

The phenomenon in the Batu village community needs to be closely examined given that the bia music of the past to present is shifting and changing, due to the lack of awareness, the behavior of the society towards the Bia music. The music of this tradition is very apprehensive to see the reality of the players from year to year diminishing in quantity and quality, not many people who can play and who can play it most aged 40 years and above. The disinterest of the young generation of traditional music with the presence of communication and entertainment technology has made it easier for people to choose various types of entertainment in accordance with what they like. The theory used in this research is the theory of socio-cultural change, data collection techniques used are: interviews, observation and documentation. The data validity technique is based on the credibility criteria, using data triangulation. The result of the research shows that polarization of changes in bia music is seen in previous music functions as ritual media and communication media, now transformed into evangelism media, cultural festivals events, association, entertainment, publicity, and education and in socio-cultural changes occur Due to internal factors caused by the artist itself as a result of the musical demands into an innovation and creativity, and external factors caused by the influence of outside culture that entered and easily accepted by the community.
Bundengan : Between Aesthetics Expressivism, Social of Reality, and Perfomance Studies Arbi, Bahtiar; Sumaryanto F, Totok; Utomo, Udi
Catharsis Vol 6 No 2 (2017)
Publisher : Catharsis

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/catharsis.v6i2.19287

Abstract

Bundengan is a transformation of kowangan or tudhung, which is a kind of head cover made of bamboo blades, clumpring, and rope fibers. This kowangan used to be used by duck herders to take shelter or shelter from the rain and the sun. The purpose of this study is to analyze: (1) The form of bundengan art performances; (2) Social reality that occurs in society; And (3) The aesthetic expression of artists bundengan with the flow of expressiveness. This research uses qualitative method with data collection technique of interview, observation and document study. The data validity technique is based on the credibility criteria, using triangulation of data. Data analysis techniques used are data collection, data presentation, data reduction, and data verification. The results show bundengan can replicate gamelan sounds such as bendhe, kempul, gong, and kendang applied in the pattern of the game, accompanying Lengger dance. There are three moments of dialectics in the social reality of externalization, objectivation, and internalization. Artists bundengan embrace the flow of aesthetic expressiveness art is not as a craft, magical, representation, and entertainment. The art of bundengan maintained its authenticity, and developed and disseminated.
Co-Authors Arbi, Bahtiar Deska Setyawan, Jefry Murwatiningsih Murwatiningsih, Murwatiningsih Richard Junior Kapoyos Udi Utomo